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Model LR16 [Mixer functions]
Monitoring
• About the effect types
You can monitor the signal using headphones
via the [PHONES] jack or using monitor speak-
ers via the [MONITOR L/R] jacks.
The signal to be monitored can be selected
using the [MONITOR SELECT] switch. Each
press of the switch changes the monitor sig-
nals and the indicator for the current moni-
tor signal (ST, 1-2, 3-4 or EFF RTN) is lit.
Indicators
Level meters
[MONITOR SELECT]
switch
The output level of the [PHONES] jack is con-
trolled by the [MONITOR] and [PHONES] con-
trols, while the output level of the [MONITOR
L/R] jacks is controlled by the [MONITOR]
control. The output levels of the monitoring
signals are shown on the level meters above
the [MONITOR SELECT] switch.
ST
1-2
3-4
EFF
RTN
You can monitor the stereo L and R buss signal,
which is output from the [STEREO OUT (L, R)]
jacks.
You can monitor the group 1 and 2 buss signals,
which are output from the [GROUP (1, 2)] jacks.
You can monitor the group 3 and 4 buss signals,
which are output from the [GROUP (3, 4)] jacks.
You can monitor the output signal (wet signal) of
the internal effects processor.
(4) Adjust the effected (wet) signal level sent
to the stereo L/R buss using the control in
the [EFFECT TO STEREO] section
Adjust the effected signal level while
monitoring the stereo buss signal using
headphones or monitor speakers.
<Memo>: To send the effected signal to the
group or AUX busses, use the controls in the
[EFFECT TO GROUP] or [EFFECT TO GROUP]
section.
<Note>:
If any of the [SOLO] switches is set to
ON, the solo signal is monitored, while the sig-
nal selected by the [MONITOR SELECT] switch
is interrupted.
HALL 1
Standard hall reverb; detailled and trans-
parent, with a moderate amount of early
reflections.
HALL
Stadium reverb characterized by long
early reflections.
STADIUM
Reverb simulating an auditorium with
suppressed reverberation.
ROOM
Room reverb simulating a moderate
space with some sparkle.
PLATE 1
Modem-sounding plate reverb with wide
bandwidth.
PLATE 2
Plate reverb with a gentle character.
VOCAL1
All-purpose hall reverb with no early re-
flections, and uniform decay at all fre-
quencies.
VOCAL 2
Plate-like reverb is added to a spacious
short delay. This blends well with any
genre of music.
VOCAL 3
All-purpose reverb (karaoke style) that
makes any vocal sound professional.
Mono DLY
Mono delay.
Pan DLY
Panning delay.
Short DLY
Short delay.