Roland XV-88 Electronic Keyboard User Manual


 
158
Chapter 7. Adding Effects
CHO OUT (Chorus Output)
fig.07-15
Output Assign (Chorus Output Assign)
Selects the pair of OUTPUT jacks to which the Chorus sound
is routed when Chorus Output Select is set to MAIN or
MAIN+REV.
A: Output to the OUTPUT A (MIX) jacks in stereo.
B: Output to the OUTPUT B jacks in stereo.
When Chorus Output Select is set to REV, this setting
will have no effect.
If the Mix/Parallel parameter (SYSTEM/SETUP/
SYSTEM SETUP) is set to MIX, all sounds are output
from the OUTPUT A (MIX) jacks in stereo (p. 169).
Level (Chorus Level)
Adjusts the volume of the sound that has passed through
chorus.
Select (Chorus Output Select)
Specifies how the sound routed through Chorus will be
output.
MAIN: Output to the OUTPUT jacks in stereo.
REV: Output to Reverb in mono.
MAIN+REV: Output to the OUTPUT jacks in stereo, and to
Reverb in mono.
When set to MAIN or MAIN+REV, the OUTPUT jack
from which the sound is output is set in Chorus Output
Assign.
Making Reverb Settings
You can make the settings for Reverb used by Patches/
Rhythm Sets/Performances.
Setting Procedure
1. After confirming that you are in Patch/Rhythm Set/
Performance mode, select the desired Patch/Rhythm
Set/Performance (p. 29, p. 35, p. 39).
2. Press [EDIT], getting the indicator to light, and then
press the [EFFECTS] function button.
3. Press or to display the desired Edit page.
4. Press or to move the cursor to the parameter
youre going to modify.
5. Use the VALUE dial, [INC/+]/[DEC/-], or the numeric
keys to change the parameter value.
6. When you finish making settings, press [EXIT] to return
to the previous PLAY page.
An asterisk * will be displayed at the left of the Patch/
Rhythm Set/Performance group. This indicates that the
Patch/Rhythm Set/Performance settings have been
modified.
If you select another Patch/Rhythm Set/Performance in
the group with an asterisk *, the modified Patch/
Rhythm Set/Performance settings will be lost. To keep
these modified settings, perform the save operation (p.
164).