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66
Creating a Performance
[PAGE
↓
] - [F3 (KEYBORD)]
[PAGE
↓
] - [F4 (KEY MOD)]
[PAGE
↓
] - [F5 (S.TUNE)]
Parameter
Value Explanation
Kbd
OFF, ON (
✔
) Specifies, for each part, whether or not the keyboard controller section will be connected to the internal sound generator.
K.L C - –(Upper) Lowest note that the tone will sound for each part.
K.U (Lower)–G9 Highest note that the tone will sound for each part
When the Key Range (p. 37) is set for each individual tone in a patch, sounds are produced in the range where the Key Range
of each tone and the Key Range for the part overlap.
Velo -63– +63 Changes the volume and cutoff frequency for each part according to the velocity with which the keys are pressed.
If you want strongly played notes to raise the volume/cutoff frequency, set this parameter to positive (+) settings. If you
want strongly played notes to lower the volume/cutoff frequency, use negative (-) settings. Set Velocity Sensitivity to “0”
when you want sounds played at a fixed volume and cutoff frequency, regardless of the force with which the keys are
played.
Curve OFF, 1–4 Selects for each MIDI channel one of the four following Velocity Curve types that best matches the touch of the connected MIDI
keyboard.
Set this to “OFF” if you are using the MIDI keyboard’s own velocity curve.
Voice 0–63, FUL This setting specifies the number of voices that will be reserved for each part when more than 128 voices are played simulta-
neously.
* It is not possible for the settings of all parts to total an amount greater than 64. The remaining number of available voices will be displayed
at (rest=). Pay attention to this readout as you make Voice Reserve settings.
Ch
1–16 MIDI receive channel for each part
Parameter
Value Explanation
Mono/Poly
MONO, POLY,
PAT
Set this parameter to “MONO” when the patch assigned to the part is to be played monophonically, or to “POLY” when the
patch is to be played polyphonically. If you want to use the Mono/Poly setting of the patch assigned to the part (p. 37), set this
to “PAT.”
* This setting is ignored for parts to which a rhythm set is assigned.
Legato
OFF, ON, PAT You can add legato when performing monophonically. The term “legato” refers to a playing style in which notes are smoothly
connected to create a flowing feel. This creates a smooth transition between notes, which is effective when you wish to simulate
the hammering-on and pulling-off techniques used by a guitarist.
Turn this parameter “ON” when you want to use the Legato feature and “OFF” when you don’t. If you want to use the Le-
gato Switch setting of the patch assigned to the part (p. 37), set this to “PAT.”
* This setting is ignored for parts to which a rhythm set is assigned.
Portament
OFF, ON, PAT Specify whether portamento will be applied.
Turn this parameter “ON” when you want to apply Portamento and “OFF” when you don’t. If you want to use the Porta-
mento Switch setting of the patch assigned to the part (p. 37), set this to “PAT.”
Time 0–127, PAT When portamento is used, this specifies the time over which the pitch will change.
Higher settings will cause the pitch change to the next note to take more time. If you want to use the Portamento Time setting
of the patch assigned to the part (p. 37), set this to “PAT.”
Parameter
Value Explanation
Part Scale Tune for C–B
-64– +63 Make scale tune settings for each part.
Scale Tune is switched on/off by means of the Scale Tune Switch parameter (p. 159).
Key range specified for Performance
Key range specified for Patch
The range in which notes will play
2134
Calculating the Number of Voices Being Used
The JUNO-G is able to play up to 128 notes simultaneously. The
polyphony, or the number of voices (sounds) does not refer only
to the number of sounds actually being played, but changes
according to the number of tones used in the patches, and the
number of Waves used in the tones. The following method is used
to calculate the number of sounds used for one patch being
played.
(Number of Sounds Being Played) x (Number of Tones Used by
Patches Being Played) x (Number of Waves Used in the Tones)
Realtime Stretch requires twice the normal polyphony.
JUNO-G_e.book 66 ページ ２００６年２月１３日 月曜日 午後２時４４分