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Creating a Patch
Overview Connections VS-700C Console VS-700R I/O Fantom VS Appendix
Tone Rx Pan Mode (Tone Receive Pan Mode)
For each tone, specify how pan messages will be received.
Value
CONT:
Whenever Pan messages are received, the stereo
position of the tone will be changed.
K-ON:
The pan of the tone will be changed only when
the next note is played. If a pan message is
received while a note is sounding, the panning
will not change until the next key is pressed.
The channels cannot be set so as not to receive Pan
messages.
Tone Redamper Sw (Tone Redamper Switch)
You can specify, on an individual tone basis, whether or not
the sound will be held when a Hold 1 message is received
after a key is released, but before the sound has decayed to
silence. If you want to sustain the sound, set this “ON.” When
using this function, also set the Rx Hold-1 parameter “ON.”
This function is effective for piano sounds.
Value:
OFF, ON
Matrix Control Settings (Matrix Ctrl1–4)
Matrix Control
Ordinarily, if you wanted to change tone parameters
using an external MIDI device, you would need to send
System Exclusive messages—MIDI messages designed
exclusively for the Fantom VS. However, System
Exclusive messages tend to be complicated, and the
amount of data that needs to be transmitted can get
quite large.
For that reason, a number of the more typical of the
Fantom VS’s tone parameters have been designed so
they accept the use of Control Change (or other) MIDI
messages for the purpose of making changes in their
values. This provides you with a variety of means of
changing the way patches are played. For example, you
can use the Pitch Bend lever to change the LFO cycle
rate, or use the keyboard’s touch to open and close a
filter.
The function which allows you use MIDI messages to
make these changes in realtime to the tone parameters
is called the
Matrix Control. Up to four Matrix Controls
can be used in a single patch.
To use the Matrix Control, specify which MIDI message
(Source parameter) will be used to control which
parameter (Destination parameter), and how greatly
(Sns parameter), and the tone to which the effect is
applied (Tone parameter).
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