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Creating a Patch
Creating a Patch
• There are parameters that determine whether or not Pitch Bend,
Controller Number 11 (Expression) and Controller Number 64
(Hold 1) are received (p. 51). When these settings are “ON,” and
the MIDI messages are received, then when any change is made
in the settings of the desired parameter, the Pitch Bend,
Expression, and Hold 1 settings also change simultaneously. If
you want to change the targeted parameters only, then set these
to “OFF.”
• There are parameters that let you specify whether specific MIDI
messages will be received for each channel in a multitimbre or
performance (p. 103, p. 119). When a patch with Matrix Control
settings is assigned to a part, confirm that any MIDI messages
used for the Matrix Control will be received. If the Fantom is set
up such that reception of MIDI messages is disabled, then the
Matrix Control will not function.
Destination 1–4 (Matrix Control Destination 1–
4)
Matrix Control Destination selects the tone parameter that is to be
controlled when using the Matrix Control. The following parameters
can be controlled. When not controlling parameters with the Matrix
Control, set this to “OFF.” Up to four parameters can be specified for
each Matrix Control, and controlled simultaneously.
In this manual, Parameters that can be controlled using the
Matrix Control are marked with a “H.”
● Opening and Closing the Filter
CUTOFF: Changes the cutoff frequency.
RESONANCE: Emphasizes the overtones in the region of the cutoff
frequency, adding character to the sound.
● Changing the Volume, Pan, and Pitch
LEVEL: Changes the volume level.
PAN: Changes the pan.
PITCH: Changes the pitch.
● Changing How the Effects Are Applied
DRY LEVEL: Changes the volume of dry sounds.
CHORUS SEND: Changes the amount of chorus.
REVERB SEND: Changes the amount of reverb.
● Applying LFO to Modulate Sounds
LFO1/LFO2 PCH DEPTH: Changes the vibrato depth.
LFO1/LFO2 TVF DEPTH: Changes the wah depth.
LFO1/LFO2 TVA DEPTH: Changes the tremolo depth.
LFO1/LFO2 PAN DEPTH: Changes the effect that the LFO will have
on pan.
LFO1/LFO2 RATE: Changes the speed of the LFO cycles.
● Changing the Pitch Envelope
PIT ENV A-TIME: Changes the Env Time 1 parameter of the pitch
envelope.
PIT ENV D-TIME: Changes the Env Time 2 and Env Time 3
parameters of the pitch envelope.
PIT ENV R-TIME: Changes the Env Time 4 parameter of the pitch
envelope.
● Changing the TVF Envelope
TVF ENV A-TIME: Changes the Env Time 1 parameter of the TVF
envelope.
TVF ENV D-TIME: Changes the Env Time 2 and Env Time 3
parameters of the TVF envelope.
TVF ENV R-TIME: Changes the Env Time 4 parameter of the TVF
envelope.
● Changing the TVF Envelope
TVA ENV A-TIME: Changes the Env Time 1 parameter of the TVA
envelope.
TVA ENV D-TIME: Changes the Env Time 2 and Env Time 3
parameters of the TVA envelope.
TVA ENV R-TIME: Changes the Env Time 4 parameter of the TVA
envelope.
● Splitting Tones That Are Played
TMT
• If the Matrix Control is used to split tones, set the TMT Vel
Control parameter (PATCH/TMT) to “OFF,” and the TMT
Control Sw parameter (PATCH/Matrix Ctrl) to “ON” (p. 56, p.
58).
• If the Matrix Control is used to split tones, we recommend
setting the Matrix Control Sens to “+63.” Selecting a lower value
may prevent switching of the tones. Furthermore, if you want to
reverse the effect, set the value to “-63.”
• If you want to use matrix control to switch smoothly between
tones, use the Key Fade Lower and Key Fade Upper parameters
(PATCH/TMT) (p. 58). The higher the values set, the smoother
the switch is between the tones.
● Changing the Depth of Frequency
Modulation for FXM
FXM DEPTH
● Changing Specific Multi-Effects Parameters
MFX CTRL1–4: Change the parameter that was specified by MFX
Control 1–4 Assign parameter.
No effects are available, even with the Matrix Control, when the
settings are such that no multi-effects are applied.