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102
Creating a Patch
fig.06-020
This type applies a filter to tone 1 (3) and ring-modulates it
with tone 2 (4) to create new overtones.
fig.06-021
This type sends the filtered tone 1 (3) and tone 2 (4) through
a ring modulator, and then mixes in the sound of tone 2 (4)
and applies a filter to the result.
fig.06-022
This type passes the filtered sound of each tone through a
ring modulator to create new overtones. The tone 1 (3) TVA
will control the volume balance of the two tones, adjusting
the depth of ring modulator.
fig.06-023
This type passes the filtered sound of each tone through a
ring modulator to create new overtones, and also mixes in
the sound of tone 2 (4). Since the ring-modulated sound can
be mixed with tone 2 (4), tone 1 (3) TVA can adjust the
amount of the ring-modulated sound.
• When TYPE 2–10 is selected and one tone of a pair is turned
off, the other tone will be sounded as TYPE 1 regardless of
the displayed setting.
• If you limit the keyboard area in which a tone will sound
(Keyboard Range p. 103) or limit the range of velocities for
which it will sound (Velocity Range p. 104), the result in areas
or ranges where the tone does not sound is just as if the tone
had been turned off. This means that if TYPE 2–10 is selected
and you create a keyboard area or velocity range in which
one tone of a pair does not sound, notes played in that area
or range will be sounded by the other tone as TYPE 1
regardless of the displayed setting.
Booster 1&2, 3&4 (Booster Gain)
When a Structure Type of TYPE 3 or TYPE 4 is selected, you
can adjust the depth of the booster. The booster increases
the input signal in order to distort the sound. This creates the
distortion effect frequently used with electric guitars. Higher
settings will produce more distortion.
Value:
0, +6, +12, +18
TONE 1 (3)
TONE 2 (4)
TVATVF
WG
WG
TVF TVA
R
TYPE 7
TONE 1 (3)
TONE 2 (4)
TVATVF
WG
WG
TVF TVA
R
TYPE 8
TONE 1 (3)
TONE 2 (4)
TVATVF
WG
WG
TVF TVA
R
TYPE 9
TONE 1 (3)
TONE 2 (4)
TVATVF
WG
WG
TVF TVA
R
TYPE 10
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