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Voice mode
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Multi mode Utility mode File mode Master mode
Multi Voice
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Reference
Voice Edit mode Normal Voice Edit Common Edit
128
Owner’s Manual
There are three kinds of Voices: Normal Voices, Drum Voices and Plug-in Voices (if a Plug-in board has been installed). The following
section shows how to edit the different types of voices and explains the parameters available. Note that available parameters to be edited
differ depending on the Voice types (Normal Voice, Drum Voice, Plug-in Voice).
Normal Voice Edit
When a Normal Voice is selected, the Voice Edit parameters are divided into Common Edit (parameters common to all four Elements), and
Element Edit (parameters of individual Elements).
These parameters are for making global (or common) edits to all four Elements of the selected Normal Voice.
[F5] EG (Envelope Generator)
This display contains the basic EG settings, both volume and filter, for the voice, as well as the filter’s cutoff frequency and resonance settings. The settings
made here are applied as offsets to the AEG and FEG settings in the Voice Edit mode.
The full names of the available parameters are shown in the chart below, as they appear in the display.
Settings: -64 ~ 0 ~ +63 (except --- above)
[F6] ARP (Arpeggio)
This display contains the basic settings for Arpeggio playback, including Type and Tempo. About the [SF1] - [SF5] buttons, see the explanation of the [F1]
PLAY display.
Bank,
Ctgr (Category),
Type
These three parameters determine the Arpeggio Type. The three-letter prefix number before the Type name
indicates the number within the selected Category.
Settings: Refer to the separate Data List.
Tempo Determines the Arpeggio Tempo. When MIDI Sync ([UTILITY] → [F5] MIDI → [SF3] SYNC → MIDI Sync) is set
to “MIDI,” “MIDI” is displayed here and cannot be set.
Settings: 1 ~ 300
VelLimit (Velocity Limit) Determines the lowest and highest velocity which can trigger the Arpeggio playback. The Arpeggio plays
when you play notes at velocities within in this range.
Settings: 1 ~ 127
n Keys played outside the set limit sound normally without any Arpeggio.
Switch Determines whether Arpeggio is on or off. You can also turn Arpeggio on/off from the front panel with the
[ARPEGGIO] button.
Settings: off, on
Hold Determines whether the Arpeggio playback is “held” or not. When this is set to “on,” the Arpeggio cycles
automatically, even if you release your fingers from the keys, and it continues to cycle until the next key is
pressed.
Settings: sync-off (see below), off, on
sync-off............When set to “sync-off,” the Arpeggio playback continues to run silently, even when you release the keys. Pressing
any key turns the Arpeggio playback on again. In other words, you can use the key to “un-mute” or “mute” (not
start or stop) the Arpeggio playback by, respectively, holding it down or releasing it.
Voice Edit mode
[VOICE] → Voice selection → [EDIT]
Common Edit
[VOICE] → Normal Voice selection → [EDIT] → [COMMON]
[F1] GENERAL
[SF1] NAME
From this display you can assign the category (sub and main) of the selected voice, and create a name for the
voice. The voice name can contain up to 10 characters. For detailed instructions on naming a voice, see “Basic
Operation” on page 27.
[SF2] PLY MODE (Play mode)
From this display you can make various settings for the tone generator of this synthesizer, and assign different
Micro Tuning settings.
Mono/Poly Determines whether the Voice is played back monophonically (single notes only) or polyphonically multiple
simultaneous notes).
Settings: mono, poly
KeyAsgnMode
(Key Assign Mode)
When this is set to “single,” double playback of the same note is prevented. This is useful when two or more
instances of the same note are received nearly simultaneously, or without a corresponding note off message.
To allow playback of each instance of the same note, set this to “multi.”
Settings: single, multi
M. TuningNo.
(Micro Tuning Number)
Determines the tuning system for the voice. Normally, this should be set to 00 (Equal temperament); however
additional tuning systems are available for a variety of tuning applications and effects.
Settings: See the Micro Tuning List on page 147.
M. TuningRoot
(Micro Tuning Root)
Determines the root note of the Micro Tuning set above.
Settings: C ~ B
ATK DCY SUS REL DEPTH CUTOFF RESO
AEG
Attack time Decay time
Sustain level
Release time
--- --- ---
FEG --- Depth Cutoff frequency Resonance