Yamaha MOTIF XS8 Electronic Keyboard User Manual


 
Multi-timbral Tone Generator Settings for Song/Pattern Playback (Mixing mode)
MOTIF XS Owner’s Manual
241
Voice mode
Song mode
Pattern mode
Mixing mode
Master mode
Utility mode
File mode
Performance
mode
Sampling
mode 1
Sampling
mode 2
Reference
If you are editing a Mixing Voice but have not stored it
before switching to another Mixing Voice, the edits you
have made will be cleared. If this happens, you can use the
Recall function to restore the Mixing Voice with your latest
edits intact.
This Job lets you copy the Mixing Voice stored to a
specified Song/Pattern to another Song/Pattern.
1 Source Mixing Voice
Determines the source Mixing Voice by selecting Song or
Pattern (
01 – 64) then specifying the number (01 – 16, all).
The main category 1/main category 2 and name of the
selected Mixing Voice is indicated in the lower line.
2 Destination Mixing Voice
Determines the destination Mixing Voice. Same as above.
This Job deletes an unnecessary Mixing Voice. Note that
up to 256 Mixing Voices can be stored for all Songs and
Patterns. Accordingly, the Mixing Voice memory will
become full and additional Voices cannot be stored if
you’ve stored 16 different Voices for 16 different Songs. If
this occurs, use this Job to delete any unused Mixing
Voices.
1 Mixing Voice to be deleted
Determines the Mixing Voice to be erased.
Settings:
Song/Pattern: song, pattern
Song/Pattern number: 01 – 64
Mixing Voice number: 01 – 16, all
Common Edit parameters
[MIXING] [F6] Vce Edit [COMMON EDIT]
This is the same as in the Normal Voice Common Edit
mode. See page 98. However, some parameters having
the same name as those in the Voice Common Edit mode
are not available in the Mixing Voice Edit mode.
Element Edit parameters
[MIXING] [F6] Vce Edit Element selection
from [1] – [8]
This is the same as in the Normal Voice Element Edit mode.
See page 112.
Recalling the unedited sound—[F2]
Recall
Copying another Mixing Voice Element
to the current one—[F3] Copy
Deleting a Mixing Voice—[F3] Delete
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2
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