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Chapter 8 Parameters Guide
Frequency band division is employed to produce two different
choruses, one for low frequencies and one for higher
frequencies, for both the left and right channels (for a total of
four). This allows you to achieve a more natural chorus sound.
This is a delay with the maximum delay time of 1,000 ms. This
effect is useful for making the sound fatter.
2X2 CHORUS
Parameter/
Range
Explanation
Xover f (Crossover Frequency)
100Hz–4.00kHz
This sets the frequency dividing the low-
and high-frequency ranges.
Lo Rate (Low Rate)
0–100,
BPM –BPM
Adjust the speed of the chorus effect for the
low frequency range.
When set to BPM, the value of each parameter will be set according
to the value of the “Master BPM” (p. 122) specified for each patch.
This makes it easier to achieve effect sound settings that match the
tempo of the song.
If, due to the tempo, the time is longer than the range of allowable settings, it
is then synchronized to a period either 1/2 or 1/4 of that time.
Lo Depth (Low Depth)
0–100
Adjust the depth of the chorus effect for the
low frequency range. If you wish to use this
as a doubling effect, use a setting of 0.
Lo PreDly (Low Pre Delay)
0.0ms–40.0ms
Adjusts the delay of the effect sound in the
low-frequency range.
Extending the pre-delay will produce the
sensation of multiple sounds (doubling ef-
fect).
Lo Level (Low Level)
0–100
Adjusts the volume of the effect sound in
the low-frequency range.
Hi Rate (High Rate)
0–100,
BPM –BPM
Adjust the speed of the chorus effect for the
high frequency range.
When set to BPM, the value of each parameter will be set according
to the value of the “Master BPM” (p. 122) specified for each patch.
This makes it easier to achieve effect sound settings that match the
tempo of the song.
If, due to the tempo, the time is longer than the range of allowable settings, it
is then synchronized to a period either 1/2 or 1/4 of that time.
Hi Depth (High Depth)
0–100
Adjust the depth of the chorus effect for the
high frequency range. If you wish to use
this as a doubling effect, use a setting of 0.
Hi PreDly (High Pre Delay)
0.0ms–40.0ms
Adjusts the delay of the effect sound in the
high-frequency range.
Extending the pre-delay will produce the
sensation of multiple sounds (doubling ef-
fect).
Hi Level (High Level)
0–100
Adjusts the volume of the effect sound in
the high-frequency range.
SUB DELAY
Parameter/
Range
Explanation
Dly Time (Delay Time)
1ms–1000ms,
BPM –BPM
Adjusts the delay time.
When set to BPM, the value of each parameter will be set according
to the value of the “Master BPM” (p. 122) specified for each patch.
This makes it easier to achieve effect sound settings that match the
tempo of the song.
• If, due to the tempo, the time is longer than the range of allowable
settings, it is then synchronized to a period either 1/2 or 1/4 of that time.
• If you tap [CATEGORY/ENTER], the delay time will change to match
the timing of your tapping.
Feedback
0–100
Adjusts the volume that is returned to the
input.
Higher settings will result in more delay re-
peats.
Hi-Cut (High Cut Filter)
700Hz–11.0kHz,
Flat
This sets the frequency at which the high
cut filter begins to take effect. When “Flat”
is selected, the high cut filter will have no
effect.
EffectLev (Effect Level)
0–120
Adjusts the volume of the delay sound.
DirectLev (Direct Level)
0–100
Adjusts the volume of the direct sound.
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