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131
Effect/Parameter List
76: FLN
→
DELAY (FLANGER
→
DELAY)
This effect connects a flanger and a delay in series.
77: CHO
→
FLANGER
(CHORUS
→
FLANGER)
This effect connects a chorus and a flanger in series.
78: SYM.RESONCE (SYMPATHETIC
RESONANCE)
On an acoustic piano, holding down the damper pedal allows other
strings to resonate in sympathy with the notes you play, creating rich
and spacious resonances. This effect simulates these sympathetic
resonances.
Delay Bal D100:0W–
D0:100W
Adjusts the volume balance between the
sound that is sent through the delay (W)
and the sound that is not sent through
the delay (D).
Level 0–127 Output Level
Assignable Parameters
MFX Control Delay Bal, Flngr Bal, Fln Rate, Flngr Feedback
Parameter Value Description
Flngr PreDly 0.0–100.0 ms Adjusts the delay time from when the
direct sound begins until the flanger
sound is heard.
Flngr Mode Hz, note When this is set to “note,” the effect is
synchronized with the tempo.
Fln Rate(Hz) 0.05–10.00
Hz
Frequency of modulation (Hz)
Fln Rate( )
note (*1) Frequency of modulation (note)
Flngr Depth 0–127 Depth of modulation
Flngr Feedback -98– +98 % Adjusts the proportion of the flanger
sound that is fed back into the effect.
Negative (-) settings will invert the
phase.
Flngr Bal D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the flanger sound (W)
Delay Mode ms, note When this is set to “note,” the effect is
synchronized with the tempo.
Delay (ms) 1–2600 ms Adjusts the delay time from the direct
sound until the delay sound is heard.
(Hz)
Delay ( )
note (*1) Adjusts the delay time from the direct
sound until the delay sound is heard.
(note)
Delay Feedback -98– +98 % Adjusts the proportion of the delay
sound that is fed back into the effect.
Negative (-) settings will invert the
phase.
Delay HF
Damp
200–8000 Hz,
BYPASS
Adjusts the frequency above which
sound fed back to the effect will be cut.
If you do not want to cut the high
frequencies, set this parameter to
BYPASS.
Delay Bal D100:0W–
D0:100W
Adjusts the volume balance between the
sound that is sent through the delay (W)
and the sound that is not sent through
the delay (D).
Level 0–127 Output Level
Assignable Parameters
MFX Control Chorus Bal, Flngr Bal, Chorus Depth, Cho Rate, Fln
Rate, Flngr Feedback
Parameter Value Description
Chorus PreDly 0.0–100.0 ms Adjusts the delay time from the direct
sound until the chorus sound is heard.
Rate Mode Hz, note When this is set to “note,” the effect is
synchronized with the tempo.
Cho Rate(Hz) 0.05–10.00
Hz
Modulation frequency of the chorus
effect (Hz)
Cho Rate
()
note (*1) Modulation frequency of the chorus
effect (note)
Parameter Value Description
Chorus Depth 0–127 Modulation depth of the chorus effect
Chorus Bal D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the chorus sound (W)
Flngr PreDly 0.0–100.0 ms Adjusts the delay time from when the
direct sound begins until the flanger
sound is heard.
Flngr Mode Hz, note When this is set to “note,” the effect is
synchronized with the tempo.
Fln Rate(Hz) 0.05-10.00 Hz Modulation frequency of the flanger
effect (Hz)
Fln Rate( )
note (*1) Modulation frequency of the flanger
effect (note)
Flngr Depth 0-127 Modulation depth of the flanger effect
Flngr Feedback -98– +98 % Adjusts the proportion of the flanger
sound that is fed back into the effect.
Negative (-) settings will invert the
phase.
Flngr Bal D100:0W–
D0:100W
Adjusts the volume balance between the
sound that is sent through the flanger
(W) and the sound that is not sent
through the flanger (D).
Level 0–127 Output Level
Assignable Parameters
MFX Control Depth, Damper, P-Sft Amount, P-Sft Level
Parameter Value Description
Depth 0–10 Depth of the effect
Damper 0–127 Depth to which the damper pedal is
pressed (controls the resonant sound)
Pre LPF 16–15000 Hz,
BYPASS
Frequency of the filter that cuts the
high-frequency content of the input
sound (BYPASS: no cut)
Pre HPF BYPASS, 16–
15000 Hz
Frequency of the filter that cuts the low-
frequency content of the input sound
(BYPASS: no cut)
Peaking Freq 200–8000 Hz Frequency of the filter that boosts/cuts
a specific frequency region of the input
sound
Peaking Gain -15– +15 dB Amount of boost/cut produced by the
filter at the specified frequency region of
the input sound
Peaking Q 0.5, 1.0, 2.0,
4.0, 8.0
Width of the frequency region boosted/
cut by the `Peaking Gain’ parameter
(larger values make the region
narrower)
HF Damp 16–15000 Hz,
BYPASS
Frequency at which the high-frequency
content of the resonant sound will be cut
(BYPASS: no cut)
LF Damp Freq BYPASS,
16–15000 Hz
Frequency at which the low-frequency
content of the resonant sound will be cut
(BYPASS: no cut)
Level 0–127 Output Level
P-Sft Amount 0–10 Amount of resonance
P-Sft Level 0–10 Volume level of the resonant
component
P-Sft LPF 16–15000 Hz,
BYPASS
Basic frequency at which the filter cuts
the high-frequency portion of the
resonant component (BYPASS: no cut)
P-Sft HPF BYPASS,
16–15000 Hz
Basic frequency at which the filter cuts
the low-frequency portion of the
resonant component (BYPASS: no cut)
Parameter Value Description
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