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Adding Effects
39: GUITAR AMP SIMULATOR
This is an effect that simulates the sound of a guitar amplifier.
fig.MFX-39
Specifications for each Speaker Type
The speaker column indicates the diameter of each speaker unit (in
inches) and the number of units.
40: COMPRESSOR
Flattens out high levels and boosts low levels, smoothing out
fluctuations in volume.
fig.MFX-40
41: LIMITER
Compresses signals that exceed a specified volume level, preventing
distortion from occurring.
fig.MFX-41
42: GATE
Cuts the reverb’s delay according to the volume of the sound sent
into the effect. Use this when you want to create an artificial-
sounding decrease in the reverb’s decay.
fig.MFX-42
Parameter
Value Explanation
Pre Amp Sw
OFF, ON Turns the amp switch on/off.
Pre Amp
Type
JC-120, CLEAN TWIN,
MATCH DRIVE,
BG LEAD, MS1959I,
MS1959II, MS1959I+II,
SLDN LEAD,
METAL5150,
METAL LEAD, OD-1,
OD-2 TURBO,
DISTORTION, FUZZ
Type of guitar amp
Pre Amp
Volume #
0–127 Volume and amount of distor-
tion of the amp
Pre Amp
Master #
0–127 Volume of the entire pre-amp
Pre Amp
Gain
LOW, MIDDLE, HIGH Amount of pre-amp distortion
Pre Amp
Bass
0–127 Tone of the bass/mid/treble
frequency range
* Middle cannot be set if
“Match Drive” is selected as
the Pre Amp Type.
Pre Amp
Middle
Pre Amp
Treble
Pre Amp
Presence
0–127
(MATCH DRIVE:
-127 - 0)
Tone for the ultra-high fre-
quency range
Pre Amp
Bright
OFF, ON Turning this “On” produces a
sharper and brighter sound.
* This parameter applies to
the “JC-120,” “Clean Twin,”
and “BG Lead” Pre Amp
Types.
Speaker Sw OFF, ON Determines whether the signal
passes through the speaker
(ON), or not (OFF).
Speaker
Type
(See the table below.) Type of speaker
Mic Setting 1, 2, 3 Adjusts the location of the mic
that’s capturing the sound of
the speaker.
This can be adjusted in three
steps, from 1 to 3, with the
mic becoming more distant
as the value increases.
Mic Level 0–127 Volume of the microphone
Direct Level 0–127 Volume of the direct sound
Pan # L64–63R Stereo location of the output
Level # 0–127 Output level
Type Cabinet Speaker Microphone
SMALL 1
small open-back enclosure 10 dynamic
SMALL 2 small open-back enclosure 10 dynamic
MIDDLE open back enclosure 12 x 1 dynamic
JC-120 open back enclosure 12 x 2 dynamic
BUILT-IN 1 open back enclosure 12 x 2 dynamic
BUILT-IN 2 open back enclosure 12 x 2 condenser
BUILT-IN 3 open back enclosure 12 x 2 condenser
BUILT-IN 4 open back enclosure 12 x 2 condenser
BUILT-IN 5 open back enclosure 12 x 2 condenser
BG STACK 1 sealed enclosure 12 x 2 condenser
BG STACK 2 large sealed enclosure 12 x 2 condenser
MS STACK 1 large sealed enclosure 12 x 4 condenser
MS STACK 2 large sealed enclosure 12 x 4 condenser
METAL
STACK
large double stack 12 x 4 condenser
2-STACK large double stack 12 x 4 condenser
3-STACK large triple stack 12 x 4 condenser
L in
R in
L out
R out
Pan R
Pan L
Pre Amp
Speaker
Parameter
Value Explanation
Attack #
0–127 Sets the speed at which compression
starts
Threshold # 0–127 Adjusts the volume at which compres-
sion begins
Post Gain 0– +18 dB Adjusts the output gain.
Low Gain -15– +15 dB Gain of the low frequency range
High Gain -15– +15 dB Gain of the high frequency range
Level # 0–127 Output level
Parameter Value Explanation
Release #
0–127 Adjusts the time after the signal volume
falls below the Threshold Level until
compression is no longer applied.
Threshold # 0–127 Adjusts the volume at which compres-
sion begins
Ratio 1.5:1, 2:1, 4:1,
100:1
Compression ratio
Post Gain 0– +18 dB Adjusts the output gain.
Low Gain -15– +15 dB Gain of the low frequency range
High Gain -15– +15 dB Gain of the high frequency range
Level # 0–127 Output level
Parameter
Value Explanation
Threshold #
0–127 Volume level at which the gate begins to
close
Mode GATE,
DUCK
Type of gate
GATE:
The gate will close when the
volume of the original sound decreas-
es, cutting the original sound.
DUCK (Ducking):
The gate will close
when the volume of the original
sound increases, cutting the original
sound.
Attack 0–127 Adjusts the time it takes for the gate to
fully open after being triggered.
Hold 0–127 Adjusts the time it takes for the gate to
start closing after the source sound falls
beneath the Threshold.
L in
R in
L out
R out
Compressor
2-Band EQ
2-Band EQ
Compressor
L in
R in
L out
R out
Limiter
2-Band EQ
2-Band EQ
Limiter
L in
R in
L out
R out
Gate
Gate
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