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Using the joystick to apply modulation
Modulation 1 depth (CC#01) [Bn, 01, vv]
When you move the TRITON Le’s joystick in the +Y direc-
tion (away from yourself), Modulation 1 Depth messages
will be transmitted. When these messages are received, the
same effect will be applied as when the TRITON Le’s joy-
stick is operated. Normally this will apply a vibrato effect
(pitch LFO).
• In Combination and Sequencer modes, transmission/
reception can be switched on/off for each timbre/track
(☞“JS+Y CC#01” COMBI/SEQ 4.2–1/2a).
Modulation 2 depth (CC#02) [Bn, 02, vv]
When you move the TRITON Le’s joystick in the –Y direc-
tion (toward yourself), Modulation 2 Depth messages will
be transmitted. When these messages are received, the same
effect will be applied as when the TRITON Le’s joystick is
operated. Normally this will apply a wah effect (filter LFO).
• In Combination and Sequencer modes, transmission/
reception can be switched on/off for each timbre/track.
(☞“JS–Y CC#02” COMBI/SEQ 4.2–1/2a)
Other manufacturers use this message for other pur-
poses (e.g., breath controller, etc.)
Controlling the portamento effect
Portamento time (CC#05) [Bn, 05, vv]
When the above CC# is assigned as a B-mode function for
one of the REALTIME CONTROLS [1]–[4] knobs, rotating
that knob will transmit Portamento Time messages, and will
modify the speed at which the portamento pitch changes.
When this message is received, the result will be the same as
when the controller is operated.
Portamento switch (CC#65) [Bn, 41, vv]
When the above CC# is assigned to “SW1,” “SW2” or
ASSIGNABLE SWITCH, operating that switch will transmit
vv=127 [7F] for ON or vv=0 [00] for OFF, and the porta-
mento effect will be switched on/off. When this message is
received, the result will be the same as when the controller is
operated. (vv of 63 [3F] or less will be OFF, and 64 [40] or
greater will be ON.) (☞p.220 “SW1, SW2 Assign List”)
• In Combination and Sequencer modes, transmission/
reception of this message can be turned on/off
independently for each timbre/track. (“Portamento SW
CC#65” COMBI 4.1–2a, SEQ 4.1–3(4)a)
• In Sequencer mode, portamento time/switch messages
will be transmitted by each track whose “Status” is BTH,
EXT, or EX2 when you set “Portamento” (SEQ 4.1–
3(4)a), re-select a song or SMF, or return to the beginning
of a measure. (☞p.63)
Controlling the volume
Volume (CC#07) [Bn, 07, vv]
When the above CC# is assigned to the ASSIGNABLE
PEDAL or as the B-mode function of a REALTIME CON-
TROL knob [1]–[4], operating that controller will transmit
Volume messages, and the volume will change. When this
message is received, the result will be the same as when the
controller is operated.
Expression (CC#11) [Bn, 0B, vv]
When the above CC# is assigned to the ASSIGNABLE
PEDAL or as the B-mode function of a REALTIME CON-
TROL knob [1]–[4], operating that controller will transmit
Expression messages, and the volume will change. When
this message is received, the result will be the same as when
the controller is operated.
The volume of the TRITON Le is determined by summing
the value of the Volume message with the value of the
Expression message.
If adjusting the Volume message does not increase the vol-
ume as you expect, or if there is no sound, transmit MIDI
messages from an external device to reset the value of the
Expression message (set vv to 127). In Sequencer mode, this
will be reset when the “Location” of the song is moved to
001:01.000.
• In Combination mode, Volume messages will be
transmitted by each timbre whose “Status” is EXT or
EX2 when you re-select the combination.
•When you change the “Volume” setting (SEQ 1.1–4(5))
in Sequencer mode, or when you re-select the song or
return to the beginning of the song in Sequencer mode,
volume messages will be transmitted by each track
whose “Status” is BTH, EXT, or EX2.
Regardless of the “Status” settings, re-selecting a song,
or returning to the beginning will reset the internal Vol-
ume value to the value specified by each track (the
starting settings), and will reset the Expression value to
the maximum.
You can control the volume independently for each
track. You will normally use Volume messages to set the
initial volume level for each track (the starting settings),
and use Expression messages to create changes in
dynamics within the musical data of the song.
By using the universal exclusive Master Volume message,
you can adjust the overall volume without changing the vol-
ume balance between timbres or tracks. (☞p.237 “About
system exclusive messages”)
Controlling panpot (stereo position)
Panpot (CC#10) [Bn, 0A, vv]
(vv: value, where 00 is far left, 64 is center, and 127 is far
right)
When the above CC# is assigned to the ASSIGNABLE
PEDAL or as the B-mode function of a REALTIME CON-
TROLS knob [1]–[4], operating that controller will transmit
Panpot messages, and the panning will change. When this
message is received, the result will be the same as when the
controller is operated.
•When you set the “Pan” (SEQ 1.1–4(5)) in Sequencer
mode, or when you re-select the song or return to the
beginning of the measure in Sequencer mode, Panpot
messages (except for RND) will be transmitted by each
track whose “Status” is BTH, EXT, or EX2 (☞p.55).
Post insert effect panpot (CC#08) [Bn, 08, vv]
(vv: value, where 00 is far left, 64 is center, and 127 is far
right)
When the above CC# is assigned to the ASSIGNABLE
PEDAL or as the B-mode function of a REALTIME CON-
TROLS knob [1]–[4], operating that controller will transmit
Post Insert Effect Panpot messages, and the panning of the
sound following the insert effect will change. When this
message is received, the result will be the same as when the
controller is operated.
• In Program and Sampling (when the EXB-SMPL option
is installed) modes, this message is transmitted and
received on the global MIDI channel. In Combination
and Sequencer modes, this is transmitted and received
on the MIDI channel specified for each insert effect.
•When you set “Pan (CC#8)” (SEQ 7.1–3a) in Sequencer
mode, or when you re-select the song or return to the