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AUDIO INPUT effect settings
In Program, Combination, Sequencer, Song Play, and
Media modes, you can apply the TRITON Extreme’s
effects to an external audio source connected to the
AUDIO INPUT 1, 2, or S/P DIF IN jacks. In these modes
you can use the insert effects, master effects, and master
EQ. Use “Input (COMBI, PROG, SEQ, S.PLAY, MEDIA)”
to make settings for the external input from the AUDIO
INPUT 1, 2, and S/P DIF IN jacks. Normally you will
make these settings in the Global mode P0: Basic Setup,
Input/Sampling page, but you can also make them from
Combination, Program, Sequencer, or Media modes.
In these modes, you can apply the TRITON Extreme’s
effects to the external audio signals from each jack and
sample the result, or use the TRITON Extreme as a 4-in
(AUDIO INPUT 1, 2, S/P DIF IN L, R) 6-out effect proces-
sor. You can also use TRITON Extreme to as a vocoder
(093: Vocoder) in which internal sounds are controlled by
an external mic input.
Routing
In Program, Combination, Sequencer, Song Play, and
Media modes (i.e., in other than Sampling mode), the
routing of the external audio input signals from the vari-
ous jacks is specified by “BUS (IFX/Indiv.) Select.”
1 Use “Input (COMBI, PROG, SEQ, S.PLAY, MEDIA)”
to select the source that you want to input.
This setting can be made in any of the following pages.
If you want to save the edited settings into internal
memory, you must write them. Use the Global mode
page menu command “Write Global Setting” to write
your settings.
Input-related settings are shared between all of the
above modes. For each input source that you select in
“Input (COMBI, PROG, SEQ, S.PLAY, MEDIA),” a
routing can be specified independently. If desired,
you may input simultaneously from all input sources.
If you want to make these settings in Global mode,
move to Global mode from the mode (other than
Sampling mode) in which you will be inputting the
external audio signals. If you move from Sampling
mode to Global mode, the Input (SAMPLING) settings
of Sampling mode will be maintained, and it will not
be possible to view the settings of this page.
These settings are ignored in Sampling mode. Audio
input settings for Sampling mode are made in a simi-
lar way, in Sampling P0: Recording, Input/Setup
page Input (SAMPLING).
When you apply effects to external input signals from
the AUDIO IN 1, 2, and S/P DIF IN inputs, oscillation
may be heard depending on the type of effect and the
parameter settings of the effect. If this occurs, adjust
the input level, output level, and effect parameters.
Particular care should be taken when using high-gain
effects.
2 Set the parameters for Input1 and 2.
Input1 and 2 correspond to the following inputs.
“Level”: Sets the level of the input signal that you
selected in “Input (COMBI, PROG, SEQ, S.PLAY,
MEDIA).” Normally you will set this to 127. If the
sound is distorted even though you lower this setting
significantly, it is possible that the sound is distorting
before the AD converter. Adjust the [LEVEL] knob or
the output level of the external audio source.
“Pan”: Sets the pan of the input signal that you
selected in “Input.” When inputting a stereo audio
source, you will normally set Input1 to L000, and
Input2 to R127 (or Input1 to R127 and Input2 to L000).
When inputting a mono audio source, you will nor-
mally set this to C064.
“BUS (IFX/Indiv.) Select”: In the same way as when
making settings for the oscillator(s) of a program, Spec-
ifies the bus to which each external audio input will be
sent. (☞p.104)
“Send1 (to MFX1),” “Send2 (to MFX2)”: In the same
way as when making settings for the oscillator(s) of a
program, sets the master effect send levels for each
external audio input. This can be set only if “BUS (IFX/
Indiv.) Select” is set to L/R or Off. (☞p.105)
If “BUS (IFX/Indiv.) Select” is set to IFX1–5, the master
effect send levels are set by the “Send1” and “Send2”
parameters following the insert effect (in each Insert FX
page).
If “BUS (IFX/Indiv.) Select” has a setting other than
Off, and you raise the “Level” value, the external
audio source will be input to the TRITON Extreme.
At this time if audio cables are connected to the rear
panel AUDIO INPUT 1 and 2 jacks, noise may be
input to the TRITON Extreme via the AD converter
even if no audio input is actually present, and
depending on the settings, may be output from
AUDIO OUTPUT L/R, 1, 2, 3, or 4. If you will not be
using an external audio source, but are using only the
internal sounds of a program, combination, or song,
set “BUS (IFX/Indiv.) Select” to Off, or set “Level” to
0.
Similarly, if you will not be using the S/P DIF IN jack,
set these inputs to “BUS (IFX/Indiv.) Select” Off, or
set their “Level” to 0.
If no audio cables are connected to the rear panel
AUDIO INPUT 1 and 2 jacks, the data that is input to
the TRITON Extreme from the AD converter will be
set to zero, and no noise will be output.
Program, Combination P0: Play, Sampling page
Sequencer P0: Play, Sampling page
Global P0: Basic Setup, Input/Sampling page
Media Play Audio CD page
Analog AUDIO INPUT 1
2
Input1
Input2
S/P DIF S/P DIF Lch
Rch
Input1
Input2
Program
Combination
SequencerSamplingSong PlayGlobalEffectMedia, etcPresetOther