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Chapter 4
Appendices
DualDLY (Dual Delay)
This is a delay in which the L/R channel parameters can be set
independently.
S.DLY (Stereo Delay)
This is a version of Mono Delay which allows 2-channel simulta-
neous input and output.
The parameters are the same as for Mono Delay.
TmpoDLY (Tempo Delay)
This effect lets you specify the delay time in terms of a specified
note value and tempo.
X.DLY (Cross Delay)
This is a delay in which the feedback is alternated between the L/R
channels. Delay time can be set independently for each channel.
DOPPLER (Doppler)
This simulates the Doppler effect.
ENSEMBL (Ensemble)
This is an ensemble effect with multiple chorus blocks. It produces
a sense of three-dimensional depth.
ER (Early Reflections)
Out of the various reflected components that make up reverbera-
tion, this effect isolates only the early reflections. It gives the sound
a sense of presence and reality.
EXCITER (Exciter)
This effect adds sparkle to the sound, giving it greater definition.
S.XCITE (Stereo Exciter)
This is a variation of EXCITER which allows simultaneous 2-chan-
nel input/output. The parameters are the same as for Exciter.
FILTER (Filter)
This is a filter with resonance, whose frequency can be controlled
by an envelope.
GATE (Gate)
This effect mutes any signals which are lower than the specified
level.
NR (Noise Reduction)
This effect reduces noise.
S.NR (Stereo NR)
This is a version of NR which allows 2-channel simultaneous input.
The parameters are the same as for NR.
PAN (Pan)
This effect moves the sound between left and right. You can specify
the location of the center position.
PHASER (Phaser)
This effect moves the phase of the sound to create modulation.
S.PHASE (Stereo Phaser)
This is a version of PHASER which allows 2-channel simultaneous
input. In addition to the parameters of PHASER, the following can
also be adjusted.
LT (L Time) 1ms...1s L channel delay time
RT (R Time) 1ms...1s R channel delay time
LFBack (L Feedback) 0...50 L channel feedback amount
RFBack (R Feedback) 0...50 R channel feedback amount
LHDamp (L HiDamp) 0...50 High frequency attenuation of the L
channel feedback
RHDamp (R HiDamp)
0...50 High frequency attenuation of the R
channel feedback
LLDamp (L Low-
Damp)
0...50 Low frequency attenuation of the L
channel feedback
RLDamp (R Low-
Damp)
0...50 Low frequency attenuation of the R
channel feedback
LMx (L Wet/Dry) DRY,1,2,...,49,WET Balance between the L channel
effect sound and direct sound
RMx (R Wet/Dry) DRY,1,2,..,49,WET Balance between the R channel
effect sound and direct sound
TEMPO (Tempo) 30...250 Tempo
NOTE (NoteLength) 4...64T Note value length
Fback (Feedback) 0...50 Feedback amount
H.Damp (HighDamp) 0...50 High frequency attenuation of the
feedback
L.Damp (LowDamp) 0...50 Low frequency attenuation of the
feedback
MIX (Wet/Dry) DRY,1,2,...,49,WET Balance between the effect sound
and the direct sound
LT (L Time) 1ms...1s L channel delay time
RT (R Time) 1ms...1s R channel delay time
Fback (Feedback) 0...50 Feedback amount
H.Damp (HighDamp) 0...50 High frequency attenuation of the
feedback
L.Damp (LowDamp) 0...50 Low frequency attenuation of the
feedback
MIX (Wet/Dry) DRY,1,2,...,49,WET Balance between the effect sound
and the direct sound
SPD (Speed) 0.01...4.00(Hz) Speed of movement
PITCH (Pitch) 0...50 Pitch difference of the Doppler effect
SPRED (Spread) –50...+50 Left/right spread
DLY (Delay) 1ms...1s Delay time
MIX (Wet/Dry) DRY,1,2,...,49,WET Balance between the effect sound
and the direct sound
SPD (Speed) 0.01...16.0(Hz) Modulation speed
DEPTH (Depth) 0...50 Modulation depth
H.Damp (HighDamp) 0...50 High frequency attenuation
L.Damp (LowDamp) 0...50 Low frequency attenuation
MIX (Wet/Dry) DRY,1,2,...,49,WET Balance between the effect sound
and the direct sound
CRV (Curv) SHARP, LOOSE,
MOD, REV
Select the attenuation curve of the
early reflections
T (ER Time) 10...400ms Length of the early reflections
PDL (PreDelay) 0...200 ms Time from the original sound until the
first early reflection
H.Damp (HighDamp) 0...50 High frequency attenuation
MIX (Wet/Dry) DRY,1,2,...,49,WET Balance between the effect sound
and the direct sound
BLEND (Blend) 0...50 Depth of the exciter effect
EMPHA (Emphatic
Point)
0...100 The frequency that is emphasized
TYPE (Type) LPF,BPF,HPF Filter type
SENS (Sens) 0...50 Sensitivity
ATK (Attack) FAST,1,2...49,SLOW Strength of the attack
MANUAL (Manual) 0...50 Frequency at which the effect will
apply
RES (Resonance) 0...50 Amount (strength) of resonance
PLTY (Polarity) UP, DOWN Polarity
THR (Threshold) –80...–1dB Level at which the effect will begin to
apply
ATK (Attack) FAST, 1...49, SLOW Attack length
REL (Release) FAST, 1...49, SLOW Release length
THR (Threshold) –1 ... –40dB Level at which the effect begins to
apply
SPD (Speed) 0.01...16.0(Hz) Modulation speed
DEPTH (Depth) 0...50 Modulation depth
BAL (LR Balance) L50,L49..0,R1,..R50 Location of center position
SPD (Speed) 0.01...16.0(Hz) Speed
DEPTH (Depth) 0...50 Modulation depth
MANUAL (Manual) 0...50 Frequency at which the effect is
applied
RES (Resonance) –50...+50 Amount of resonance
MIX (Wet/Dry) DRY,1,2,...,49,
WET
Balance between the effect sound
and the direct sound
PHASE (Phase) 0...180 Relative phase difference between
channels