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AUDIO INPUT
• Microphones . . . . . . . . . . . . . . . . . . . . INPUTS 1-3 (only 1 shown)
• Drum microphones . . . . . . . . . . . . . . . INPUTS 4-7
• Guitar microphone . . . . . . . . . . . . . . . INPUT 8
• Guitar line . . . . . . . . . . . . . . . . . . . . . INPUT 9
• Bass guitar . . . . . . . . . . . . . . . . . . . . . . INPUT 10
• Keyboards (analog) . . . . . . . . . . . . . . . INPUTS 11-14
• Digital multi-track recorder (DMTR) . . TDIF option card (slot #3)
• Cassette player . . . . . . . . . . . . . . . . . . . INPUTS 15,16
AUDIO OUTPUT
• PA system . . . . . . . . . . . . . . . . . . . . . . MASTER LR OUT
• Stage monitors . . . . . . . . . . . . . . . . . . . MONITOR B OUT
AUXILIARY
• Digital effects processor . . . . . . . . . . . . AUX 1 S/PDIF SEND and RETURN
• Effect processor (analog) . . . . . . . . . . . SEND 3/4 and RETURN 3/4
• Effects insert (analog) . . . . . . . . . . . . . CHANNEL 1 INS
• Cassette tape recorder . . . . . . . . . . . . . REC OUT and 2TR B IN
Appendix A
DA7 Users’ Guide
A
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2
A
Setup
Scenarios