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#AW Man (Auto-wah Manual) 0 - 127 [8]
Set the center frequency at which the auto-wah
effect will be produced.
AW Peak (Auto-wah Peak) 0 - 127 [9]
Adjust the way in which the wah effect will be
applied to the region of the center frequency. Lower
settings will produce a wah effect in a broad area
around the center frequency, and higher settings
will produce a wah effect in a narrower area around
the center frequency.
AW Rate (Auto-wah Rate) 0.05 - 10.0 [10]
Adjust the modulation speed of the auto-wah.
AW Depth (Auto-wah Depth) 0 - 127 [11]
Adjust the modulation depth of the auto-wah.
AW Pol (Auto-wah Polarity) Down/Up [12]
Set the direction in which the frequency will change
when the auto-wah filter is modulated. With a set-
ting of Up, the filter will change toward a higher fre-
quency. With a setting of Down it will change
toward a lower frequency.
AW Pan (Auto-wah Output Pan)
L63 - 0 - R63 [18]
Adjust the stereo position of the auto-wah sound.
L63 is far left, 0 is center, and R63 is far right.
AW Level (Auto-wah Level) 0 - 127 [19]
Adjust the volume of the auto-wah sound.
Level (Output level ) 0 - 127 [20]
Adjust the output level.
<< When using 3D effects >>
The following four 3D effects utilize RSS (Roland
Sound Space) technology to create a spacious-
ness that cannot be produced by delay, reverb,
or chorus etc.
20: 3D Chorus
28: 3D Delay
31: 3D Auto
32: 3D Manual
When using these effects, we recommend that
you place your speakers as follows. Also, make
sure that the speakers are at a sufficient dis-
tance from the walls on either side.
If the left and right speakers are too far apart, or
if there is too much reverberation, the full 3D
effect may not appear.
Each of these effects has an “Out (Output
Mode)” parameter. If the sound from the OUT-
PUT jacks will be heard through speakers, set
this parameter to Speaker. If the sound will be
heard through headphones, set it to Phones.
This will ensure that the optimal 3D effect will be
heard. If this parameter is not set correctly, the
full 3D effect may not appear.
30˚ 30˚
Chapter 4. Insertion Effects
91