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Creating a Patch
Overview Connections VS-700C Console VS-700R I/O Fantom VS Appendix
Tone Delay Time
Specifies the time from when the key is pressed (or if the
Delay Mode parameter is set to “OFF-N” or “OFF-D,” the time
from when the key is released) until when the tone will
sound.
Value:
0–127, Note
Tone Delay Time specifies the beat length for the
synchronized tempo when the tempo that specifies the
elapsed time until the tone is sounded (Patch Tempo) is
synchronized with the tempo set in an external MIDI
sequencer.
(Example)
For a tempo of 120 (120 quarter notes occur in 1 minute (60
seconds))
Tone Coarse Tune
★
Adjusts the pitch of the tone’s sound up or down in semitone
steps (+/-4 octaves).
Value:
-48– +48
Tone Fine Tune
★
Adjusts the pitch of the tone’s sound up or down in 1-cent
steps (+/-50 cents).
Value:
-50– +50
One cent is 1/100th of a semitone.
Random Pitch Depth
This specifies the width of random pitch deviation that will
occur each time a key is pressed. If you do not want the pitch
to change randomly, set this to “0.” These values are in units
of cents (1/100th of a semitone).
Value:
0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 20, 30, 40, 50, 60, 70, 80,
90, 100, 200, 300, 400, 500, 600, 700, 800, 900,
1000, 1100, 1200
Setting
Delay time
(half note)
1 second (60 / 60 = 1 (second))
(quarter note) 0.5 seconds (60 / 120 = 0.5 (seconds))
(eighth note) 0.25 seconds (60 / 240 = 0.25 (seconds))
Tone Delay
This produces a time delay between the moment a key
is pressed (or released), and the moment the tone
actually begins to sound. You can also make settings
that shift the timing at which each tone is sounded. This
differs from the Delay in the internal effects, in that by
changing the sound qualities of the delayed tones and
changing the pitch for each tone, you can also perform
arpeggio-like passages just by pressing one key.
You can also synchronize the tone delay time to the
tempo of the external MIDI sequencer.
If you are not going to use Tone Delay, set the
Delay Mode parameter to “NORM” and Delay Time
parameter to “0.”
• If the Structure parameters set in the range of “2”–
”10,” the output of tones 1 and 2 will be combined
into tone 2, and the output of tones 3 and 4 will be
combined into tone 4. For this reason, tone 1 will
follow the settings of tone 2, and tone 3 will follow
the settings of tone 4 (p. 101).
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