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Effect/Parameter List
62: 2V P.SHIFTR (2VOICE PITCH
SHIFTER)
Shifts the pitch of the original sound. This 2-voice pitch shifter has two
pitch shifters, and can add two pitch shifted sounds to the original
sound.
63: S.P.SHIFTER (STEP PITCH SHIFTER)
A pitch shifter in which the amount of pitch shift is varied by a 16-step
sequence.
64: REVERB
Adds reverberation to the sound, simulating an acoustic space.
Feedback -98– +98 % Adjusts the proportion of the pitch
shifted sound that is fed back into the
effect. Negative (-) settings will invert
the phase.
Low Gain -15– +15 dB Gain of the low range
High Gain -15– +15 dB Gain of the high range
Balance D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the pitch shifted sound
(W)
Level 0–127 Output Level
Assignable Parameters
MFX Control Balance, Pch1 Coarse, Pch2 Coarse, Pch1 Dly, Pch2 Dly
Parameter Value Description
Pch1 Coarse -24–+12 semi Adjusts the pitch of Pitch Shift 1 in
semitone steps.
Pch1 Fine -100–+100 cent Adjusts the pitch of Pitch Shift Pitch 1
in 2-cent steps.
Pch1 Delay
Mode
ms, note When this is set to “note,” the effect is
synchronized with the tempo.
Pch1 Dly (ms) 1–1300 ms Adjusts the delay time from the direct
sound until the Pitch Shift 1 sound is
heard. (Hz)
Pch1 Delay
()
note (*1) Adjusts the delay time from the direct
sound until the Pitch Shift 1 sound is
heard. (note)
Pch1 Feedback -98– +98 % Adjusts the proportion of the pitch
shifted sound that is fed back into the
effect. Negative (-) settings will invert
the phase.
Pch1 Pan L64–63R Stereo location of the Pitch Shift 1
sound
Pch1 Level 0–127 Volume of the Pitch Shift1 sound
Pch2 Coarse -24–+12 semi Settings of the Pitch Shift 2 sound.
The parameters are the same as for the
Pitch Shift 1 sound.
Pch2 Fine -100–+100 cent
Pch2 Delay
Mode
ms, note
Pch2 Dly (ms) 1–1300 ms
Pch2 Delay
()
note (*1)
Pch2 Feedback -98– +98 %
Pch2 Pan L64–63R
Pch2 Level 0–127
Low Gain -15– +15 dB Gain of the low range
High Gain -15– +15 dB Gain of the high range
Balance D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the pitch shifted sound
(W)
Level 0–127 Output Level
Assignable Parameters
MFX Control Rate, Attack, Gate Time, Balance
Parameter Value Description
Step 01–16 -24–+12 semi Amount of pitch shift at each step
(semitone units)
Parameter Value Description
Rate Mode Hz, note When this is set to “note,” the effect is
synchronized with the tempo.
Rate (Hz) 0.05–10.00
Hz
Rate at which the 16-step sequence will
cycle (Hz)
Rate ( )
note (*1) Rate at which the 16-step sequence will
cycle (note)
Attack 0–127 Speed at which the amount of pitch shift
changes between steps
Gate Time 0–127 Duration of the pitch shifted sound at
each step
Fine -100– +100
cent
Pitch shift adjustment for all steps (2-
cent units)
Delay Mode ms, note When this is set to “note,” the effect is
synchronized with the tempo.
Delay (ms) 1–1300 ms Delay time from the original sound until
the pitch-shifted sound is heard (Hz)
Delay ( )
note (*1) Delay time from the original sound until
the pitch-shifted sound is heard (note)
Feedback -98– +98% Proportion of the pitch-shifted sound
that is to be returned to the input
(negative values invert the phase)
Low Gain -15– +15 dB Amount of boost/cut for the low-
frequency range
High Gain -15– +15 dB Amount of boost/cut for the high-
frequency range
Balance D100:0W–
D0:100W
Volume balance of the original sound
(D) and pitch-shifted sound (W)
Level 0–127 Output volume
Assignable Parameters
MFX Control Time, Type, Balance
Parameter Value Description
Type ROOM1,
ROOM2,
STAGE1,
STAGE2,
HALL1,
HALL2
Type of reverb
ROOM1
: dense reverb with short
decay
ROOM2
: sparse reverb with short
decay
STAGE1
: reverb with greater late
reverberation
STAGE2
: reverb with strong early
reflections
HALL1
: reverb with clear
reverberance
HALL2
: reverb with rich
reverberance
Pre Delay 0.0–100.0 ms Adjusts the delay time from the direct
sound until the reverb sound is heard.
Time 0–127 Time length of reverberation
HF Damp 200–8000 Hz,
BYPASS
Adjusts the frequency above which the
reverberant sound will be cut.
As the frequency is set lower, more of
the high frequencies will be cut,
resulting in a softer and more muted
reverberance. If you do not want to cut
the high frequencies, set this parameter
to BYPASS.
Low Gain -15– +15 dB Gain of the low range
High Gain -15– +15 dB Gain of the high range
Balance D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the reverb sound (W)
Level 0–127 Output Level
Parameter Value Description
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