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Chorus Parameters
The JUNO-Gi’s Chorus eect unit can also be used as a stereo delay unit.
These settings allow you to select chorus or delay, and the characteristics of the
selected eect type.
Parameter Value Explanation
Chorus Type
Selects either Chorus or Delay.
00: OFF Neither Chorus or Delay is used.
01: CHORUS Chorus is used.
02: DELAY Delay is used.
03: GM2 CHORUS GM2 Chorus is used.
Chorus Level 0–127 Volume of the chorus sound
01: CHORUS
Filter Type
Type of lter
OFF No lter is used.
LPF
Cuts the frequency range above
the Cuto Freq
HPF
Cuts the frequency range below
the Cuto Freq
Cuto Freq 200–8000 Hz Basic frequency of the lter
Pre Delay 0.0–100 msec
Adjusts the delay time from the
direct sound until the chorus
sound is heard.
Rate 0.05–10.00 Hz, note Frequency of modulation
Depth 0–127 Depth of modulation
Phase 0–180 deg Spatial spread of the sound
Feedback 0–127
Adjusts the amount of the chorus
sound that is fed back into the
eect.
02: DELAY
Delay Left
0–1000 msec, note
Adjusts the delay time from
the direct sound until the delay
sound is heard.
Delay Right
Delay Center
Center Feedback -98–+98%
Adjusts the proportion of the
delay sound that is fed back into
the eect. Negative (-) settings
will invert the phase.
HF Damp 200–8000 Hz, BYPASS
Adjusts the frequency above
which sound fed back to the
eect will be cut. If you do not
want to cut the high frequencies,
set this parameter to BYPASS.
Left Level
0–127 Volume of each delay soundRight Level
Center Level
03: GM2 CHORUS
Pre-LPF 0–7
Cuts the high frequency range
of the sound coming into the
chorus.
Higher values will cut more of
the high frequencies.
Level 0–127 Volume of the chorus sound
Feedback 0–127
Adjusts the amount of the chorus
sound that is fed back into the
eect.
Delay 0–127
Adjusts the delay time from the
direct sound until the chorus
sound is heard.
Rate 0–127 Frequency of modulation
Depth 0–127 Depth of modulation
Send Level to Reverb 0–127
Adjusts the amount of chorus
sound that will be sent to the
reverb.
NOTE
If you specify the delay time as a note value, slowing down the tempo will
not change the delay time beyond a certain length. This is because there is
an upper limit for the delay time; if the delay time is specied as a note value
and you slow down the tempo until this upper limit is reached, the delay time
cannot change any further. This upper limit is the maximum value that can be
specied when setting the delay time as a numerical value.
note:
Sixty-fourth-note
triplet
Sixty-fourth
note
Thirty-second-
note triplet
Thirty-second
note
Sixteenth-note
triplet
Dotted thirty-
second note
Sixteenth note Eighth-note
triplet
Dotted sixteenth
note
Eighth note Quarter-note
triplet
Dotted eighth
note
Quarter note Half-note triplet Dotted quarter
note
Half note
Whole-note
triplet
Dotted half note Whole note Double-note
triplet
Dotted whole
note
Double note