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AMP
Parameter Value Explanation
On/O OFF, ON Turns the AMP OFF/ON.
Type
Value Explanation
JC CLEAN
BOSS CLEAN This is a clean sound that is smooth and warm.
JC-120 This is the sound of the Roland JC-120.
JAZZ COMBO This is a sound suited to jazz.
FULL RANGE
This is a sound with at response.
Good for acoustic guitar.
TW CLEAN
CLEAN TWIN This models a Fender Twin Reverb.
PRO CRUNCH This models a Fender Pro Reverb.
TWEED This models a Fender Bassman 4 x 10” Combo.
DELUXE CRUNCH This models a Fender Deluxe Reverb.
CRUNCH
BOSS CRUNCH
This is a crunch sound that faithfully reproduces
picking nuances.
BLUES This is a sound suited to blues.
WILD CRUNCH This is a crunch sound with wild distortion.
STACK CRUNCH This is a crunch sound with high gain.
COMBO
VO DRIVE
This models the drive sound of a VOX AC-30TB.
This is a sound that it suited to sixties-style British
rock.
VO LEAD This models the lead sound of the VOX AC-30TB.
VO CLEAN This models the clean sound of the VOX AC-30TB.
MATCH
MATCH DRIVE
This models the sound produced using the left
input on a Matchless D/C-30, a modern tube amp
widely used in styles from blues to rock.
FAT MATCH
This models the sound of a Matchless modied
for high gain.
MATCH LEAD
This models the sound produced using the right
input on a Matchless D/C-30
BG LEAD
BG LEAD
This models the lead sound of the MESA/Boogie
combo amp, a tube amp that was very popular in
the late ’70s and ’80s.
BG DRIVE
This models a MESA/Boogie with TREBLE SHIFT
SW on.
BG RHYTHM
This models the rhythm channel of a MESA/
Boogie combo amp.
MS CLASSIC
MS1959 I
This models the sound produced using Input I on
a Marshall 1959 Super Lead amp. This is a trebly
sound suited to hard rock.
MS1959 I+II
The sound of connecting Inputs I and II of the
Marshall 1959 amp in parallel, creating a sound
with a stronger low end than I.
MS MODERN
MS HIGAIN
This models the sound of a Marshall modied
with a midrange boost.
MS SCOOP
This is a Marshall sound that’s been tweaked for
a metal sound.
R-FIER
R-FIER VINTAGE
Models the sound of the Channel 2 VINTAGE
Mode on the MESA/Boogie DUAL Rectier.
R-FIER MODERN
Models the sound of the Channel 2 MODERN
Mode on the MESA/Boogie DUAL Rectier.
R-FIER CLEAN
Models the sound of the Channel 1 CLEAN Mode
on the MESA/Boogie DUAL Rectier.
T-AMP
T-AMP LEAD The models AMP3 on a Hughes & Kettner TriAmp.
T-AMP CRUNCH The models AMP2 on a Hughes & Kettner TriAmp.
T-AMP CLEAN The models AMP1 on a Hughes & Kettner TriAmp.
Type
Value Explanation
HI-GAIN
BOSS DRIVE
This is a drive sound producing awesome
distortion.
SLDN
This models a Soldano SLO-100, a very popular
tube amp in the 1980s.
LEAD STACK This is a lead sound with high gain.
HEAVY LEAD
A powerful lead sound featuring extreme
distortion.
METAL
BOSS METAL This is a metal sound suited to heavy ris.
5150 DRIVE
This models the lead channel of a Peavey EVH
5150.
METAL LEAD This is a lead sound suited to metal.
EDGE LEAD This is a sharp sound suited for lead play.
BASS
BASS CLEAN
Clean sound that is great for use with bass
guitars.
BASS CRUNCH
Crunch sound with natural distortion that sounds
great with bass guitars.
BASS HIGAIN
A high-gain sound suitable for use with bass
guitars.
Parameter Value Explanation
Gain 0–120 Adjusts the distortion of the amp.
Bass 0–100 Adjusts the tone for the low frequency range.
Middle 0–100
Adjusts the tone for the middle frequency
range.
Treble 0–100 Adjusts the tone for the high frequency range.
Presence 0–100
Adjusts the tone for the ultra high frequency
range.
When you set the TYPE parameter to VO DRIVE,
VO LEAD, VO CLEAN, MATCH DRIVE, FAT MATCH,
or MATCH LEAD, the PRESENCE parameter
functions as the high cut lter found in the
original amps.
Level 0–100
Adjusts the volume of the entire preamp. Be
careful not to raise the LEVEL setting too high.
Bright
Turns the bright setting OFF/ON.
The Bright parameter setting is only partially available with some
JC CLEAN, TW CLEAN, CRUNCH, or BG LEAD settings in TYPE.
OFF Bright is not used.
ON
Bright is switched on to create a lighter and
crisper tone.
Gain Sw
LOW, MIDDLE,
HIGH
Provides for selection from three levels of
distortion. Distortion will successively increase
for settings of LOW, MIDDLE and HIGH.
Solo Sw OFF, ON
Set SOLO SW to ON to add a boost in volume
that’s suitable for solos.
Solo Level 0–100
Adjusts the volume level when the SOLO SW
is ON.
SP Type
Select the speaker type.
OFF This turns o the speaker simulator.
ORIGINAL
This is the built-in speaker of the amp you
selected with AMP TYPE.
1x8”
This is a open-back speaker cabinet with one
8-inch speaker.
1x10”
This is a open-back speaker cabinet with one
10-inch speaker.
1x12”
This is a open-back speaker cabinet with one
12-inch speaker.
2x12”
This is a open-back speaker cabinet with two
12-inch speakers.
4x10”
This is a closed-back speaker cabinet with four
10-inch speakers.
4x12”
This is a closed-back speaker cabinet with four
12-inch speakers.
8x12”
This is a double stack of two closed-back
cabinets, each with four 12-inch speakers.