Filter
Top Products
229
Appendices
Any control change number (CC#00–95) can be
assigned as the B-mode function of a REALTIME CON-
TROLS knob. In this case, the transmitted values will all
be 0–127.
*1 On the TRITON Le’s sequencer, bank select messages
are normally specified as a program change event
(“Event Edit” SEQ 5.2–1b). However in some cases this
will be insufficient when you wish to change banks on
an external device. In such cases, you can use CC#00 and
CC#32 to specify the banks.
For information on the relation between bank select
numbers and the banks of your external device, refer to
the owner’s manual for your external device.
*2 Unlike conventional control changes, pitch bend range,
fine tune, and coarse tune settings are made using RPC
(Registered Parameter Control) messages. In Program,
Combination, and Sequencer modes, you can use RPC
messages to control the bend range and tuning for each
program, combination (Combination), or track
(Sequencer). The procedure is to use an RPN (Registered
Parameter Number) message to select the parameter
that you wish to edit, and then use Data Entry to input a
value for that parameter. To select the parameter, use
CC#100 (with a value of 00–02) and CC#101 (with a
value of 00). use CC#06 and CC#38 to enter the data.
The data entry values for each parameter and the corre-
sponding settings are as follows.
For example, if in Sequencer mode you wish to set a
track that is receiving channel 1 to a transpose (coarse
tuning) value of -12, you would first transmit [B0, 64, 02]
(64H=CC#100) and [B0, 65, 00] (65H=CC#101) to this
instrument to select the RPN coarse tune. Then you
would set this to –12 by transmitting [B0, 06, 34]
(06H=CC#6), 34H=52 (corresponds to –12), and [B0, 26,
00] (26H=CC#38, 00H=0).
*3 The volume of the TRITON Le is determined by sum-
ming the Volume (CC#07) with the Expression (CC#11).
When you select a song in Sequencer mode, the volume
will be set to the values specified for each track, and the
expression will be set to the maximum value (127).
*4 A value of 64 will correspond to the value specified by the
program parameter. 0 will be the minimum, and 127 will
be the maximum. Changing from 63–1 or from 65–126
will adjust the effect from the program parameter setting
toward the minimum value or maximum value. The
internal program parameters listed in (*4, *5) will be con-
trolled.
*5 If the filter type of the corresponding program is Low
Pass Resonance, the filter resonance level will be con-
trolled. If the filter type is Low Pass & High Pass, the
cutoff frequency of the high pass filter will be controlled.
*4, *5
CC#70–79 correspond to the following program parame-
ters of the TRITON Le.
In Program mode, when CC#70–79 is received on the
global MIDI channel (“MIDI Channel” GLOBAL 2.1–
1a), or when a REALTIME CONTROLS [1]–[4] knob is
operated in A-mode or in B-mode when the function is
assigned to CC#70–79, the corresponding program
parameter will be edited temporarily. You can execute
“Write Program” (PROG 1.1–1c)) to save that state
(except for some parameters). When you execute “Write
Program,” the values of the corresponding program
parameters will be rewritten.
In Sampling mode (if the EXB-SMPL option is installed)
when playing the currently selected multisample on the
keyboard, the same control changes or knob operations
as in Program mode will temporarily edit the corre-
sponding program parameters. You can use “Convert
MS to Program” (SMPL 1.1–3f) to save that state as a
program (except for some parameters).
In Combination, Sequencer modes, the program param-
eters of the program for the timbre/track of the corre-
sponding MIDI channel will change, but this state can
not be saved directly in the program.
CC#70: Sustain level
Corresponds to “Filter/Amp EG Sustain Level” (PROG
4.1/2: Ed–Filter1/2, EG page, 5.1/2: Ed–Amp1/2, EG
page).
CC#71: Filter resonance level/High pass filter cutoff
frequency
Corresponds to “Filter A Resonance” (PROG 4.1/2: Ed–
Filter1/2, Basic page).
Corresponds to “Filter B Frequency” (PROG 4.1/2: Ed–
Filter1/2, Basic page).
CC#72: Release time
Corresponds to “Filter/Amp EG Release Time” (PROG
4.1/2: Ed–Filter1/2, EG page, 5.1/2: Ed–Amp1/2, EG
page).
CC#73: Attack time
Corresponds to Filter/Amp EG Attack Time” (PROG
4.1/2: Ed–Filter1/2, EG page, 5.1/2: Ed–Amp1/2, EG
page)
Corresponds to “Amp EG Start Level” (PROG 5.1/2: Ed–
Amp1/2, EG page).
Corresponds to “Amp EG Attack Level” (PROG 5.1/2:
Ed–Amp1/2, EG page).
Corresponds to “Amp EG Level Modulation Start”
(PROG 5.1/2: Ed–Amp1/2, EG page).
Corresponds to “Amp EG Time Modulation Attack”
(PROG 5.1/2: Ed–Amp1/2, EG page).
CC#74: Low pass filter cutoff frequency
Corresponds to “Filter A Frequency” (PROG 4.1/2: Ed–
Filter1/2, EG page).
Corresponds to “Filter B Frequency” (PROG 4.1/2: Ed–
Filter1/2, EG page).
CC#06 CC#38
00
01
12
00
00
0
0
+ 1
+12
CC#06 CC#38
40
52
64
88
00
00
00
00
–24
–12
0
+24
CC#06 CC#38
32
48
64
96
00
00
00
00
–50
–25
0
+50
RPN=0 (Pitch bend range)
RPN=1 (Fine tune)
RPN=2 (Coarse tune)
Parameter value (Semitone steps)
Parameter value (Semitone steps)
Parameter value (1 cent steps)