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67: OVERDRIVE g FLANGER
L in
R in
Flanger
Overdrive
L out
R out
Balance W
Balance W
Balance D
Balance D
Feedback
Parameter Value Explanation
Overdrive Drive # 0–127
Degree of distortion
Also changes the volume.
Overdrive Pan # L64–63R
Stereo location of the overdrive
sound
Flanger Pre Delay 0.0–100 msec
Adjusts the delay time from
when the direct sound begins
until the anger sound is heard.
Flanger Rate # 0.05–10.00 Hz, note Frequency of modulation
Flanger Depth 0–127 Depth of modulation
Flanger Feedback # -98–+98%
Adjusts the proportion of the
anger sound that is fed back
into the eect. Negative (-)
settings will invert the phase.
Flanger Balance # D100:0W–D0:100W
Adjusts the volume balance
between the sound that is sent
through the anger (W) and the
sound that is not sent through
the anger (D).
Level 0–127 Output Level
68: OVERDRIVE g DELAY
L in
R in
Delay
Overdrive
L out
R out
Balance W
Balance W
Balance D
Balance D
Feedback
Parameter Value Explanation
Overdrive Drive # 0–127
Degree of distortion
Also changes the volume.
Overdrive Pan # L64–63R
Stereo location of the overdrive
sound
Delay Time 0–2600 msec, note
Adjusts the delay time from
the direct sound until the delay
sound is heard.
Delay Feedback # -98–+98%
Adjusts the proportion of the
delay sound that is fed back into
the eect. Negative (-) settings
will invert the phase.
Delay HF Damp 200–8000 Hz, BYPASS
Adjusts the frequency above
which sound fed back to the
eect will be cut. If you do not
want to cut the high frequencies,
set this parameter to BYPASS.
Delay Balance # D100:0W–D0:100W
Adjusts the volume balance
between the sound that is sent
through the delay (W) and the
sound that is not sent through
the delay (D).
Level 0–127 Output Level
69: DISTORTION g CHORUS
The parameters are essentially the same as in “66: OVERDRIVE g CHORUS,” with the
exception of the following two.
Overdrive Drive g Distortion Drive,
Overdrive Pan g Distortion Pan
L in
R in
Chorus
Distortion
L out
R out
Balance W
Balance W
Balance D
Balance D
70: DISTORTION g FLANGER
The parameters are essentially the same as in “67: OVERDRIVE g FLANGER,” with the
exception of the following two.
Overdrive Drive g Distortion Drive,
Overdrive Pan g Distortion Pan
L in
R in
Flanger
Distortion
L out
R out
Balance W
Balance W
Balance D
Balance D
Feedback
71: DISTORTION g DELAY
The parameters are essentially the same as in “68: OVERDRIVE g DELAY,” with the
exception of the following two.
Overdrive Drive g Distortion Drive,
Overdrive Pan g Distortion Pan
L in
R in
Delay
Distortion
L out
R out
Balance W
Balance W
Balance D
Balance D
Feedback