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Programming Styles (Style Composer)
192
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G-70 Music Workstation
■TO NOTE (0 C-~127 G9)
This parameter allows you to set the upper limit of the note
range to be modified within the specified FROM/TO time
range. This note can also be selected by pressing the corre-
sponding key after selecting the TO NOTE field.
This parameter is not displayed when you select EQUAL,
UNEQUAL, HIGHER or LOWER.
■Fine-tuning the note range
Before setting “FROM NOTE” (and possibly “TO NOTE”), you
can decide how you want to use the note indications.
Depending on the option you choose, “TO NOTE” may not
even be available, so that setting it beforehand would be a
waste of time.
See “Fine-tuning the note range” on p. 162 for an illustra-
tion.
■RESOLUTION
(1/4, 1/8, 1/8T, 1/16, 1/16T, 1/32, 1/32T, 1/64)
This parameter sets the resolution of the Quantize func-
tion. Be sure to always select the value that equals the
shortest note you recorded. Otherwise, your part no longer
sounds the way you played it, because shorter notes are
shifted to the wrong positions.
■STRENGTH (0%~100%)
Use this parameter to specify how precise the timing cor-
rection should be. “0%” means that the selected RESOLU-
TION value is not applied (“0% correction”), while “100%”
means that all notes are shifted to the mathematically cor-
rect positions.
■EXECUTE
Press this field to confirm your settings and edit the data.
ERASE allows you to selectively delete data either
within a specified range of measures, beats or clocks,
or from the entire track(s). When DATA TYPE is set to
“ALL”, ERASE substitutes the required number of rests
for the data you delete, so that you end up with the
equivalent number of blank measures. If you also
want to eliminate the measures themselves, use
DELETE (see below).
■TRACK (ADrums~Acc6, ALL)
Allows you to select the track you want to edit. Select “ALL”
to edit all tracks.
■MODE
Allows you to select the mode of the pattern to be edited:
“Major”, “minor” or “7th”.
■DIVISION
Use this parameter to select the Division (or pattern) you
want to edit: Intro 1~4, Main 1~4, Fill Dwn 1~3, Fill Up 1~
3, End 1~4.
■FROM
● BAR (1~[last measure of the track or pattern])—Refers
to the first measure to be edited. By default, the FROM
value is set to the beginning of the selected track(s).
● BEAT (1~[number of beats per bar])—Specifies the
beat position. The number of selectable beats depends
on the time signature in the selected area.
● CPT (1~119)—Refers to the starting CPT position. “CPT”
is short for “Clock Pulse Time”, the smallest unit used by
the G-70. (There are 120 CPTs to every beat of a bar.)
Change this setting only if your edit operation should
start after the selected beat.
■TO
By default, the TO position is set to the last event of the
selected track (or the last event of the longest track when
you select “ALL”).
● BAR (1~[last measure of the track or pattern])—This is
where you specify the last measure to be edited.
● BEAT (1~[number of beats per bar])—Specifies the
beat position. The number of selectable beats depends
on the time signature in the selected area.
● CPT (1~119)—Refers to the last clock that should be
affected by the edit operation. Change this setting only
if your edit operation should not end exactly on the
selected beat.
Note: If you only need to edit one event (or message), we
recommend using the STYLE MICRO EDIT page (page 198).
[EQUAL] Only the selected note (note name/note num-
ber) will change. (The note can be set using
the TO NOTE field.)
[UNEQUAL] All notes except the one you select will
change. (The note can be set using the TO
NOTE field.)
[HIGHER] Only notes above the selected one will
change. (The note can be set using the THAN
NOTE field.)
[LOWER] Only notes below the selected one will
change. (The note can be set using the THAN
NOTE field.)
[INSIDE] Only the notes between FROM NOTE and TO
NOTE will change.
[OUTSIDE] Only the notes above FROM NOTE and below
TO NOTE will change.
ERASE