Roland JUNO-Gi Electronic Keyboard User Manual


 
97
Overview
Appendix
USB Memory
Song Player
Digital Recorder
Synthesizer
Selecting Sounds Perform. Functions Editing/Eects Other Settings
Rec/Play/Edit Eects Rhythm Pattern
Although the JUNO-Gi allows the simultaneous playback of eight
tracks, when you run out of tracks, the JUNO-Gi also lets you copy
the recordings of multiple tracks together onto one track (V-Track).
This is called “bounce” (also known as bounce recording or ping-pong
recording). By combining multiple tracks in this way, you can free up
other tracks in order to record additional performances.
In Bounce mode, you can play back eight tracks simultaneously and
record them all to a single, separate V-Track.
When the [KEYBOARD] or [AUDIO INPUT] buttons are on, you
can have those sounds recorded together. Furthermore, you can
include the sounds from the Rhythm Pattern (p. 121) in the recording.
Track 2-V2
Track 1-V2
Rhythm Pattern
AUDIO INPUT
Track 1–8
Rhythm PatternKEYBOARD
Track 2-V2
Track 8-V1
Track 8-V1
Track 7-V1
Track 7-V1
Track 6-V1
Track 6-V1
Track 5-V1
Track 5-V1
Track 4-V1
Track 4-V1
Track 3-V1
Track 3-V1
Track 2-V1
Track 2-V1
Track 1-V1
Track 3-V1
Track 3-V1
Track 2-V1
Track 2-V1
Track 1-V1
Bounce-Recording
1. In the RECORDER screen, press the [1] (MODE) button a
number of times until “BOUNCE” appears in the display.
2. Use the cursor buttons to move the cursor to the “Target
Track”  eld, and use the VALUE dial or the [DEC] [INC]
buttons to specify the bounce-destination track and V-track.
(Example: If you want to bounce-record to V-track 2 of tracks 1 and 2,
you would specify “Target Track: 1/2” and “V-Track: 2”)
To bounce in stereo, choose Target Track: 1/2–7/8.
To bounce in monaural, choose Target Track: 1–8.
If the V-track contains data, a n symbol is shown beside the V-track
column.
3. Play back the song, and use the [MASTER] slider to adjust the
master level.
Raise the volume level until it is as high as you can get it without
causing the level meter to reach the maximum (the point at which
distortion would occur).
4. Press the [ ] (Song Top) button to move to the
beginning of the song.
5. Press the [l] (REC) button and then the [
] (PLAY) button;
bounce-recording will begin.
6. When you’ve  nished recording, press the [n] (STOP) button.
MEMO
You can apply reverb (p. 117) or the insert e ects (p. 106) during
bounce-recording. If you want to use the insert e ects on a
speci c track, refer to “Changing the Location of the Insert E ects
(LOCATION)” (p. 108).
Listening the Result of the Bounce-
Recording
1. Press the [1] (MODE) button a number of times to select
Normal mode.
Make sure that the display does not indicate “BOUNCE” or
“MASTERING.”
2. Press the [4] (TRK SET) button.
The TRACK SETTING screen will appear.
3. Move the cursor to the “V-Track”  eld of the track that you
bounce-recorded, and use the VALUE dial to specify the
number of the V-track you bounce-recorded.
(Example: If you bounce-recorded to V-track 2 of tracks 1 and 2, set the
V-Track  eld to “2” for tracks 1 or 2.)
4. Set the “Level”  eld values to 0 for all tracks other than the
bounced tracks, and set “Reverb”  eld values to 0 for all
tracks.
Alternatively, you can use the track buttons to mute all tracks other
than the bounced tracks (see “Muting Tracks,” p. 88).
If the Target Track is stereo, set the pan of the bounce-destination
tracks (1 and 2) to far left and far right, respectively.
5. Press the [EXIT] button.
6. Press the [
] (Song Top) button to move to the
beginning of the song.
7. Press the [
] (PLAY) button to hear the bounce-recorded
sound.
8. If you want to save the settings to the currently selected
song, press the [WRITE] button.
Putting Multiple Tracks Together ( BOUNCE Mode)