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4. Wave......................................................................
This displays the audio data of the track as a wave-
form. Here you can set the editing locations (IN,
OUT, TO) more precisely. (→p.81 EditType: “Copy-
Track”)
EditType: “DeleteTrack”
This operation deletes the track data from the IN–OUT
range of the delete destination track (“DestT
rack”).
When this is executed (“Exec.”), the data of the IN–
OUT range will be discarded, and any track data that
followed the deleted range will be moved toward the
beginning of the song.
2. DestTrack.................................................................
[1...12, 1–2...11–12, 1–4...9–12, 1–6, 7–12, 1–12]
Select the track(s) from which data will be deleted.
In the case of a 24 bit song, only tracks 1–6 can be
selected.
3. Exec. (Execute).........................................................
Execute the track editing operation.
4. Wave......................................................................
This displays the audio data of the track as a wave-
form.
Here you can set the editing locations (IN, OUT,
TO) more precisely. (→p.81 EditType: “CopyTrack”)
EditType: “SwapTrack”
This operation exchanges (swaps) the track data of the
IN–OUT range of the swap source track (“Sour
ce-
Track”) with the track data in the IN–OUT range of the
swap destination track (“DestT
rack”).
When this is executed (“Exec.”), the data in the IN–
OUT ranges of the “Sour
ceTrack” and “DestTrack” will
be exchanged.
2. SourceTrack ............................................................
[1...12, 1–2...11–12, 1–4...9–12, 1–6, 7–12, 1–12]
Select the swap source track.
In the case of a 24 bit song, only tracks 1–6 can be
selected.
3. DestTrack................................................................
[1...12, 1–2...11–12, 1–4...9–12, 1–6, 7–12, 1–12]
Select the swap destination track.
In the case of a 24 bit song, only tracks 1–6 can be
selected.
4. Exec. (Execute)........................................................
Execute the track editing operation.
5. Wave .....................................................................
This displays the audio data of the track as a wave-
form.
Here you can set the editing locations (IN, OUT,
TO) more precisely. (→p.81 EditType: “CopyTrack”)
EditType: “ReverseTrack”
This operation copies the track data of the IN–OUT
range of the reverse source track (“Sour
ceTrack”) to the
TO location of the reverse destination track (“Dest-
Track”) in reverse (flipped front-to-back). You can spec-
ify the number of times that the data will be copied.
When this is executed (“Exec.”), the copied data will be
reversed, so that the playback will be backward.
The specified range of the reverse destination track
will be overwritten.
2. SourceTrack ............................................................
[1...12, 1–2...11–12, 1–4...9–12, 1–6, 7–12, 1–12]
Select the reverse source track.
In the case of a 24 bit song, only tracks 1–6 can be
selected.
3. DestTrack................................................................
[1...12, 1–2...11–12, 1–4...9–12, 1–6, 7–12, 1–12]
Select the reverse copy destination track.
In the case of a 24 bit song, only tracks 1–6 can be
selected.
4. Times........................................................... [1...99]
Specify the number of times that the data will be
copied.
5. Exec. (Execute)........................................................
Execute the track editing operation.
6. Wave .....................................................................
This displays the audio data of the track as a wave-
form.
1
3
4
2
IN
OUT
DestTrack
DestTrack
1 5
4
2
3
SourceTrack
DestTrack
IN
OUT
SourceTrack
DestTrack
IN
OUT
A
B
B
A
1 6
5
2
3
4
A B C ...
A B C ...A B C ...A B C ...
IN OUT
TO
SourceTrack
DestTrack
TIMES
Refer
e
TRACK