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55: TAPE ECHO
A virtual tape echo that produces a realistic tape delay sound. This simulates the tape
echo section of a Roland RE-201 Space Echo.
Echo Level
Echo Level
L in
R in
L out
R out
Tape Echo
Direct Level
Direct Level
Parameter Value Explanation
Mode
S, M, L, S+M, S+L,
M+L, S+M+L
Combination of playback heads
to use Select from three dierent
heads with dierent delay times.
S: short
M: middle
L: long
Repeat Rate # 0–127
Tape speed
Increasing this value will shorten
the spacing of the delayed
sounds.
Intensity # 0–127 Amount of delay repeats
Bass -15–+15 dB
Boost/cut for the lower range of
the echo sound
Treble -15–+15 dB
Boost/cut for the upper range of
the echo sound
Head S Pan
L64–63R
Independent panning for the
short, middle, and long playback
heads
Head M Pan
Head L Pan
Tape Distortion 0–5
Amount of tape-dependent
distortion to be added
This simulates the slight tonal
changes that can be detected
by signal-analysis equipment.
Increasing this value will increase
the distortion.
Wow/Flutter Rate 0–127
Speed of wow/utter (complex
variation in pitch caused by tape
wear and rotational irregularity)
Wow/Flutter Depth 0–127 Depth of wow/utter
Echo Level # 0–127 Volume of the echo sound
Direct Level # 0–127 Volume of the original sound
Level 0–127 Output Level
56: LOFI NOISE
In addition to a lo- eect, this adds various types of noise such as white noise and disc
noise.
R in
R out
L in
L out
Lo-Fi
Lo-Fi
Noise Gen.
2-Band
EQ
2-Band
EQ
Parameter Value Explanation
LoFi Type 1–9
Degrades the sound quality. The
sound quality grows poorer as
this value is increased.
Post Filter Type
Type of lter that follows the LoFi eect
OFF No lter is used
LPF
Cuts the frequency range above
the Cuto.
HPF
Cuts the frequency range below
the Cuto.
Post Filter Cuto 200–8000 Hz Center frequency of the lter
W/P Noise Type WHITE, PINK
Switch between white noise and
pink noise.
W/P Noise LPF 200–8000 Hz, BYPASS
Center frequency of the low pass
lter applied to the white/pink
noise (BYPASS: no cut)
W/P Noise Level # 0–127 Volume of the white/pink noise
Disc Noise Type LP, EP, SP, RND
Type of record noise
The frequency at which the noise
is heard depends on the selected
type.
Disc Noise LPF 200–8000 Hz, BYPASS
Adjusts the cuto frequency of
the low pass lter applied to the
record noise. If you don’t want to
lter out any high frequencies,
set this parameter to BYPASS.
Disc Noise Level # 0–127 Volume of the record noise
Hum Noise Type 50 Hz, 60 Hz Frequency of the hum noise
Hum Noise LPF 200–8000 Hz, BYPASS
Center frequency of the low pass
lter applied to the hum noise
(BYPASS: no cut)
Hum Noise Level # 0–127 Volume of the hum noise
Low Gain -15–+15 dB Gain of the low range
High Gain -15–+15 dB Gain of the high range
Balance # D100:0W–D0:100W
Volume balance between the
direct sound (D) and the eect
sound (W)
Level 0–127 Output Level