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☞For details on insert effects, refer to p.155 “7. Effect
Guide.”.
7.1–1: BUS..8 (BUS T01...08)
7.1–2: BUS..16 (BUS T09...16)
Specifies the bus to which the program oscillator(s) of each
track 1–8, 9–16 will be sent. You can also set the amount of
signal that will be sent to the master effects.
7.1–1(2)a: BUS Select, Send1(MFX1), Send2(MFX2)
BUS Select [DKit, L/R, IFX, 1, 2, 1/2, Off]
Specifies the output bus for the program oscillators of tracks
1–8 and 9–16.
The state of the settings can be viewed in the Setup page.
(
☞COMBI 7.1–1a)
S1 (Send1(MFX1)) [000...127]
S2 (Send2(MFX2)) [000...127]
Here you can adjust the send levels from tracks 1–8, 9–16 to
master effects 1 and 2. This is valid when “BUS Select” is set
either to L/R or Off. If IFX is selected, the send level to the
master effects 1 and 2 is set by the (“S1 (Send1(MFX1))” and
“S2 (Send2(MFX2))” parameters located in the Setup page,
after the signal passes through IFX.
These settings have no effect if “BUS Select” is set to 1, 2 or
1/2.
The send 1 and 2 settings you make here will be used when
the song is played or recorded from the beginning. If you
change the settings while recording, the change will be
recorded as part of the musical data, and the send amount
will change when the data is played back. You can also
change these settings during playback. However if send 1
and 2 data has been recorded, the settings will change
accordingly.
If “Status” (3.1–1(2)a) is either INT or BTH, CC#93 and
#91 can be received to control send 1 and 2 respectively
and change their settings. When you switch songs or
return to the beginning of a song, tracks whose “Status”
is EXT, EX2 or BTH will transmit these settings via
MIDI. This data will be transmitted on the MIDI chan-
nel of each track as set by “MIDI Channel” (3.1–1(2)a).
The actual send level is determined by summing the
value of these parameters with the send level settings of
the oscillator(s) of the program used by the track (“S1
(Send1(MFX1))” and “S2 (Send2(MFX2))” PROG 7.1–
2a).
■ 7.1–1(2)b: UTILITY
☞“Memory Status,” “Solo Selected Track” (1.1–1d), “DKit
IFX Patch” (COMBI 7.1–1b), “FF/REW Speed,” “Set Loca-
tion” (1.1–1d)
For details on how to select the desired utility function, refer
to “PROG 1.1–1c: UTILITY.”
Copy Insert Effect
☞PROG 7.1–1c
However, the MIDI control channel specified in “Control
Channel” of the 7.1: Insert FX, Setup page will not be copied.
7.1–3: Setup
Here you can select the type of the insert effects, turn them
on/off etc.
7.1–3a: Insert FX Setup
IFX On/Off [Off, ON]
Insert Effect [00...89: name]
Pan(CC#8) [L000...C064...R127]
BUS Select [L/R, 1, 2, 1/2, Off]
S1 (Send1(MFX1)) [000...127]
S2 (Send2(MFX2)) [000...127]
These parameters are the same as in Program mode.
(
☞PROG 7.1–2)
However, this differs from Program mode in that insert
effect dynamic modulation (Dmod) and the “Pan (CC#8),”
“Send1(MFX1),” and “Send2(MFX2)” which follow the
insert effect are controlled on the MIDI channel specified by
“Control Channel” (7.1–1b). The control changes used are
the same as in Program mode.
The pan (CC#8) and Send 1 and 2 that you specify here are
used when playing or recording from the beginning of the
song. If you change these settings while recording, the set-
tings will be recorded as musical data, and during playback,
the settings will change accordingly. You can also change
these settings during playback. However if Pan (CC#8) and
Send 1/2 data has already been recorded, the settings will
change according to the recorded data.
If the “Status” (3.1–1(2)a) is INT or BTH, receiving
CC#8, #93, or #91 will cause the post- insert effect pan
and send 1/2 to be controlled, changing the settings.
When you change songs or return to the beginning of
the song, tracks whose “Status” is BTH, EXT, or EX2
will transmit these settings on the MIDI channel speci-
fied by “Control Channel.”
SEQ 7.1: Insert FX
7.1–1a
1.1–1c
7.1–1b
7.1–3a
7.1–3c
7.1–3d
7.1–3b