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Effect Parameter List
137
Insert (2in2outx2)/
Master/Final Effect
Insert (2in2outx2),
Final
Insert (1in2outx2)Insert (1in1outx4)Insert (1in1outx8)Effect ControlModeling effects
:Output Mode
When this is set to “Invert,” the phase will be inverted for the right
channel of the chorus/flanger to create a simulated stereo effect,
producing a more spacious feeling.
Treml (Tremolo)
Phaser
Delay
This effect generates a time-delayed copy of the input signal.
This effect is mono-in/stereo-out.
S.Dly (Stereo Delay)
This is a variation of “Delay” that allows two channels of simul-
taneous input. The parameters are the same as for “Delay.”
Pitch (Pitch shifter)
This effect shifts the pitch of the input signal. You can choose
from three types: fast response, minimum tonal change, and a
setting between these two. Since a delay with feedback is also
provided, you can create special effects in which the pitch pro-
gressively steps upward (or downward).
: Mode
This switches the operating mode of the pitch shifter. “Slow” will
produce the least tonal change. “Fast” will provide the fastest
response. “Medium” is between these two. It is best to use “Fast”
when only a small amount of pitch shift is needed, and “Slow”
when you wish to shift the pitch by a large amount.
: Mode, Fine
If Cntrl is controlling Pitch and you change Modes or the Fine tun-
ing, you must once again use Cntrl to readjust the Max and Min
parameters.
: Feedback Position Select, : Feedback
When “Feedback Position Select” is set to “Pre,” the output of the
pitch shifter will be once again sent back to the pitch shifter. This
means that if “Feedback” is raised, the pitch will continue stepping
up (or down) each time feedback is repeated.
If “Feedback Position Select” is set to “Post,” the feedback will not
pass through the pitch shifter, so that raising “Feedback” will cause
the pitch-shifted sound to be repeated without further pitch change.
MicSim (Mic Simulator)
The mic simulator is a modeling effect that can transform a
sound recorded on a conventional dynamic mic, giving it the
character of a sound that was recorded on an expensive con-
denser mic, special studio mic, or vintage mic.
: Input Mic Type
Vo.Dy A dynamic mic frequently used for vocals that brings the
sound to the forefront and is also resistant to popping and feedback.
Mlt.Dy A dynamic mic usable for a wide range of applications
including most instruments and vocals, with a crisp and well
defined character.
: Output Mic Type
Vnt.Dy A simulation of a vintage mic known for its warm and rich
tone, and is ideal for vocals.
Mlt.Cn A simulation of a general-purpose studio condenser mic
with a wide range from low to high that is ideal for most instru-
ments.
Pc.Cn A simulation of a small condenser mic for instruments. It
has a distinctive high range, and is ideal for drum overdubs and for
acoustic guitar.
Whale A simulation of a dynamic mic with clarity and a sense of
power. Ideal for drum sounds.
Vo.Cn A simulation of a standard studio condenser mic that is
ideal for vocals, acoustic instruments, and narrations.
Vo.Tb A simulation of a vintage tube mic that is ideal for vocals.
BDr.Dy A simulation of a fairly large dynamic mic that is ideal for
bass drum sounds etc. that include the sense of air pressure charac-
teristic of a close-mic recording.
: Set
This switches the location of the mic. “Close” or “On” settings will
simulate the proximity effect that boosts the low range, so you will
need to use “Trim” to adjust the overall level.
Mix (Wet/Dry) ...–Wet...–1:99, Dry, 1:99...Wet Sets the balance between the effect and
dry sounds
LFO (LFO Waveform)........TRI, SIN, Vintage,
Up, Down
Selects LFO Waveform
Shape (LFO Shape)....................–100...+100 Determines how much the LFO wave-
form is changed
*Speed (LFO Frequency [Hz])....0.02...20.0Hz Sets the LFO speed
*Depth (Depth)......................................0...100 Sets the depth of LFO modulation
Mix (Wet/Dry) ................Dry, 1:99...99:1, Wet Sets the balance between the effect and
dry sounds
LFO (LFO Waveform).......................TRI, SIN Selects LFO Waveform
*Speed (LFO Frequency [Hz])....0.02...20.0Hz Sets the LFO speed
Manual (Manual)..................................0...100 Sets the frequency to which the effect is
applied
*Depth (Depth)......................................0...100 Sets the depth of LFO modulation
Reso (Resonance) ......................–100...+100 Sets the resonance amount
Mix (Wet/Dry) ...–Wet...–1:99, Dry, 1:99...Wet Sets the phaser effect balance
DTime (Delay Time)........................1...680ms Sets the delay time
Fdback (FeedBack).....................–100...+100 Sets the feedback amount
HiDamp (High Damp)..........................0...100 Sets the high-frequency attenuation of
the feedback
LoDamp (Low Damp) ..........................0...100 Sets the low-frequency attenuation of the
feedback
Mix (Wet/Dry) ................Dry, 1:99...99:1, Wet Sets the balance between the effect and
dry sounds
Mode (Mode)...................Slow, Medium, Fast Switches Pitch Shifter mode
*Pitch (Pitch Shift [1/2tone])..............–24...+24 Sets the pitch shift amount in steps of a
semitone
Fine (Fine [cent]).......................–100...+100c Sets the pitch shift amount in steps of
one cent
DTime (Delay Time [msec])............0...500ms Sets the delay time
FbSel (Feedback Position Select)...Pre, Post Switches the feedback connection
Fdback (Feedback)......................–100...+100 Sets the feedback amount
HiDamp (High Damp [%])....................0...100 Sets the damping amount in the high
range
Mix (Wet/Dry) ................Dry, 1:99...99:1, Wet Sets the balance between the effect and
dry sounds
InMic (Input Mic Type).......Vo.Dy, Mlt.Dy, Line Selects the mic that was used for record-
ing
OutMic (Output Mic Type)...... Vnt.Dy, Mlt.Cn,
Pc.Cn, Whale,
Vo.Cn, Vo.Tb,
BDr.Dy
Selects the mic to be simulated
Set (Setting).....................Close, On, Off, Far Mic setting
Tr im (Trim)...........................................0...100 Sets the adjustment level
Insert (1in2outx2)