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147
Adding Effects
56: LOFI NOISE
In addition to a Lo-Fi effect, this adds various types of noise such as
white noise and disc noise.
fig.MFX-56
57: LOFI COMPRESS
This is an effect that intentionally degrades the sound quality for
creative purposes.
fig.MFX-57
58: LOFI RADIO
In addition to a Lo-Fi effect, this effect also generates radio noise.
fig.MFX-58
Treble
-15– +15 dB Boost/cut for the upper range of the echo
sound
Head S Pan L64–63R Independent panning for the short, mid-
dle, and long playback heads
Head M Pan
Head L Pan
Tape Distor-
tion
0–5 Amount of tape-dependent distortion to
be added
This simulates the slight tonal changes
that can be detected by signal-analysis
equipment. Increasing this value will
increase the distortion.
Wow/Flutter
Rate
0–127 Speed of wow/flutter (complex variation
in pitch caused by tape wear and rota-
tional irregularity)
Wow/Flutter
Depth
0–127 Depth of wow/flutter
Echo Level # 0–127 Volume of the echo sound
Direct Level # 0–127 Volume of the original sound
Level 0–127 Output level
Parameter Value Explanation
LoFi Type
1–9 Degrades the sound quality. The sound
quality grows poorer as this value is in-
creased.
Post Filter
Type
OFF, LPF,
HPF
Type of filter
OFF:
no filter is used
LPF:
cuts the frequency range above
the Cutoff
HPF:
cuts the frequency range below
the Cutoff
Post Filter
Cutoff
200–8000 Hz Center frequency of the filter
W/P Noise
Type
WHITE,
PINK
Switch between white noise and pink
noise.
W/P Noise
LPF
200–8000 Hz,
BYPASS
Center frequency of the low pass filter
applied to the white/pink noise (BY-
PASS: no cut)
W/P Noise
Level #
0–127 Volume of the white/pink noise
Disc Noise
Type
LP, EP, SP,
RND
Type of record noise
The frequency at which the noise is
heard depends on the selected type.
Disc Noise
LPF
200–8000 Hz,
BYPASS
Adjusts the cutoff frequency of the low
pass filter applied to the record noise. If
you don’t want to filter out any high fre-
quencies, set this parameter to BYPASS.
Disc Noise
Level #
0–127 Volume of the record noise
Hum Noise
Type
50 Hz, 60 Hz Frequency of the hum noise
Hum Noise
LPF
200–8000 Hz,
BYPASS
Center frequency of the low pass filter
applied to the hum noise (BYPASS: no
cut)
Hum Noise
Level #
0–127 Volume of the hum noise
Low Gain -15– +15 dB Gain of the low range
High Gain -15– +15 dB Gain of the high range
Balance # D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the effect sound (W)
Level 0–127 Output level
Parameter Value Explanation
R in
R out
L in
L out
Lo-Fi
Lo-Fi
Noise Gen.
2-Band
EQ
2-Band
EQ
Parameter
Value Explanation
Pre Filter
Type
1–6 Selects the type of filter applied to the
sound before it passes through the Lo-Fi
effect.
LoFi Type 1–9 Degrades the sound quality. The sound
quality grows poorer as this value is in-
creased.
Post Filter
Type
OFF, LPF,
HPF
Type of filter
OFF:
no filter is used
LPF:
cuts the frequency range above
the Cutoff
HPF:
cuts the frequency range below
the Cutoff
Post Filter
Cutoff
200–8000 Hz Basic frequency of the Post Filter
Low Gain -15– +15 dB Gain of the low range
High Gain -15– +15 dB Gain of the high range
Balance # D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the effect sound (W)
Level # 0–127 Output level
Parameter
Value Explanation
LoFi Type
1–9 Degrades the sound quality. The sound
quality grows poorer as this value is in-
creased.
Post Filter
Type
OFF, LPF,
HPF
Type of filter
OFF:
no filter is used
LPF:
cuts the frequency range above
the Cutoff
HPF:
cuts the frequency range below
the Cutoff
Post Filter
Cutoff
200–8000 Hz Basic frequency of the Post Filter
Radio
Detune #
0–127 Simulates the tuning noise of a radio. As
this value is raised, the tuning drifts fur-
ther.
Radio Noise
Level #
0–127 Volume of the radio noise
Low Gain -15– +15 dB Gain of the low range
High Gain -15– +15 dB Gain of the high range
Balance # D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the effect sound (W)
Level 0–127 Output level
L in
R in
L out
R out
Compressor
Lo-Fi
Lo-Fi
Compressor
2-Band
EQ
2-Band
EQ
R in
R out
L in
L out
Lo-Fi
Lo-Fi
Radio
2-Band
EQ
2-Band
EQ
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