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92
Joe Z
WAH : Octave AMP : MonoSyn MOD : Chorus REV : Hall Volume
This patch simulates the synth bass of Weather Report's Joe Zawinul.
AMP:MonoSyn:MixBal
93
Stanley
WAH : AutoWah AMP : Acoustic MOD : Chorus REV : ModernSpring Volume
This patch simulates the sound of Stanley Clarke on his famous "School Days". Best for chord
stroking and slap.
(MOD:Chorus:Rate)
94
IRON MAI
CMP : Compressor AMP : AmpegSVT MOD : Chorus DLY : Delay Volume
This patch simulates the precision bass sound of Iron Maiden's Steve Harris in his early days.
Great for melodic bass lines.
AMP:AmpegSVT:Gain
A1
Miller's
CMP : Limiter AMP : SWR MOD : Chorus DLY : Delay Volume
This patch simulates the slap sound of Marcus Miller. Of course it's great for slap playing.
(MOD:Chorus:Rate)
A2
Victor W
WAH : Octave AMP : Aguilar MOD : Chorus REV : E/Refl ection Volume
This patch simulates the sound of Victor Wooten who is famous for tapping and high-speed
slap. Best for use with an active bass.
(MOD:Chorus:Rate)
A3
Jaco MEL
CMP : Compressor AMP : Acoustic MOD : Chorus REV : Hall Volume
Patch simulating the sound of Jaco Pastorius, the master of the fretless bass. Get the speedy
fretless feel and use it for melodious phrases.
DLY:Delay:Mix
A4
Billy BS
CMP : Compressor AMP : Acoustic MOD : Detune DLY : Delay Volume
This patch simulates the sound of Billy Sheehan famous for tapping and high-speed play. The
sound is distortion-based and brings out tapping play beautifully.
AMP:Acoustic:Gain
B1
Bootsy
WAH : AutoWah AMP : Hartke MOD : PitchShift DLY : Delay Volume
This patch simulates the sound of Bootsy Collins using auto wah. It gives a special Funk tone
with a dash of one-octave higher auto wah.
MOD:PitchShift:Balance
B2
Flea MM
WAH : AutoWah AMP : Aguilar MOD : Flanger DLY : Delay Volume
This patch gives a tight sound with a characteristic middle, inspired by Flea, the bassist of the
Red Hot Chili Peppers.
(MOD:Flanger:Depth)
B3
MarkKing
WAH : X-Phaser AMP : Trace MOD : Chorus REV : Hall WAH:X-Phaser:X-Fade
This patch simulates the attack sound of ultra high-speed slap bassist Mark King from Level
42. Great for slap.
(MOD:Chorus:Rate)
SpecialFx
B4
PSYCO-BR
WAH : AutoWah AMP : SynTlk MOD : Flanger DLY : ReverseDelay Volume
Experimental patch from the realm of SF. Move the expression pedal horizontally to direct the
sound like a laser gun.
MOD:Flanger:Rate
C1
1up1down
WAH : Octave AMP : AmpegSVT MOD : MonoPitch REV : Hall Volume
Rich sounding patch adding a one-octave up and one-octave down component.
MOD:MonoPitch:Balance
C2
PhaseTap
CMP : Limiter AMP : StdSyn MOD : ST-Chorus DLY : SOS Volume
This phaser patch is convenient for rythmical 16-beat play while using mute. Pressing foot
switch 2 in manual mode turns on "Bass Synth" for a gimmicky sound.
WAH:8StagePhaser:Rate
C3
Ac.Bass
WAH : AutoFilter AMP : Polytone MOD : PitchShift DLY : Delay Volume
This patch simulates the sound of an acoustic bass. Use mute and play with your thumb for
even better results.
REV:Hall:Mix
C4
Gtr uni
CMP : Compressor AMP : MetalZone MOD : MonoPitch DLY : Delay Volume
This patch lets you play a riff in unison with a guitar. Effective for backing up a guitar in a guitar trio.
Balance
D1
3quarter
WAH : Octave AMP : TS9 MOD : Vibe REV : Arena Volume
Patch using "Octave" and "Vibe". Pressing foot switch 2 in manual mode adds "TS9" distortion,
great for solos and long tone playing.
