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111
COUNTERMODELING
INSERT
EFFECT
EQ
MASTER
EFFECT/
AUX SEND
FINAL
EFFECT
BOUNCECDTUNERRHYTHM
INPUT/
OUTPUT/
SOLO
SYSTEM/
USB
TRACKSONG
IN/LOC1,
…END/LOC4
MARKSCENE
AUTO
PUNCH
TRIGGERSCRUB
METER/
TRACK VIEW
UNDO LOOP
EditType: “OptimizeTrack”
Optimizes the track data in the IN–OUT region of the opti-
mize-destination track.
2. DestTrack..........................................................
[1...12, 1–2...11–12, 1–4...9–12, 1–6, 7–12, 1–12]
Selects the track that will be optimized.
For a 24-bit song, you will be able to select tracks 1–6.
3. Mode................................................................
[Normal, Erase Silence, Erase Punch Noise]
Selects the type of optimization that will be performed.
Normal: This operation re-creates the audio events in
the IN–OUT region to prevent DiskBusy errors from
occurring. If there are no gaps between one audio event
and the next, or if the gap is small, the data will be com-
bined into a single event. If there are extended gaps
between audio events, the data will be re-created in a
way that avoids wasting space.
By setting the IN–OUT region to the beginning and end
of the song, and executing the Optimize Track opera-
tion, you can re-create the data in a form that will be ide-
al for hard disk access.
Erase silence: In an extended recording that contains
significant amounts of silence, this operation erases the
silent regions, and divides the areas containing sound
into separate events.
Levels lower than –36 dB will be considered as silence.
Erase Punch Noise: This operation minimizes the “blip”
of noise that occurs at junctions between recording (e.g.,
punch-in/out) and track editing. Set the IN and OUT
times slightly before and after the click noise occurs.
4. Wave................................................................
Displays the waveform of the track audio. Here you can
set the editing locations (IN, OUT) more precisely.
(→p.108)
5. Exec.(Execute) ...................................................
Executes the track editing operation.
EditType: “Exp/CompTrack”
Expands or compresses the track data from the IN–OUT re-
gion of the source track so that it will fit in the TO–END re-
gion of the destination track, and copies it to the destination
track the specified number of times.
This operation overwrites the data in the destination
track.
There is a limit to the ratio of expansion or compression
that can occur. If the IN–OUT region and the TO–END
region are dramatically different in length, an error will
occur when you attempt to execute. You should keep
the ratio of the TO–END time and IN–OUT time within
a range of 50–200%.
2. SourceTrack ...................... [1...12, 1–2...11–12]
Selects the expansion/compression-source track.
For a 24-bit song, you will be able to select tracks 1–6.
3. DestTrack .......................... [1...12, 1–2...11–12]
Selects the expansion/compression-destination track.
For a 24-bit song, you will be able to select tracks 1–6.
4. Times.....................................................[1...99]
Specifies the number of times that the data will be cop-
ied.
5. Exec.(Execute) ...................................................
Executes the track editing operation.
1
3
4
2
IN OUT DestTrack
DestTrack
IN
Before
execution
After
execution
OUT
IN
Before
execution
After
execution
OUT
A B C ...
A B C ...A B C ...A B C ...
IN OUT
TO
END
SourceTrack
DestTrack
TIMES
1 6
5
2
3
47
TRACK