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101
Creating a Patch
Overview Connections VS-700C Console VS-700R I/O Fantom VS Appendix
You can use the force with which keys are played, or MIDI
messages to control the way each Tone is played. This is
referred to as the Tone Mix Table (TMT).
For details on these settings, refer to
How to Make
Patch Settings
(p. 96).
Patch TMT
Structure Type 1 & 2, 3 & 4
Determines how tone 1 and 2, or tone 3 and 4 are connected.
Value:
1–10
The following 10 different Types of combination are
available.
fig.06-014
With this type, tones 1 and 2 (or 3 and 4) are independent.
Use this type when you want to preserve PCM sounds or
create and combine sounds for each tone.
fig.06-015
This type stacks the two filters together to intensify the
characteristics of the filters. The TVA for tone 1 (or 3) controls
the volume balance between the two tones.
fig.06-016
This type mixes the sound of tone 1 (3) and tone 2 (4), applies
a filter, and then applies a booster to distort the waveform.
fig.06-017
This type applies a booster to distort the waveform, and then
combines the two filters. The TVA for tone 1 (or 3) controls
the volume balance between the two tones and adjusts
booster level.
fig.06-018
This type uses a ring modulator to create new overtones, and
combines the two filters. The tone 1 (3) TVA will control the
volume balance of the two tones, adjusting the depth of ring
modulator.
fig.06-019
This type uses a ring modulator to create new overtones, and
in addition mixes in the sound of tone 2 (4) and stacks the
two filters. Since the ring-modulated sound can be mixed
with tone 2 (4), tone 1 (3) TVA can adjust the amount of the
ring-modulated sound.
Changing How a Tone Is Sounded (TMT)
TONE 1 (3)
TONE 2 (4)
TVATVF
WG
WG
TVF TVA
TYPE 1
TONE 1 (3)
TONE 2 (4)
TVA
TVF
WG
WG
TVF TVA
TYPE 2
TONE 1 (3)
TONE 2 (4)
TVA TVF
WG
WG
TVF TVA
B
TYPE 3
TONE 1 (3)
TONE 2 (4)
TVA TVF
WG
WG
TVF TVA
B
TYPE 4
TONE 1 (3)
TONE 2 (4)
TVA TVF
WG
WG
TVF TVA
R
TYPE 5
TONE 1 (3)
TONE 2 (4)
TVA TVF
WG
WG
TVF TVA
R
TYPE 6
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