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Appendix | MFX and IFX types and parameters
E-80 Music Workstation
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259
40. Flanger/DLY
This effect connects a flanger and a delay in parallel.
● Flanger Pre Delay (0.0~100.0ms)—Adjusts the delay time
from when the direct sound begins until the flanger sound
is heard.
● Flanger Rate (0.05~10.0Hz)—Frequency, i.e. modulation
speed.
● Flanger Depth (0~127)—Modulation intensity.
● Flanger Feedback (–98%~0~98%)—Adjusts the propor-
tion of the flanger sound that is fed back into the effect.
Negative (–) settings will invert the phase.
● Flanger Balance (D100:0W, D50:50W, D0:100W)—
Volume balance between the direct sound (D) and the
flanger sound (W).
● Delay Time (0.0~500.0ms)—Adjusts the time until the
delay is heard.
● Delay Feedback (–98%~0~98%)—Adjusts the amount of
the delay sound that’s fed back into the effect. Negative (–)
settings invert the phase.
● Delay HF Damp (200~8000Hz, Bypass)—Adjusts the fre-
quency above which sound fed back to the effect is filtered
out. If you don’t want to filter out any high frequencies, set
this parameter to BYPASS.
● Delay Balance (D100:0W, D50:50W, D0:100W)—Adjusts
the volume balance between the sound that is sent
through the delay (W) and the sound that is not sent
through the delay (D).
● Level (0~127)—Output level.
41. CHO/Flanger
This effect connects a chorus and a flanger in parallel.
● Chorus Pre Delay (0.0~100.0ms)—Adjusts the delay
between the incoming direct signal and the moment when
the chorus starts working.
● Chorus Rate (0.05~10.0Hz)—Modulation frequency of the
chorus effect.
● Chorus Depth (0~127)—Modulation intensity of the cho-
rus effect.
● Chorus Balance (D100:0W, D50:50W, D0:100W)—Vol-
ume balance between the direct sound (D) and the chorus
sound (W).
● Flanger Pre Delay (0.0~100.0ms)—Adjusts the delay time
from when the direct sound begins until the flanger sound
is heard.
● Flanger Rate (0.05~10.0Hz)—Modulation frequency of
the flanger effect.
● Flanger Depth (0~127)—Modulation intensity of the
flanger effect.
● Flanger Feedback (–98%~0~98%)—Adjusts the propor-
tion of the flanger sound that is fed back into the effect.
Negative (–) settings will invert the phase.
● Flanger Balance (D100:0W, D50:50W, D0:100W)—
Volume balance between the direct sound (D) and the
flanger sound (W).
● Level (0~127)—Output level.
42. Isolator
This is an equalizer which cuts the volume greatly, allowing
you to add a special effect to the sound by cutting the vol-
ume in varying ranges.
● Boost/Cut Low/Mid/High Level (–60~0~4 [dB])—These
boost and cut each of the High, Middle and Low frequency
ranges. At –60dB, the sound becomes inaudible. 0dB is
equivalent to the input level of the sound.
● Anti Phase Low Sw (Off, On)—Turns the Anti-Phase func-
tion on and off for the Low frequency ranges. When turned
on, the counter-channel of stereo sound is inverted and
added to the signal.
● Anti Phase Low Level (0~127)—Adjusts the level settings
for the Low frequency ranges. Adjusting this level for cer-
tain frequencies allows you to lend emphasis to specific
parts. (This is effective only for stereo source.)
● Anti Phase Mid Sw (Off, On)—Turns the Anti-Phase func-
tion on and off for the Middle frequency ranges. When
turned on, the counter-channel of stereo sound is inverted
and added to the signal.
● Anti Phase Mid Level (0~127)—Adjusts the level settings
for the Middle frequency ranges. Adjusting this level for
certain frequencies allows you to lend emphasis to specific
parts. (This is effective only for stereo source.)
● Low Boost Sw (Off, On)—Turns Low Booster on/off.
This emphasizes the bottom to create a heavy bass sound.
● Low Boost Level (0~127)—Increasing this value gives you
a heavier low end. Depending on the Isolator and filter set-
tings this effect may be hard to distinguish.
● Level (0~127)—Output level.
43. Low Boost
Boosts the volume of the lower range, creating powerful
lows.
● Boost Frequency (50~125 [Hz])—Center frequency at
which the lower range will be boosted.
● Boost Gain (0~12 [dB])—Amount by which the lower
range will be boosted.
● Boost Width (Wide, Mid, Narrow)—Width of the lower
range that will be boosted.
● EQ Low Gain (-15dB~0~15dB)—Gain of the low fre-
quency range.
● EQ High Gain (-15dB~0~15dB)—Gain of the high fre-
quency range.
● Level (0~127)—Output level.
44. Super Filter
This is a filter with an extremely sharp slope. The cutoff fre-
quency can be varied cyclically.
● Filter Type (LPF, BPF, HPF, NOTCH)—Filter type. Fre-
quency range that will pass through each filter. LPF: fre-
quencies below the cutoff. BPF: frequencies in the region
of the cutoff. HPF: frequencies above the cutoff. NOTCH:
frequencies other than the region of the cutoff.
● Filter Slope (–12, –24, –36 [dB])—Amount of attenuation
per octave: –36dB: extremely steep, –24dB: steep, –12dB:
gentle.
● Filter Cutoff (0~127)—Cutoff frequency of the filter.
Increasing this value will raise the cutoff frequency.
● Filter Resonance (0~127)—Filter resonance level. Increas-
ing this value will emphasize the region near the cutoff
frequency.