Roland G-70 Musical Instrument User Manual


 
Programming Styles (Style Composer)
194
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G-70 Music Workstation
INSERT allows you to insert new data and shift data
that lie behind the FROM position towards the end of
the pattern (this is the exact opposite of DELETE). The
empty measures you create can be “filled” using the
COPY function or by recording new phrases in that
area.
Note: The INSERT function does not provide a TO pointer.
Instead, you have to specify the length of the blank to be
inserted using the FOR values.
TRACK (ADrums~Acc6, ALL)
Allows you to select the track you want to edit. Select “ALL”
to edit all tracks.
MODE
Allows you to select the mode of the pattern to be edited:
“Major”, “minor” or “7th”.
DIVISION
Use this parameter to select the Division (or pattern) you
want to edit: Intro 1~4, Main 1~4, Fill Dwn 1~3, Fill Up 1~
3, End 1~4.
FROM
BAR (1~[last measure of the track or pattern])—Refers
to the first measure to be edited. By default, the FROM
value is set to the beginning of the selected track(s).
BEAT (1~[number of beats per bar])—Specifies the
beat position. The number of selectable beats depends
on the time signature in the selected area.
CPT (1~119)—Refers to the starting CPT position. “CPT”
is short for “Clock Pulse Time”, the smallest unit used by
the G-70. (There are 120 CPTs to every beat of a bar.)
Change this setting only if your edit operation should
start after the selected beat.
FOR
Specifies how many bars, beats, and CPTs are to be inserted.
BAR, BEAT, CPT—See above.
EXECUTE
Press this field to confirm your settings and insert the
requested number of bars, beats, and clocks.
Transpose is used to change the pitch of the selected
pattern (the other non-note data obviously cannot
be transposed).
TRACK (ADrums~Acc6, ALL)
Allows you to select the track you want to edit. Select “ALL”
to edit all tracks.
When combined with “FROM NOTE” and “TO NOTE” (see
below), TRANSPOSE is also useful for the ADrums track. It
allows you to select another snare or kick sound, for exam-
ple.
MODE
Allows you to select the mode of the pattern to be edited:
“Major”, “minor” or “7th”.
DIVISION
Use this parameter to select the Division (or pattern) you
want to edit: Intro 1~4, Main 1~4, Fill Dwn 1~3, Fill Up 1~
3, End 1~4.
VALUE (–127~127)
This parameter is used to set the transposition interval in
semi-tone steps. Select “2”, for example, to transpose pat-
tern in “C” to “D”.
Note: Be careful when applying Transpose to the ADrums
track. Transposing all notes of this track leads to dramatic
changes.
FROM NOTE (0 C-~127 G9)
This parameter allows you to set the note (or lower limit of
the note range) to be modified within the specified FROM/
TO time range. The note can also be selected by pressing
the corresponding key after selecting the FROM NOTE field.
TO NOTE (0 C-~127 G9)
This parameter allows you to set the upper limit of the note
range to be modified within the specified FROM/TO time
range. This note can also be selected by pressing the corre-
sponding key after selecting the TO NOTE field.
It is not displayed when you select EQUAL, UNEQUAL,
HIGHER or LOWER. See also “Fine-tuning the note range”
on p. 192.
EXECUTE
Press this field to confirm your settings and edit the data.
INSERT TRANSPOSE