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<RM (Ring Modulator)>
+RM Mod Freq (RM Modulation Frequency)
0 - 127 [1]
Set the frequency at which modulation will be
applied.
#RM Bal (RM Balance) D> 0E - D 0<E [2]
Adjust the balance between the direct and the ring
modulated sound.
“D” or “E” on the display respectively means
D(direct sound) or E(effect sound) values of 100.
<EQ (Equalizer)>
EQ L Gain (EQ Low Gain) -12 - +12 [3]
Adjust the low range gain of the equalizer.
EQ M Fq (EQ Mid Frequency) 200 - 6.3k [4]
Set the center frequency for the equalizer mid-
range.
EQ M Q (EQ Mid Q) 0.5/1.0/2.0/4.0/9.0 [5]
Adjust the width of the area centered at the EQ M
Fq setting in which the gain will be affected. The
area affected will become narrower as this value is
increased.
EQ M Gain (EQ Mid Gain) -12 - +12 [6]
Adjust the gain of the area specified by the EQ M
Fq parameter and the EQ M Q parameter.
EQ H Gain (EQ High Gain) -12 - +12 [7]
Adjust the high-range gain of the equalizer.
<PS (Pitch Shifter)>
PS Coarse (PS Coarse Pitch) -24 - 0 - +12 [8]
Adjust the amount of pitch shift in semitone steps (-
2 to +1 octaves).
PS Fine (PS Fine Pitch) -100 - 0 - +100 [9]
Make fine adjustments to the pitch shift in 2-cent
steps (-100 to +100 cents).
PS Mode (PS Shifter Mode) 1 - 5 [10]
As this value is increased, the response will
become slower but the sound will be more stable.
PS Bal (PS Balance) D> 0E - D 0<E [11]
Adjust the volume balance between the direct and
the pitch shifted sound.
“D” or “E” on the display respectively means
D(direct sound) or E(effect sound) values of 100.
<PH (Phaser)>
PH Man (Phaser Manual) 100 - 8.0k [12]
Set the center frequency at which the phaser sound
will be modulated.
PH Rate (Phaser Rate) 0.05 - 6.40 [13]
Adjust the modulation speed of the phaser.
PH Depth (Phaser Depth) 0 - 127 [14]
Adjust the modulation depth of the phaser.
PH Reso (Phaser Resonance) 0 - 127 [15]
Adjust the emphasis for the region in the area of the
center frequency specified by the PH Man parame-
ter.
PH Mix (Phaser Mix) 0 - 127 [16]
Adjust the proportion at which the phase-shifted
sound will be mixed with the original sound.
<Dly (Delay)>
Dly Time (Delay Time) 0m - 635m [17]
Adjust the time from the original sound until when
the delay sound is heard.
Dly Fb (Delay Feedback Level) 0 - 127 [18]
Adjust the amount of the delay sound that is
returned to the input.
Dly Mix (Delay Mix Level) 0 - 127 [19]
Adjust the proportion at which the delay sound is
mixed with the direct sound.
Level (Output level ) 0 - 127 [20]
Adjust the output level.
❍ Effects that connect two types of effect in
parallel (parallel 2)
Effect types in which two different effects are con-
nected in parallel allow you to apply different effects
to L and R independently. By using parallel effects
for the sound of two Parts, you can achieve a result
as if two separate effect units were used.
For example you might select a guitar sound for
Part 1 and an organ sound for Part 2. Then set the
pan setting to L63 (far left) for Part 1, and to R63
(far right) for Part 2. Apply the effect “59:
OD/Rotary” to both Parts 1 and 2. By then making
appropriate settings for the “OD Pan” and “RT Pan”
effect parameters, you can apply Overdrive to the
guitar sound and Rotary to the organ sound, effec-
tively allowing you to use two separate effects at
once.
L
R
PHPS
RM
RM
EQ
EQ
Dly
Chapter 4. Insertion Effects
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