MOD:Vibe:Rate
D2
Melow SP
WAH : Octave AMP : WalterWds MOD : Detune REV : Hall Volume
Chorus sound for playing a melody in slap style. Pressing foot switch 1 in manual mode adds a
one-octave lower component.
REV:Hall:Mix
D3
SynLead
CMP : DualComp AMP : SansAmp MOD : PdlMonoPitch DLY : PingPongDly Volume
This patch is most suited for ballads and slow-tempo solos. Moving the expression pedal
horizontally gives a bend-down effect like a harmonica. Pressing foot switch 4 in manual mode
adds delay for a wider synthesizer sound.
MOD:PdlMonoPitch:PdlPosi
D4
AutoQesq
WAH : AutoWah AMP : BigMuff MOD : Vibe DLY : SOS Volume
This patch is a combination of "Big Muff" and "Auto Wah". Good for solos and lead.
WAH:AutoWah:Resonance
E1
HitSound
WAH : Octave AMP : Polytone MOD : ST-Chorus DLY : Air Volume
Massive synthesizer type bass sound such as used for backing on hit songs. Pressing foot switch 4 in
manual mode enables the "Air" effect, adding room ambience for an even more solid sound.
MOD:ST-Chorus:Mix
E2
Slow Pad
CMP : M Comp AMP : MetalZone MOD : PitchShift DLY : PingPongDly Volume
Synthesizer pad patch using "Slow Attack", resulting in soft sound without overbearing presence.
WAH:SlowAttack:Time
E3
Pedal WH
WAH : PedalVox AMP : FuzzFace MOD : X-Step DLY : Delay (WAH:PedalVox:Frequency)
Rock patch with wild distortion. Pushing down the expression pedal turns "PedalVox" on,
letting you emphasize a bass solo. Horizontal movement of the expression pedal adds "STEP"
for a gimmick effect.
MOD:X-Step:X-Fade
E4
EP
WAH : 8StagePhaser AMP : Trace MOD : PitchShift REV : AutoPan Volume
Playing a chord with this patch makes it sound as if an electric piano is playing along. By
moving the expression pedal horizontally, you can control the "AutoPan" RATE parameter. (This
patch is suitable for line output.)
REV:AutoPan:Rate
SpecialFx
F1
AmVocode
WAH : AutoWah AMP : TubePre MOD : H.P.S REV : Room Volume
Patch with Vocoder type sound. "H.P.S" for the patch is set to match a key of C or Am.
REV:Room:Decay
F2
ChainSaw
WAH : Tremolo AMP : FuzzFace MOD : Flanger DLY : Delay Volume
Wild distortion based on the image of a chain saw. Pressing foot switch 1 in manual mode
enables "Tremolo" for an even stronger chain saw effect.
(MOD:Flanger:Rate)
F3
Meteor
CMP : DualComp AMP : StdSyn MOD : PitchShift DLY : PingPongDly Volume
Synthesizer sound patch. Pressing foot switch 3 in manual mode enables the "Pitchshifter"
effect, and foot switch 4 adds "PingPongDly" for a magical feel.
WAH:4StagePhaser:Rate
F4
PICK
CMP : Limiter AMP : Hartke MOD : Flanger DLY : Delay Volume
This patch gives just the right attack and solid bottom for playing with a pick.
(MOD:Flanger:Rate)
G1
CrunchWh
WAH : AutoWah AMP : Acoustic MOD : Air REV : Arena Volume
Crunch sound with auto wah for that groovy dance feeling.
WAH:AutoWah:Sense
G2
12-Str.G
CMP : DualComp AMP : SansAmp MOD : PitchShift DLY : PingPongDly Volume
This patch simulates a 12-string guitar that works great when playing arpeggios. (This patch is
suitable for line output.)
Balance
G3
Hold Dly
WAH : Tremolo AMP : ODB-3 MOD : ST-Chorus REV : PanDelay Volume
Patch using the "Loop" effect. Pressing function foot switch 3 holds the immediately preceding
sound, letting you overlay a melody.
REV:PanDelay:Pan
G4
Fretless
CMP : Compressor AMP : MXR D.I+ MOD : Chorus DLY : PingPongDly Volume
This patch simulates a fretless bass by means of "Slow Attack" rather than "Defret".
