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Appendix | MFX and IFX types and parameters
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G-70 Music Workstation
● Input Sync Sw (Off, On)—Specifies whether an input note
will cause the sequence to resume from the first step of the
sequence (ON) or not (OFF).
● Input Sync Threshold (0~127)—Volume at which an input
note will be detected.
● Level (0~127)—Output level.
56. Slicer
By applying successive cuts to the sound, this effect turns a
conventional sound into a sound that appears to be played as
a backing phrase. This is especially effective when applied to
sustain-type sounds.
● Step 1~16 (0~127)—Level at each step.
● Rate [sync] (Hz, Note)—Use this parameter to specify
whether (“Note”) or not (“Hz”) the rate should be synchro-
nized to the Arranger or Recorder tempo. Depending on
your choice, the setting range of the following parameter
refers to a speed (Hz) or a note value.
● Rate [Hz] (0.05~10.00Hz)—Rate at which the 16-step
sequence will cycle.
● Rate [note] (musical notes)—Rate parameters can be set
as a note-value of a tempo if you set the “Sync” parameter
above to “Note”. Specify the value of the desired note.
● Attack (0~127)—Speed at which the level changes
between steps.
● Input Sync Sw (Off, On)—Specifies whether an input note
will cause the sequence to resume from the first step of the
sequence (ON) or not (OFF).
● Input Sync Threshold (0~127)—Volume at which an input
note will be detected.
● Mode (Legato, Slash)—Sets the manner in which the vol-
ume changes as one step progresses to the next.
LEGATO: The change in volume from one step’s level to the
next remains unaltered. If the level of a following step is
the same as the one preceding it, there is no change in vol-
ume.
SLASH: The level is momentarily set to 0 before progressing
to the level of the next step. This change in volume occurs
even if the level of the following step is the same as the
preceding step.
● Shuffle (0~127)—Timing of volume changes in levels for
even-numbered steps (step 2, step 4, step 6...). The higher
the value, the later the beat progresses.
● Level (0~127)—Output level.
57. VK Rotary
This type provides modified response for the rotary speaker,
with the low end boosted further.
This effect features the same specifications as the VK-7’s
built-in rotary speaker.
● Speed (Slow, Fast)—Rotational speed of the rotating
speaker.
● Brake (Off, On)—Switches the rotation of the rotary
speaker. When this is turned on, the rotation will gradually
stop. When it is turned off, the rotation will gradually
resume.
● Woofer Slow Speed (0.05~10.0Hz)—Low-speed rotation
speed of the woofer.
● Woofer Fast Speed (0.05~10.0Hz)—High-speed rotation
speed of the woofer.
● Woofer Trans Up (0~127)—Adjusts the rate at which the
woofer rotation speeds up when the rotation is switched
from Slow to Fast.
● Woofer Trans Down (0~127)—Adjusts the rate at which
the woofer rotation speeds up when the rotation is
switched from Fast to Slow.
● Woofer Level (0~127)—Volume of the woofer.
● Tweeter Slow Speed (0.05~10.0Hz)—Low-speed rotation
speed of the tweeter.
● Tweeter Fast Speed (0.05~10.0Hz)—High-speed rotation
speed of the tweeter.
● Tweeter Trans Up (0~127)—Adjusts the rate at which the
tweeter rotation speeds up when the rotation is switched
from Slow to Fast.
● Tweeter Trans Down (0~127)—Adjusts the rate at which
the tweeter rotation speeds up when the rotation is
switched from Fast to Slow.
● Tweeter Level (0~127)—Volume of the tweeter.
● Spread (0~10)—Sets the rotary speaker stereo image. The
higher the value set, the wider the sound is spread out.
● EQ Low Gain (–15dB~0~15dB)—Gain of the low fre-
quency range.
● EQ High Gain (-15dB~0~15dB)—Gain of the high fre-
quency range.
● Level (0~127)—Output level.
58. 3D Chorus
This applies a 3D effect to the chorus sound. The chorus
sound will be positioned 90 degrees left and 90 degrees right.
● Filter Type (OFF, LPF, HPF)—Type of filter. OFF: no filter is
used. LPF: cuts the frequency range above the Cutoff value.
HPF: cuts the frequency range below the Cutoff value.
● Cutoff Frequency (200~8000Hz)—Basic frequency of the
filter.
● Chorus Pre Delay (0.0~100.0ms)—Adjusts the delay
between the incoming direct signal and the moment when
the chorus starts working.
● Rate [sync] (Hz, Note)—Use this parameter to specify
whether (“Note”) or not (“Hz”) the modulation rate should
be synchronized to the Arranger or Recorder tempo.
Depending on your choice, the setting range of the follow-
ing parameter refers to a speed (Hz) or a note value.
● Chorus Rate (0.05~10.0Hz)—Frequency, i.e. modulation
speed.
● Rate [note] (musical notes)—Rate parameters can be set
as a note-value of a tempo if you set the “Sync” parameter
above to “Note”. Specify the value of the desired note.
● Chorus Depth (0~127)—Modulation intensity.
● Phase (0~180 deg)—Spatial spread of the sound.
● Output Mode (Speaker, Phones)—Adjusts the method
that will be used to hear the sound that is output to the
OUTPUT jacks. The optimal 3D effect will be achieved if you
select SPEAKER when using speakers, or PHONES when
using headphones.
● EQ Low Gain (–15dB~0~15dB)—Gain of the low fre-
quency range.
● EQ High Gain (-15dB~0~15dB)—Gain of the high fre-
quency range.
● Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
ance between the direct (D) and the effect sound (W).
● Level (0~127)—Output level.
59. 3D Flanger
This applies a 3D effect to the flanger sound. The flanger
sound will be positioned 90 degrees left and 90 degrees right.