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Settings Common to All Modes (System Function)
[F1 (METRO)]
[F2 (SYNC)]
[F1 (GENERL)]
System Menu [F4 (METRO/SYNC)]
Parameter
Value Explanation
Metronome Mode
OFF,
PLAY-ONLY,
REC-ONLY,
PLAY&REC,
ALWAYS
Specifies when you want the metronome to sound.
OFF:
Will not sound.
PLAY-ONLY:
Will sound only during playback.
REC-ONLY:
Metronome will sound only for recording.
PLAY&REC:
Metronome will sound for playback and recording.
ALWAYS:
Metronome will always sound.
* If a check mark (
✔
) is added by pressing [F5 (CLICK)] in the Tempo window which appears when you press [TEMPO], the met-
ronome will always sound.
Metronome Level
0–10 Volume of the metronome
Metronome Sound TYPE1–TYPE4
TYPE 1:
A conventional metronome sound (A bell will sound on the first beat.)
TYPE 2:
Clicks
TYPE 3:
Beeps
TYPE 4:
Cowbell
Beat Indicator Mode REC&PLAY,
ALWAYS
How the beat indicator on the panel will blink
ALWAYS:
always blinks at the specified tempo
REC&PLAY:
blinks only during playback and recording
Parameter
Value Explanation
Sync Mode
MASTER,
SLAVE-MIDI,
SLAVE-MTC,
REMOTE
Synchronization message that the JUNO-G’s song recorder will use for operation
MASTER:
The JUNO-G will be the master. Choose this setting when using the JUNO-G by itself without synchronizing to
another device, or when you want other MIDI devices to synchronize to the JUNO-G.
SLAVE-MIDI:
The JUNO-G will be the slave. Choose this setting when you want the JUNO-G to synchronize to MIDI Clock
messages received from another MIDI device.
SLAVE-MTC:
The JUNO-G will be the slave. Choose this setting when you want the JUNO-G to synchronize to MTC (MIDI
Time Code) received from an external device.
REMOTE:
Use this setting when you wish an external MIDI device to have remote start/stop control. The tempo will be
in accord with what has been set on the JUNO-G.
Sync Output OFF, ON Set this parameter “ON” when you want synchronization related MIDI messages (MIDI Clock, Start, Continue, Stop, Song
Position Pointer and Song Select) to be transmitted to an external MIDI device. If not, set it “OFF.”
Arp/Rhythm
Sync Switch
OFF, ON Specifies whether the arpeggio or rhythm pattern will start/stop in synchronization with the song recorder.
OFF:
Start/stop will not synchronize to the song recorder.
ON:
While the song recorder is running, the arpeggio or rhythm pattern will start at the beginning of the next measure.
When you stop the song recorder, the arpeggio or rhythm pattern will also stop.
Tempo Override OFF, ON Specifies whether the song recorder tempo will change (ON), or will not change (OFF) when you switch performance.
System Menu [F5 (D BEAM)]
Parameter
Value Explanation
SENSIBILITY
D Beam Sens
0–127 This sets the D Beam controller’s sensitivity.
The higher the value set, the more readily the D Beam Controller goes to into erect.
Types of MTC
The types of MTC that can be selected by the JUNO-G are shown below. Select the same frame rate as that set for the external device. When
not using a video device, then any frame rate may be selected as long as the rates are the same on both devices being synchronized.
30: This is 30 frames per second, non-drop format. This is used by audio devices such as analog tape recorders, and for NTSC format
black and white video (used in Japan and the U.S.).
29N: This is 29.97 frames per second, non-drop format. This is used for NTSC format color video (used in Japan and the U.S.).
29D: 29.97 frames per second drop format. This is used for NTSC format color video (used in Japan and the U.S.).
25: 25 frame per second frame rate. This is used for SECAM or PAL format video, audio equipment, and film (used in Europe and
elsewhere).
24: 24 frame per second frame rate. This is used for video, audio devices, and film in the US.
Non-Drop Format and Drop Format
There are two types of format used by NTSC video cassette recorders, non-drop and drop. Non-drop format features continuous time code,
whereas in drop format, which is used for NTSC color video format, the first two frames of every minute are dropped, except for those at ten-
minute intervals. In most video and audio production, since formats with continuous frames are easier to deal with, non-drop is generally
used. In contrast, in situations such as in broadcast, where the time code must match actual clock time, drop is used.
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