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143
Effect/Parameter List
121: *FLANGR
→
DLY (FLANGER
→
DELAY)
This effect connects a flanger and a delay in series.
122: *CHO
→
FLANGR (CHORUS
→
FLANGER)
This effect connects a chorus and a flanger in series.
123: *CHORUS/DLY (CHORUS/DELAY)
This effect connects a chorus and a delay in parallel.
The parameters are the same as for “120: CHORUS
→
DELAY.”
However, the parameter adjusts the volume balance between the
direct sound and the delay sound.
124: *FLANGR/DLY (FLANGER/DELAY)
This effect connects a flanger and a delay in parallel.
The parameters are the same as for “121: FLANGER
→
DELAY.”
However, the Delay Bal parameter adjusts the volume balance
between the direct sound and the delay sound.
125: *CHO/FLNGR (CHORUS/FLANGER)
This effect connects a chorus and a flanger in parallel. The parameters
are the same as for “122: CHORUS
→
FLANGER.” However, the Flg
Bal parameter adjusts the volume balance between the direct sound
and the flanger sound.
note (1):
note (2):
Assignable Parameters
MFX Control Flngr Bal, Delay Bal
Parameter Value Description
Flngr PreDly 0.0–100.0 ms Adjust the time delay from when the
direct sound begins until the flanger
sound is heard.
Flngr Rate 0.05–10.00
Hz
Adjust the modulation speed of the
flanger effect.
Flngr Depth 0–127 Adjust the modulation depth of the
flanger effect.
Flngr Fbk -98– +98% Adjust the proportion (%) of the flanger
sound that is fed back into the effect.
Negative (-) settings will invert the
phase.
Flngr Bal D100:0W–
D0:100W
Adjust the volume balance between the
direct sound and the flanger sound.
With a setting of “D100:0W,” only the
direct sound will be output. With a
setting of “D0:100W,” only the flanger
sound will be output.
Delay Time 0.1–500.0 ms Adjust the time delay from when the
direct sound begins until the delay
sound is heard.
Delay Feedback -98– +98% Adjust the proportion (%) of the delay
sound that is fed back into the delay
input. Negative (-) settings will invert
the phase.
Delay HF
Damp
200–8000 Hz,
BYPASS
Adjust the frequency above which
delayed sound fed back to the delay
input will be cut. If you do not want to
cut the high frequencies of the delay
feedback, set this parameter to BYPASS.
Delay Bal D100:0W–
D0:100W
Adjust the volume balance between the
flanger sound that is sent through the
delay and the flanger sound that is not
sent through the delay. With a setting of
“D100:0W,” only the flanger sound will
be output. With a setting of “D0:100W,”
only the flanger sound that is sent
through the delay will be output.
Level 0–127 Adjust the output level.
Assignable Parameters
MFX Control Chorus Bal, Flngr Bal, Chorus Rate, Flngr Rate
Parameter Value Description
Chorus PreDly 0.0–100.0 ms Adjust the time delay from when the
direct sound begins until the chorus
sound is heard.
Chorus Rate 0.05–10.00
Hz
Adjust the modulation speed of the
chorus effect.
Chorus Depth 0–127 Adjust the modulation depth of the
chorus effect.
Chorus Bal D100:0W–
D0:100W
Adjust the volume balance between the
direct sound and the chorus sound.
With a setting of “D100:0W,” only the
direct sound will be output. With a
setting of “D0:100W,” only the chorus
sound will be output.
Flngr PreDly 0.0–100.0 ms Adjust the time delay from when the
direct sound begins until the flanger
sound is heard.
Flngr Rate 0.05–10.00
Hz
Adjust the modulation speed of the
flanger effect.
Flngr Depth 0–127 Adjust the modulation depth of the
flanger effect.
Flngr Fbk -98– +98% Adjust the proportion (%) of the flanger
sound that is fed back into the effect.
Negative (-) settings will invert the
phase.
Flngr Bal D100:0W–
D0:100W
Adjust the volume balance between the
chorus sound and the chorus sound that
is passed through the flanger. With a
setting of “D100:0W,” only the chorus
sound will be output. With a setting of
“D0:100W,” only the chorus sound that
passes through the flanger will be
output.
Level 0–127 Adjust the output level.
Assignable Parameters
MFX Control Chorus Bal, Delay Bal, Chorus Rate
Assignable Parameters
MFX Control Flngr Bal, Delay Bal, Flngr Rate
Parameter Value Description
(Double note)(Dotted whole note),
(Dotted half note),
(Dotted thirty-second note),
(Whole note),
(Double-note triplet),
(Sixteenth-note triplet),
(Thirty-second note),
(Sixty-fourth-note triplet), (Sixty-fourth note), (Thirty-second-note triplet),
(Dotted eighth note),(Quarter-note triplet),(Eighth note),
(Half-note triplet),(Quarter note),
(Dotted quarter note),
(Whole-note triplet),
(Half note),
(Sixteenth note),
(Eighth-note triplet),
(Dotted sixteenth note),
(Dotted eighth note),(Half-note triplet),
(Eighth note),
(Half-note triplet),(Quarter note),
(Dotted quarter note), (Half note),
(Sixteenth note),
(Eighth-note triplet),
(Dotted sixteenth note),
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