DLY:PingPongDly:Mix
H1
Storm PH
CMP : M Comp AMP : Hartke MOD : DynamicDelay REV : Hall Volume
Moving the expression pedal horizontally lets you control the RATE parameter of this unique
phase sound.
WAH:8StagePhaser:Rate
H2
4VoiceSy
CMP : DualComp AMP : 4VoiceSyn MOD : A-Resonance DLY : ReverseDelay Volume
Synthesizer patch using "4VoiceSyn" with Add9 for the played sound. Most effective when used like a pad.
DLY:ReverseDelay:Balance
H3
P-Syn.Am
CMP : DualComp AMP : PedalSyn MOD : Detune DLY : PingPongDly Volume
When you press the function foot switch 2, this pedal synthesizer type patch lets you play
sounds with the foot switches like Moog Taurus. Moving the expression pedal horizontally
shifts the key upwards by as much as one octave.
(AMP:PedalSyn:Key)
H4
Live 1
WAH : AutoWah AMP : TS9 MOD : Chorus REV : Hall Volume
Basic effect settings useful during a live performance. Compression is the main element, with
foot switches 1 - 4 adding auto wah, distortion, chorus, and reverb.
(MOD:Chorus:Rate)
i1
Live 2
WAH : 4StagePhaser AMP : G-Krueger MOD : Flanger REV : Hall Volume
Basic effect settings useful during a live performance. Compression is the main element, with
foot switches 1 - 4 adding phaser, head amp, fl anger, and reverb.
(WAH:4StagePhaser:Rate)
Z-Pedal
i2
ECHODOUG
WAH : Octave AMP : ODB-3 MOD : Z-Talking DLY : Delay MOD:Z-Talking:Formant V
Distortion sound using "Z-Talking" and the "ODB-3" effect. You can make the bass sound talk
in a human-like voice using the expression pedal.
MOD:Z-Talking:Formant H
i3
Heli
WAH : Tremolo AMP : MetalZone MOD : AutoWah DLY : Delay REV:Z-Dimension:Depth
Helicopter sound capable of front/back and left/right movement. The expression pedal moves
the sound seamlessly in all directions. (This patch is suitable for line output.)
REV:Z-Dimension:Pan
i4
Z-Bubble
CMP : Compressor AMP : TubePre MOD : Z-Echo DLY : PingPongDly MOD:Z-Echo:Time
Using the expression pedal while playing muted sounds produces a bubbly kind of sound, while
using the expression pedal during regular playing gives an effect like a tape being rewound.
(This patch is suitable for line output.)
MOD:Z-Echo:Time
J1
PSYIFI
WAH : AutoWah AMP : AmpegSVT MOD : Chorus REV : AutoPan REV:AutoPan:Rate
Stereo patch using "AutoPan". The expression pedal can be used to control rotation rate and
width. (This patch is suitable for line output.)
REV:AutoPan:Depth
J2
PHAZE
WAH : AutoWah AMP : MetalZone MOD : Flanger REV : Z-Tornado REV:Z-Tornado:Mix
Jet sound patch combining "Flanger" and the distortion effect "MetalZone". Operating the
expression pedal causes the jet sound to rotate. (This patch is suitable for line output.)
REV:Z-Tornado:Width
J3
Step
CMP : Compressor AMP : ODB-3 MOD : Step DLY : PingPongDly REV:Z-Tornado:Rate
This patch is designed for solo playing and uses the "Step" effect. The expression pedal can be
used to control sound rotation. (This patch is suitable for line output.)
REV:Z-Tornado:Width
J4
Z-Cats
CMP : DualComp AMP : StdSyn MOD : PdlMonoPitch DLY : PingPongDly MOD:PdlMonoPitch:PdlPosi
Moving the expression pedal lets you play along with a cat chorus. (This patch is suitable for
line output.)
REV:Z-Dimension:Pan
B9.1ut-Patchlist-E-1
• Adjust the ZNR value to achieve an optimum match with the bass
guitar and amp that you are using.
• When using a bass amp, the EQ should be set to the fl at setting.
Manufacturer names and product names mentioned in this patch list are trademarks or registered trade-
marks of their respective owners and do not indicate any affi liation with ZOOM CORPORATION. All product
and artist names are intended only to illustrate sonic characteristics that were used as reference in the devel-
opment of this product.