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Insert effect algorithm list
Insert effect algorithm list
● DLY (Delay): This creates a thicker sound by applying a delayed sound to the direct sound.
Effect On/Off (Effect On/Off) OFF, ON This parameter turns the delay effect on/off.
Effect Type (Type) SINGLE This is a simple delay.
TAP The delayed sound is panned across the left and right channels. This will
be effective when stereo output is used.
Delay Time (Delay Time) SINGLE: 1–1400 mS This parameter adjusts the delay time (i.e., the interval for which sound is
delayed).
TAP: 1–700 mS
Feedback (Feedback) 0–100 This parameter adjusts the amount of feedback. Changing the amount of
feedback causes the number of time the delayed sound is repeated to
change as well.
Effect Level (Effect Level) 0–120 This adjusts the volume of the delay sound.
■ Preamp
Models the preamp section of a guitar amp. Set the desired type for Amp Type.
JC-120 : The sound of the Roland “JC-120” (Jazz Chorus 120), a favorite of pro musicians around the world.
CLEAN : The sound of a conventional built-in tube amp.
CRUNCH : Allows you to obtain a crunch effect that creates a natural distortion.
MATCH : A modeling of the latest tube amp widely used in styles from blues and rock.
VO DRV : Allows you to obtain the Liverpool sound of the 60’s.
BLUES : A lead sound with a rich middle ideal for Blues.
BG LEAD : The sound of a tube amp typical of the late ‘70s to ‘80s, characterized by a distinctive mid-range.
MS(1, 2, 1+2) : The sound of a large tube amp stack that was indispensable to the British hard rock of the 70’s, and is used to
this day by many hard rock guitarists.
MS(1) : A trebly sound created by using input I of the guitar amp.
MS(2) : A mild sound created by using input II of the guitar amp.
MS(1+2) : The sound of connecting inputs I and II of the guitar amp in parallel, creating a sound with a stronger low end than I.
SLDN : A tube amp sound with versatile distortion, usable in a wide range of styles.
METAL : The sound of a large tube amp, suitable for heavy metal.
METAL D : A high gain and powerful metal sound.
■ Speaker modeling
The characters of the following types of speakers can be modeled. Set the desired type for Speaker Type.
Microphone Well-matched
Speaker Type Cabinet Speaker Unit Setting
*1
preamp type
SMALL Small open-back enclosure 10 inch On Mic
MIDDLE Open-back enclosure 12 inch On Mic Clean, Crunch, Blues
JC-120
*2
Open-back enclosure 12 inch (two units) On Mic JC-120
TWIN Open-back enclosure 12 inch (two units) On Mic Clean, Crunch
twin Open-back enclosure 12 inch (two units) Off Mic Clean, Crunch
MATCH Open-back enclosure 12 inch (two units) On Mic Match, Blues
match Open-back enclosure 12 inch (two units) Off Mic Match, Blues, BG Lead
VO DRV Open-back enclosure 12 inch (two units) On Mic Vo drv
vo drv Open-back enclosure 12 inch (two units) Off Mic Vo drv
BG STK Large Sealed enclosure 12 inch (two units) On Mic BG Lead
bg stk Large Sealed enclosure 12 inch (two units) Off Mic BG Lead
MS STK Large Sealed enclosure 12 inch (four units) On Mic MS(1), MS(2), MS(1+2), Sldn,
Metal, Meal D
ms stk Large Sealed enclosure 12 inch (four units) Off Mic MS(1), MS(2), MS(1+2), Sldn,
Metal, Meal D
METAL Large dual stack 12 inch (four units) Off Mic MS(1), MS(2), MS(1+2), Sldn,
Metal, Meal D
*1 “On Mic” models sound when a dynamic microphone is used.
“Off Mic” models sound when a condenser microphone is used.
*2 Roland JC-120 Modeling