Yamaha MOTIF XS8 Electronic Keyboard User Manual


 
Editing a Performance
MOTIF XS Owner’s Manual
153
Voice mode
Song mode
Pattern mode
Mixing mode
Master mode
Utility mode
File mode
Performance
mode
Sampling
mode 1
Sampling
mode 2
Reference
3 Dry Level
Determines the level of each Part which has not been
processed with the System Effects (Reverb, Chorus). The
higher the value, the shallower the Reverb and Chorus.
Settings: 0 – 127
4 Output Select
Determines the specific output(s) for the individual Part.
You can assign each individual Part’s Voice to be output
from a specific hardware output jack on the rear panel.
Settings: See the table below.
* About “drum” setting, see below.
When “drum” is selected and the Normal Voice is assigned to the
edited Part, the sound will be output via the OUTPUT L and R jacks in
stereo.
When “drum” is selected and the Drum Voice is assigned to the edited
Part, the sound will be output via the jacks set in the Drum Key Edit
display as the Output Select parameter.
n The mLAN settings (m1 – m14) are available only for the
MOTIF XS8. The mLAN settings are available for MOTIF XS6/7
only when an optional mLAN16E2 has been installed.
n You can call up the list and select one by pressing the [SF6]
LIST button. For details, see page 82.
5 Ins Effect Sw (Insertion Effect Switch)
Determines whether or not the current Part is available for
the Insertion Effect. When this parameter is set to on, the
Insertion Effect of the Voice assigned to the Part is
enabled. You can set the Insertion Effect Switch parameter
for all Parts (including the A/D Input part) from the Insertion
Effect Switch display (page 150) in the Performance
Common Edit mode.
1 PB Range Upper (Pitch Bend Range Upper)
2 PB Range Lower (Pitch Bend Range Lower)
Determines the maximum Pitch Bend range in semitones.
Setting the Upper parameter to +12 would result in a
maximum pitch rise of one octave when the Pitch Bend
wheel is moved upwards. A Lower setting of -12 would
result in the pitch being lowered up to a maximum of one
octave (12 semitones) when the Pitch Bend wheel is
moved downwards.
Settings: -48 – +0 – +24
3 Vel Sens Depth (Velocity Sensitivity Depth)
Determines the degree to which the resulting volume of the
tone generator responds to your playing strength. The
higher the value, the more the volume changes in response
to your playing strength (as shown below). When this is set
to 0, the volume remains the same no matter how strongly
or softly you play. This would be useful, for example, for
authentic playing of an Organ Voice.
Settings: 0 – 127
4
Velocity Sens Depth Offset
(Velocity Sensitivity Depth Offset)
Determines the amount by which played velocities are
adjusted for the actual resulting velocity effect.
This lets you raise or lower all velocities by the same
amount—allowing you to automatically compensate for
playing too strongly or too softly. If the result is 0 or less, the
value is set to 0. If the result is higher than 127, the value is
set to 127.
Settings: 0 – 127
LCD Output jacks Stereo/Mono
L&R OUTPUT L and R Stereo
asL&R ASSIGNABLE OUTPUT L and R Stereo
m1&2 mLAN OUTPUT 1 and 2 Stereo (1: L, 2: R)
m3&4 mLAN OUTPUT 3 and 4 Stereo (3: L, 4: R)
m5&6 mLAN OUTPUT 5 and 6 Stereo (5: L, 6: R)
m7&8 mLAN OUTPUT 7 and 8 Stereo (7: L, 8: R)
m9&10 mLAN OUTPUT 9 and 10 Stereo (9: L, 10: R)
m11&12 mLAN OUTPUT 11 and 12 Stereo (11: L, 12: R)
m13&14 mLAN OUTPUT 13 and 14 Stereo (13: L, 14: R)
asL ASSIGNABLE OUTPUT L Mono
asR ASSIGNABLE OUTPUT R Mono
m1 mLAN OUTPUT 1 Mono
:: :
m14 mLAN OUTPUT 14 Mono
drum See below* See below*
Other Settings—[SF3] Other
1
2
3
4
127
0
127
When Offset (below) is set to 64:
Actual resulting velocity
(affecting the tone
generator)
Velocity with which you play a note
Depth = 127
Depth = 64
Depth = 32
Depth = 0