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42
Eect Settings (EFFECT)
AMP TYPE
Value Description
01: BOSS CLEAN A clean sound that is smooth and warm.
02: JC-120 The sound of the Roland JC-120.
03: JAZZ COMBO A sound suited to jazz.
04: FULL RANGE
A sound with at response.
Good for acoustic guitar.
05: CLEAN TWIN Models a Fender Twin Reverb.
06: PRO CRUNCH Models a Fender Pro Reverb.
07: TWEED Models a Fender Bassman 4 x 10” Combo.
08: DELUXE CRUNCH Models a Fender Deluxe Reverb.
09: BOSS CRUNCH
A crunch sound that faithfully reproduces picking
nuances.
10: BLUES A sound suited to blues.
11: WILD CRUNCH A crunch sound with wild distortion.
12: STACK CRUNCH A crunch sound with high gain.
13: VO DRIVE
Models the drive sound of a VOX AC-30TB. This is a
sound that it suited to sixties-style British rock.
14: VO LEAD Models the lead sound of the VOX AC-30TB.
15: VO CLEAN Models the clean sound of the VOX AC-30TB.
16: MATCH DRIVE
Models the sound produced using the left input on a
Matchless D/C-30, a modern tube amp widely used in
styles from blues to rock.
17: FAT MATCH
Models the sound of a Matchless modied for high
gain.
18: MATCH LEAD
Models the sound produced using the right input on a
Matchless D/C-30.
19: BG LEAD
Models the lead sound of the Mesa/Boogie combo
amp, a tube amp that was very popular in the late ‘70s
and ‘80s.
20: BG DRIVE Models a Mesa/Boogie with Treble Shift Switch on.
21: BG RHYTHM
Models the rhythm channel of a Mesa/Boogie combo
amp.
22: MS1959 I
Models the sound produced using Input I on a
Marshall 1959 Super Lead amp. This is a trebly sound
suited to hard rock.
23: MS1959 I+II
The sound of connecting Inputs I and II of the Marshall
1959 amp in parallel, creating a sound with a stronger
low end than I.
24: MS HIGAIN
Models the sound of a Marshall modied with a
midrange boost.
25: MS SCOOP
This is a Marshall sound that’s been tweaked for a
metal sound.
26: R-FIER VINTAGE
Models the sound of the Channel 2 VINTAGE Mode on
the Mesa/Boogie DUAL Rectier.
27: R-FIER MODERN
Models the sound of the Channel 2 MODERN Mode on
the Mesa/Boogie DUAL Rectier.
28: R-FIER CLEAN
Models the sound of the Channel 1 CLEAN Mode on
the Mesa/Boogie DUAL Rectier.
29: T-AMP LEAD Models AMP3 on a Hughes & Kettner TriAmp.
30: T-AMP CRUNCH Models AMP2 on a Hughes & Kettner TriAmp.
31: T-AMP CLEAN Models AMP1 on a Hughes & Kettner TriAmp.
32: BOSS DRIVE A drive sound producing awesome distortion.
33: SLDN
Models a Soldano SLO-100, a very popular tube amp
in the 1980s.
34: LEAD STACK A lead sound with high gain.
35: HEAVY LEAD A powerful lead sound featuring extreme distortion.
36: BOSS METAL A metal sound suited to heavy ris.
37: 5150 DRIVE Models the lead channel of a Peavey EVH 5150.
38: METAL LEAD A lead sound suited to metal.
39: EDGE LEAD A sharp sound suited for lead play.
40: BASS CLEAN A clean sound that is great for use with bass guitars.
Value Description
41: BASS CRUNCH
A crunch sound with natural distortion that sounds
great with bass guitars.
42: BASS HIGAIN A high-gain sound suitable for use with bass guitars.
MOD
Group Parameter Value Description
TYPE
SWITCH OFF, ON Turns MOD OFF/ON.
PAN L50–R50
Adjusts the pan position.
The PAN parameter is valid even if
SWITCH is “OFF.”
EFFECT TYPE
Refer to
“MOD Type“
Species the MOD type.
NS
SWITCH OFF, ON Turns the noise suppressor on/o.
THRESHOLD 0–100
Adjusts the eect in response to the
level of noise.
A value of 0 switches o the noise
suppressor.
Setting this higher than necessary
may cause no sound to be produced
when the guitar is played at low
volume.
RELEASE 0–100
Adjusts the time from when the noise
suppressor begins to function until
the noise level reaches “0.”