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Appendix | MFX and IFX types and parameters
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G-70 Music Workstation
● Panpot (L64~0~63R)—Stereo location of the output
sound. This is a mono effect that combines incoming sig-
nals. You can, however, place the processed signal any-
where between the left and right channels.
● Level (0~127)—Output level.
47. Speaker Sim
Simulates the speaker type and mic settings used to record
the speaker sound.
● Speaker Type (Small 1, Small 2, Middle, JC-120, Built-In
1, Built-In 2, Built-In 3, Built-In 4, Built-In 5, BG Stack 1,
BG Stack 2, MS Stack 1, MS Stack 2, Metal Stack, 2-Stack,
3-Stack)—Select the type of speaker. The specifications of
each type are as follows. The speaker column indicates the
diameter of each speaker unit (in inches) and the number
of units.
● Mic Setting (1, 2, 3)—Adjusts the location of the mic that
is recording the sound of the speaker. This can be adjusted
in three steps, with the mic becoming more distant in the
order of 1, 2, and 3.
● Mic Level (0~127)—Volume of the microphone.
● Direct Level (0~127)—Volume of the direct sound.
● Level (0~127)—Output level.
48. Step Phaser
The phaser effect will be varied gradually.
● Phaser Mode (4-Stage, 8-Stage,12-Stage)—Number of
stages in the phaser.
● Phaser Manual (0~127)—Adjusts the basic frequency from
which the sound will be modulated.
● Step Rate [sync] (Hz, Note)—Use this parameter to specify
whether (“Note”) or not (“Hz”) the modulation rate should
be synchronized to the Arranger or Recorder tempo.
Depending on your choice, the setting range of the follow-
ing parameter refers to a speed (Hz) or a note value.
● Step Rate [Hz] (0.05~10.00Hz)—Frequency, i.e. modula-
tion speed.
● Step Rate [note] (musical notes)—Rate parameters can be
set as a note-value of a tempo if you set the “Sync” param-
eter above to “Note”. Specify the value of the desired note.
● Depth (0~127)—Depth of modulation.
● Polarity (Inverse, Synchro)—Selects whether the left and
right phase of the modulation will be the same or the
opposite. INVERSE: The left and right phase will be oppo-
site. When using a mono source, this spreads the sound.
SYNCHRO: The left and right phase will be the same. Select
this when inputting a stereo source
● Resonance (0~127)—Amount of feedback.
● Cross Feedback (–98%~0~+98%)—Adjusts the propor-
tion of the phaser sound that is fed back into the effect.
Negative (-) settings will invert the phase.
● Step Rate [sync] (Hz, Note)—Use this parameter to specify
whether (“Note”) or not (“Hz”) the step rate should be syn-
chronized to the Arranger or Recorder tempo. Depending
on your choice, the setting range of the following parame-
ter refers to a speed (Hz) or a note value.
● Step Rate [Hz] (0.10~20.00Hz)—Rate of the step-wise
change in the phaser effect.
● Step Rate [note] (Musical Notes)—Rate parameters can
be set as a note-value of a tempo if you set the “Sync”
parameter above to “Note”. Specify the value of the desired
note.
● Mix Level (0~127)—Level of the phase-shifted sound.
● EQ Low Gain (–15dB~0~15dB)—Gain of the low fre-
quency range.
● EQ High Gain (-15dB~0~15dB)—Gain of the high fre-
quency range.
● Level (0~127)—Output level.
49. MLT Phaser
Extremely high settings of the phase difference produce a
deep phaser effect.
● Phaser Mode (4-stage, 8-stage, 12-stage, 16-stage, 20-
stage, 24-stage)—Number of stages in the phaser.
● Phaser Manual (0~127)—Adjusts the basic frequency from
which the sound will be modulated.
● Rate [sync] (Hz, Note)—Use this parameter to specify
whether (“Note”) or not (“Hz”) the modulation rate should
be synchronized to the Arranger or Recorder tempo.
Depending on your choice, the setting range of the follow-
ing parameter refers to a speed (Hz) or a note value.
● Rate [Hz] (0.05~10.00Hz)—Frequency, i.e. modulation
speed.
● Rate [note] (musical notes)—Rate parameters can be set
as a note-value of a tempo if you set the “Sync” parameter
above to “Note”. Specify the value of the desired note.
● Depth (0~127)—Depth of modulation.
● Resonance (0~127)—Amount of feedback.
● Mix Level (0~127)—Level of the phase-shifted sound.
● Panpot (L64~0~63R)—Stereo location of the output
sound. This is a mono effect that combines incoming sig-
nals. You can, however, place the processed signal any-
where between the left and right channels.
● EQ Low Gain (–15dB~0~15dB)—Gain of the low fre-
quency range.
● EQ High Gain (-15dB~0~15dB)—Gain of the high fre-
quency range.
● Level (0~127)—Output level.
50. Inf. Phaser
A phaser that continues raising/lowering the frequency at
which the sound is modulated.
● Mode (1, 2, 3, 4)—Higher values will produce a deeper
phaser effect.
Type Cabinet Speaker Microphone
SMALL 1 small open-back enclosure 10 dynamic mic
SMALL 2 small open-back enclosure 10 dynamic mic
MIDDLE open back enclosure 12 x 1 dynamic mic
JC-120 open back enclosure 12 x 2 dynamic mic
BUILT IN 1 open back enclosure 12 x 2 dynamic mic
BUILT IN 2 open back enclosure 12 x 2 condenser mic
BUILT IN 3 open back enclosure 12 x 2 condenser mic
BUILT IN 4 open back enclosure 12 x 2 condenser mic
BUILT IN 5 open back enclosure 12 x 2 condenser mic
BG STACK 1 sealed enclosure 12 x 4 condenser mic
BG STACK 2 large sealed enclosure 12 x 4 condenser mic
MS STACK 1 large sealed enclosure 12 x 4 condenser mic
MS STACK 2 large sealed enclosure 12 x 4 condenser mic
METAL STACK large double stack 12 x 4 condenser mic
2-STACK large sealed enclosure 12 x 4 condenser mic
3-STACK large sealed enclosure 12 x 4 condenser mic