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Monitor: Parameters and settings
Here you can select the audio signals that will be output
from the monitor output ([MONITOR OUT L/R] jacks) and
headphone output ([PHONES] jack).
1. MasterLR ..........................................................
Sends the master LR bus to the monitor output. Nor-
mally you will select this.
On: Send the signal to monitor output.
Off: Don’t send the signal to monitor output.
2. Solo .................................................................
If even one signal is turned “On” in the “Solo” tab page,
this will be selected automatically. It will not be possible
to select “MasterLR” or “Cue.” If you want to select
these, you must first turn “Off” all soloed signals in the
“Solo” tab page.
On: Send the signal to monitor output.
Off: Don’t send the signal to monitor output.
3. Rhythm.............................................................
Selects the bus to which the rhythm sound will be sent.
On: Send the rhythm to the monitor LR bus.
Choose this setting when you want to output the track
audio from the [MASTER OUT L/R] jacks, and listen to
the rhythm only through headphones, such as during a
live performance.
Off: Send the rhythm to the master LR bus.
If you choose this “Off” setting during bounce record-
ing, the rhythm will be recorded.
If you turn the “Rhythm” setting “Off” in the
[RHYTHM] “SetUp” tab page, the rhythm sound will
not be sent to any bus, regardless of this setting.
4. Cue ..................................................................
Sends the channels specified by the “Level” settings to
the monitor output. During recording, you can use this
to adjust the monitor volume and pan for comfortable
listening without affecting the recording level.
On: Send the signal to monitor output.
Off: Don’t send the signal to monitor out-
put.
5. Level (Cue Level)................................................
Adjusts the level and pan for each mixer channel when
“Cue” is turned “On.”
Press the “Level” button to open the “Cue settings” dia-
log box and make settings.
5a. Pan(Ch1D6)/Balance(Ch7D12).....................
[L63...CNT...R63]
Adjusts the pan or balance at which the cue signal from
each channel will be sent to the monitor output.
5b. Cue ...........................................[000...100]
Adjusts the volume at which the cue signal from each
channel will be sent to the monitor output.
6. AutoIn .................................................[On, Off]
Specifies whether mixer channels whose [TRACK STA-
TUS] is REC will monitor the external source assigned
in the “Input” tab page, or the playback of the track.
On: Mixer channels whose [TRACK STATUS] is
REC will monitor the external input assigned in the
“Input” tab page when the track is recording or
stopped, and will monitor the playback of the track
when the track is playing.
Off: Mixer channels whose [TRACK STATUS] is
REC will always monitor the external input.
Phase: Specify the phase of the mixer
channels
Here you can invert the phase of each channel. This applies
to playback tracks. If audio equipment whose hot and cold
pins were reversed have been recorded in stereo, you may
experience problems such as an unstable stereo image or
cancellation. You can correct such situations by inverting the
phase of the signal.
1. Phase .......................................................[N, R]
N (Normal Phase): The phase of this channel will not be
inverted. Normally you will use the “N” setting.
R (Reverse Phase): The phase of this channel will be
inverted.
2. Pair..................................................................
Specifies pairing for adjacent mixer channels. (→p.38,
86)
5
1
4 2 3
6
5b
5a
1
2