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139
Adding Effects
27: TREMOLO CHORUS
This is a chorus effect with added Tremolo (cyclic modulation of
volume).
fig.MFX-27
28: SPACE-D
This is a multiple chorus that applies two-phase modulation in
stereo. It gives no impression of modulation, but produces a
transparent chorus effect.
fig.MFX-28
29: 3D CHORUS
This applies a 3D effect to the chorus sound. The chorus sound will
be positioned 90 degrees left and 90 degrees right.
fig.MFX-29
30: 3D FLANGER
This applies a 3D effect to the flanger sound. The flanger sound will
be positioned 90 degrees left and 90 degrees right.
fig.MFX-30
Parameter
Value Explanation
Pre Delay
0.0–100.0 ms Adjusts the delay time from
the direct sound until the cho-
rus sound is heard.
Chorus Rate # 0.05–10.00 Hz, note Modulation frequency of the
chorus effect
Chorus Depth 0–127 Modulation depth of the cho-
rus effect
Tremolo Rate # 0.05–10.00 Hz, note Modulation frequency of the
tremolo effect
Tremolo
Separation
0–127 Spread of the tremolo effect
Tremolo Phase 0–180 deg Spread of the tremolo effect
Balance # D100:0W–D0:100W Volume balance between the
direct sound (D) and the trem-
olo chorus sound (W)
Level 0–127 Output Level
Parameter
Value Explanation
Pre Delay
0.0–100.0 ms Adjusts the delay time from
the direct sound until the
chorus sound is heard.
Rate # 0.05–10.00 Hz, note Frequency of modulation
Depth 0–127 Depth of modulation
Phase 0–180 deg Spatial spread of the sound
Low Gain -15– +15 dB Gain of the low range
High Gain -15– +15 dB Gain of the high range
Balance # D100:0W–D0:100W Volume balance between
the direct sound (D) and the
chorus sound (W)
Level 0–127 Output Level
Tremolo Chorus
L in
R in
L out
R out
Balance D
Balance D
Balance W
Balance W
L in
R in
Space D
Space D
L out
R out
2-Band
EQ
2-Band
EQ
Balance W
Balance W
Balance D
Balance D
L
R
3D Chorus
2-Band
EQ
2-Band
EQ
R out
L out
Parameter
Value Explanation
Filter Type
OFF, LPF, HPF Type of filter
OFF:
no filter is used
LPF:
cuts the frequency
range above the Cutoff Freq
HPF:
cuts the frequency
range below the Cutoff Freq
Cutoff Freq 200–8000 Hz Basic frequency of the filter
Pre Delay 0.0–100.0 ms Adjusts the delay time from the
direct sound until the chorus
sound is heard.
Rate # 0.05–10.00 Hz, note Frequency of modulation
Depth 0–127 Modulation depth of the chorus
effect
Phase 0–180 deg Spatial spread of the sound
Output Mode SPEAKER, PHONES Adjusts the method that will be
used to hear the sound that is
output to the OUTPUT jacks.
The optimal 3D effect will be
achieved if you select
SPEAK-
ER
when using speakers, or
PHONES
when using head-
phones.
Low Gain -15– +15 dB Gain of the low range
High Gain -15– +15 dB Gain of the high range
Balance # D100:0W–D0:100W Volume balance between the
direct sound (D) and the chorus
sound (W)
Level 0–127 Output Level
Parameter Value Explanation
Filter Type
OFF, LPF, HPF Type of filter
OFF:
no filter is used
LPF:
cuts the frequency
range above the Cutoff Freq
HPF:
cuts the frequency
range below the Cutoff Freq
Cutoff Freq 200–8000 Hz Basic frequency of the filter
Pre Delay 0.0–100.0 ms Adjusts the delay time from
when the direct sound begins
until the flanger sound is
heard.
Rate # 0.05–10.00 Hz, note Frequency of modulation
Depth 0–127 Depth of modulation
Phase 0–180 deg Spatial spread of the sound
Feedback # -98– +98 % Adjusts the proportion of the
flanger sound that is fed back
into the effect. Negative (-) set-
tings will invert the phase.
Output Mode SPEAKER, PHONES Adjusts the method that will be
used to hear the sound that is
output to the OUTPUT jacks.
The optimal 3D effect will be
achieved if you select
SPEAK-
ER
when using speakers, or
PHONES
when using head-
phones.
Low Gain -15– +15 dB Gain of the low range
High Gain -15– +15 dB Gain of the high range
Balance # D100:0W–D0:100W Volume balance between the
direct sound (D) and the
flanger sound (W)
Level 0–127 Output Level
L
R
3D Flanger
2-Band
EQ
2-Band
EQ
R out
L out
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