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3.2–1: Othr..8 (Other T01...08)
3.2–2: Othr..16 (Other T09...16)
Here you can make additional settings for each track.
3.2–1(2)a: Delay [ms], Use Prog’s Scale
Delay [ms] (Delay Time) [0000...5000, KeyOff]
Specifies a delay time from when a track receives a note-on
until it actually sounds.
KeyOff: The sound will begin when note-off occurs. In this
case, the sound will continue indefinitely unless the amp EG
Sustain Level of the program is other than 0. This setting is
useful for simulating harpsichord sounds.
Normally you will leave this at 0.
Use Prog’s Scale (Use Program’s Scale) [On, Off]
Each track can use the scale that is specified for the program
by “Type.”
On (checked): The scale of the program will be used.
Off (unchecked): The scale specified by “Type” (3.2–1(2)b)
will be used.
3.2–1(2)b: Scale
Specifies the scale that will be used for the song.
Type (Song’s Scale)
[Equal Temperament...User Octave 15]
Indicates the type of scale (☞“Type” PROG 2.1–1c).
Key [C…B]
Indicates the tonic key of the selected scale (☞“Key” PROG
2.1–1c).
Random [0…7]
As this value is increased, an increasingly random devia-
tion will be added to the pitch at each note-on (
☞“Random”
PROG 2.1–1c).
■ 3.2–1(2)c: UTILITY
☞“Memory Status,” “Solo Selected Track,” “Rename Song,”
“Delete Song,” “Copy From Song,” “Copy From Combi,”
“Load Template Song,” “Save Template Song,” “FF/REW
Speed,” “Set Location” (1.1–1d)
Here you can specify the range of keys that will be sounded
by each track.
Top/Bottom Key settings specify the range of notes that will
be sounded by tracks 1–8, 9–16, and Top/Bottom Slope set-
tings specify the range from the top/bottom key until the
original volume is reached.
These settings do not affect MIDI transmission/recep-
tion. All note data that is received will be recorded into
the internal sequencer, and all note data from the inter-
nal sequencer or from the keyboard will be transmitted.
3.3–1: Key..8 (Key T01...08)
3.3–2: Key..16 (Key T09...16)
3.3–1(2)a: Key Zone Map
This shows the range of note data that will sound the cur-
rently selected track.
The note range that will be sounded is shown as a line, and
the slope portion is grayed. (
☞p.39 COMBI 3.3–1a)
3.3–1(2)b: Top Key, Bottom Key
Top Key [C–1...G9]
Specifies the top key (upper limit) that will be sounded by
each track 1–8, 9–16.
Bottom Key [C–1...G9]
Specifies the bottom key (lower limit) that will be sounded
by each track 1–8, 9–16. For a diagram of Key and Slope
parameters, refer to “COMBI 3.3: Ed-Key Zone.”
You can also enter a value for these parameters by play-
ing a note while you hold down the [ENTER] key.
■ 3.3–1(2)c: UTILITY
☞“Memory Status,” “Solo Selected Track,” “Rename Song,”
“Delete Song,” “Copy From Song,” “Copy From Combi,”
“Load Template Song,” “Save Template Song,” “FF/REW
Speed,” “Set Location” (1.1–1d)
SEQ 3.2: Param2
3.2–1a
3.2–1b
1.1–1c
3.2–1c
SEQ 3.3: Key Zone
3.3–1b
1.1–1c
3.3–1a
3.3–1c