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Effect/Parameter List
53: T-CTRL DLY(TIME CTRL DELAY)
A stereo delay in which the delay time can be varied smoothly.
54: LONG TC DLY
(LONG TIME CTRL DELAY)
A delay in which the delay time can be varied smoothly, and allowing
an extended delay to be produced.
55: TAPE ECHO
A virtual tape echo that produces a realistic tape delay sound. This
simulates the tape echo section of a Roland RE-201 Space Echo.
56: LOFI NOISE
In addition to a lo-fi effect, this adds various types of noise such as
white noise and disc noise.
Assignable Parameters
MFX Control Balance, Delay
Parameter Value Description
Delay Mode ms, note When this is set to “note,” the effect is
synchronized with the tempo.
Delay (ms) 1–1300 ms Adjusts the time until the delay is heard.
(Hz)
Delay ( )
note (*1) Adjusts the time until the delay is heard.
(note)
Acceleration 0–15 Adjusts the time over which the Delay
Time changes from the current setting to
a specified new setting.
The rate of change for the Delay Time
directly affects the rate of pitch change.
Feedback -98– +98 % Adjusts the amount of the delay that’s
fed back into the effect. Negative (-)
settings invert the phase.
HF Damp 200–8000 Hz,
BYPASS
Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you do not want to filter out any
high frequencies, set this parameter to
BYPASS.
Low Gain -15– +15 dB Gain of the low frequency range
High Gain -15– +15 dB Gain of the high frequency range
Balance D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the delay sound (W)
Level 0–127 Output level
Assignable Parameters
MFX Control Balance, Delay
Parameter Value Description
Delay Mode ms, note When this is set to “note,” the effect is
synchronized with the tempo.
Delay (ms) 1–2600 ms Adjusts the time until the delay is heard.
(Hz)
Delay ( )
note (*1) Adjusts the time until the delay is heard.
(note)
Acceleration 0–15 Adjusts the time over which the Delay
Time changes from the current setting to
a specified new setting.
The rate of change for the Delay Time
directly affects the rate of pitch change.
Feedback -98– +98 % Adjusts the amount of the delay that’s
fed back into the effect. Negative (-)
settings invert the phase.
HF Damp 200–8000 Hz,
BYPASS
Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you do not want to filter out any
high frequencies, set this parameter to
BYPASS.
Pan L64–63R Stereo location of the delay
Low Gain -15– +15 dB Gain of the low frequency range
High Gain -15– +15 dB Gain of the high frequency range
Balance D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the delay sound (W)
Level 0–127 Output level
Assignable Parameters
MFX Control Echo Level, Repeat Rate, Mode
Parameter Value Description
Mode S, M, L, S+M,
S+L, M+L,
S+M+L
Combination of playback heads to use
Select from three different heads with
different delay times.
S
: short
M
: middle
L
: long
Repeat Rate 0–127 Tape speed
Increasing this value will shorten the
spacing of the delayed sounds.
Intensity 0–127 Amount of delay repeats
Bass -15– +15 dB Boost/cut for the lower range of the
echo sound
Treble -15– +15 dB Boost/cut for the upper range of the
echo sound
Head S Pan L64–63R Independent panning for the short,
middle, and long playback heads
Head M Pan
Head L Pan
Tape Distortion 0–5 Amount of tape-dependent distortion to
be added
This simulates the slight tonal changes
that can be detected by signal-analysis
equipment. Increasing this value will
increase the distortion.
W/F Rate 0–127 Speed of wow/flutter (complex
variation in pitch caused by tape wear
and rotational irregularity)
W/F Depth 0–127 Depth of wow/flutter
Echo Level 0–127 Volume of the echo sound
Direct Level 0–127 Volume of the original sound
Level 0–127 Output level
Assignable Parameters
MFX Control Balance, Hum Noise Level, Disc Noise Level, Noise
Level, LoFi Type
Parameter Value Description
LoFi Type 1–9 Degrades the sound quality. The sound
quality grows poorer as this value is
increased.
Post Fltr Type OFF, LPF,
HPF
Type of filter
OFF
: no filter is used
LPF
: cuts the frequency range above
the Cutoff
HPF
: cuts the frequency range below
the Cutoff
Post F-Cutoff 200–8000 Hz Center frequency of the filter
Noise Type WHITE,
PINK
Switch between white noise and pink
noise.
Noise LPF 200–8000 Hz,
BYPASS
Center frequency of the low pass filter
applied to the white/pink noise
(BYPASS: no cut)
Noise Level 0–127 Volume of the white/pink noise
Disc Noise
Type
LP, EP, SP,
RND
Type of record noise
The frequency at which the noise is
heard depends on the selected type.
DiscNoise LPF 200–8000 Hz,
BYPASS
Adjusts the cutoff frequency of the low
pass filter applied to the record noise. If
you don’t want to filter out any high
frequencies, set this parameter to
BYPASS.
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