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174
Adding Effects
32: 2BAND CHORUS
A chorus effect that lets you apply an effect independently to the
low-frequency and high-frequency ranges.
fig.MFX-32
33: 2BAND FLANGER
A flanger that lets you apply an effect independently to the low-
frequency and high-frequency ranges.
fig.MFX-33
Parameter
Value Explanation
Split Freq 200–8000 Hz Frequency at which the low
and high ranges will be divid-
ed
Low Pre Delay 0.0–100.0 ms Delay time from when the
original sound is heard to
when the low-range chorus
sound is heard
Low Rate # 0.05–10.00 Hz, note Rate at which the low-range
chorus sound is modulated
Low Depth 0–127 Modulation depth for the low-
range chorus sound
Low Phase 0–180 deg Spaciousness of the low-range
chorus sound
High Pre Delay 0.0–100.0 ms Delay time from when the
original sound is heard to
when the high-range chorus
sound is heard
High Rate # 0.05–10.00 Hz, note Rate at which the low-range
chorus sound is modulated
High Depth 0–127 Modulation depth for the
high-range chorus sound
High Phase 0–180 deg Spaciousness of the high-
range chorus sound
Balance # D100:0W–D0:100W Volume balance of the origi-
nal sound (D) and chorus
sound (W)
Level 0–127 Output volume
R in
R out
L in
L out
Split
High Band Chorus
Low Band Chorus
High Band Chorus
Low Band Chorus
Split
Parameter
Value Explanation
Split Freq
200–8000 Hz Frequency at which the low
and high ranges will be divid-
ed
Low Pre Delay 0.0–100.0 ms Delay time from when the
original sound is heard to
when the low-range flanger
sound is heard
Low Rate # 0.05–10.00 Hz, note Rate at which the low-range
flanger sound is modulated
Low Depth 0–127 Modulation depth for the low-
range flanger sound
Low Phase 0–180 deg Spaciousness of the low-range
flanger sound
Low
Feedback #
-98– +98% Proportion of the low-range
flanger sound that is to be re-
turned to the input (negative
values invert the phase)
High Pre Delay 0.0–100.0 ms Delay time from when the
original sound is heard to
when the high-range flanger
sound is heard
High Rate # 0.05–10.00 Hz, note Rate at which the high-range
flanger sound is modulated
High Depth 0–127 Modulation depth for the
high-range flanger sound
High Phase 0–180 deg Spaciousness of the high-
range flanger sound
High
Feedback #
-98– +98% Proportion of the high-range
flanger sound that is to be re-
turned to the input (negative
values invert the phase)
Balance # D100:0W–D0:100W Volume balance of the origi-
nal sound (D) and flanger
sound (W)
Level 0–127 Output volume
R in
R out
L in
L out
Split
High Band Flanger
Low Band Flanger
High Band Flanger
Low Band Flanger
Split
Low Band Feedback
High Band Feedback
High Band Feedback
Low Band Feedback
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