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37
MR16 Owner’s Manual (Basic operations)
You can record onto any one of tracks 1 through 8. When making recording to a single track, you
can record a signal fed to the [INPUT A] channel.
The following describes the procedure for recording an acoustic guitar onto track 1 via a micro-
phone. We assume that Song02 is loaded and no sound is recorded to Song02. See "Creating a
song for recording" on page 33 for details about how to create a song.
1) Connect a microphone to the [BAL] or
[UNBAL/GUITAR] input connector of the
[INPUT A] channel.
<Note>:
You can apply the mic simulation
as insert effects when the [
INPUT A SELECT
]
switch to "
MIC/LINE
" (see page 68).
3) Press the [REC SELECT] key for track 1.
Track 1 is record armed and the [REC SELECT]
key for track 1 starts flashing.
On the home screen, the remaining time is
shown, while "1" for the track number changes
to "A". This indicates you can now record the
[INPUT A] channel signals to tracks 1
respectively.
Preparation for recording
2) Set the [INPUT A SELECT] switch to "MIC/LINE".
<Note>:
You can supply the phantom power
to a condenser microphone connected to
the [
BAL
] XLR connector (see page 144).
Note that you cannot supply the phantom
power via the [
GUITAR/UNBAL
] phone con-
nector.
PEAK
GUITAR
MIN
DISTORTION
MAX
LINE MIC
TRIM
INSERT/GUITAR
UNBAL
BALBALBALBAL
INPUT A INPUT B INPUT C INPUT D
VOLUME
MIN
MAX
PEAK
LINE
TRIM
MIC
UNBAL
POWER
UNBAL
MIC
TRIM
LINE
PEAK
UNBAL
MIC
TRIM
LINE
PEAK
MAX
MIN
1
R
L
100
SIMULATION
SIMULATION
AMP
MIC
010
LR
010
LR
2
3
RL
100
4 8
010
LR
7
6
RL
100
RL
100
010
LR
5
MAX
MIN
MASTER
REC SELECT
RECORD STOP PLAY
REWIND F FWD
UNDO/REDO
STORE
LOCATE REC END
LOCATE ABS ZERO
A-B PLAY
BOUNCE
MASTERING
BRIGHT
15/16 > STEREO WAV FILE
NATURAL
POWERFUL
B / OUTA / INPLAY MODEAUTO PUNCH
LOCATE
EFFECT
DELAYPLATEHALLROOM
BOUNCE MODE
CONTRAST
TIMEBASE SELECT
RHYTHM GUIDE DIRECT LOCATE
EFFECT SEND
PAN
INPUT EQ
TO STEREO BUSS LEVEL
9/10 11/12 13/14 15/16
ABC1 DEF2
GHI3 JKL4
MNO5 YZ9PQR6 +-_0STU7 VWX8 DELETE
MENU / ENTER
MIN MAX
MIN
MAX
REVERB / DELAY TIME
L
STEREO OUT
R
1
AUX OUT
2
1
PHONES
2
DYNAMIC BRIT STACK
CONDENSER
US METAL
TUBE
60'S COMBO
INPUT A INPUT B INPUT C INPUT D
1
6
6
3
4
458
7
9
10
INPUT A SEL
MIC/LINE
GTR CLEAN
GTR DIST
2
Recording onto a single track
<Note>:
You can apply EQ to the input sig-
nal during recording (see page 66).
Remain