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Sampling
P0
P1 P2 P3 P4 P5 P8
If the CDRW-1 option is installed, you can use P5: Audio CD
to play back an audio CD. In this case as well, the audio will
be input to the TRITON STUDIO as specified by the settings
you make here. The L channel corresponds to Input 1, and
the R channel corresponds to Input 2.
S/P DIF: The digital audio output from an instrument or
DAT etc. connected to the S/P DIF IN jack can be input to
the TRITON STUDIO. The L channel of the S/P DIF input
will be input as specified by the Input1 setting below, and
the R channel as specified by the Input2 setting.
Sample rates of 48 kHz and 96 kHz are supported for S/P
DIF input and output. This is specified by “S/P DIF Sample
Rate” (Global P0: 0–2a). 96 kHz sample rate data will be con-
verted to 48 kHz when it is sampled.
mLAN: The digital audio output of an instrument or other
device connected to the mLAN connector (when the EXB-
mLAN option is installed) can be input to the TRITON STU-
DIO.
In the Global mode P0: mLAN Input page you must specify
the audio source that will be input. (☞Global P0: 0–5)
In order to select mLAN, the EXB-mLAN option must
be installed, and you must set “System Clock” (Global
P0: 0–2a) to mLAN.
Input1:
Input2:
Level [0...127]
Specifies the level of the external audio signal that will be
input (selected by “Input” 0–2a). Normally you will set this
at 127.
The analog audio signals from the AUDIO INPUT 1, 2
jacks and from the CDRW-1 option are converted by a
AD converter from analog to digital signals. This
parameter sets the level of the signal immediately after
it has been converted into digital form. If the sound is
distorted even though this level setting is very low, it is
possible that the sound is distorting earlier than the AD
converter. Try adjusting the [LEVEL] knob or the out-
put level of the external audio source.
Pan [L000...C064...R127]
Specifies the panning of the external audio signal being
input (specified by “Input”). When inputting a stereo audio
source, you will normally set Input1 to L000 and Input2 to
R127. (For example settings, ☞p.91, BG p.37, 102)
BUS (IFX/Indiv.) Select
[L/R, IFX1...5, 1...4, 1/2, 3/4, Off]
Specifies the bus to which the external audio signal will be
sent.
L/R: The external audio signal will be sent to the L/R bus.
Normally you will select L/R.
IFX1...5: The external audio signal will be sent to the corre-
sponding IFX1–5 bus. Select this when you want to apply an
insert effect while sampling. (“2–3. Sampling mode”
☞p.180)
1...4, 1/2, 3/4: The external audio signal will be sent to the
corresponding bus(s) 1–4. (“2–3. Sampling mode” ☞p.180)
Off: The external audio signal will not be input.
0–2b: Recording Setup
Source BUS [L/R, Indiv.1/2]
Selects the source that you want to sample. The sound being
sent to this bus will be sampled.
L/R: The sound being sent to the L/R bus will be sampled.
The external audio signal(s) (specified by “Input” 0–2a) sent
to the L/R bus, and the sound played by the TRITON STU-
DIO from its keyboard or from MIDI input etc. and sent to
the L/R bus, will be sampled. You will also use the L/R set-
ting when sampling a sound processed by an insert effect.
Indiv.1/2: The sound being sent to the INDIVIDUAL 1, 2, or
1/2 buses will be sampled.
The external audio signal(s) (specified by “Input” 0–2a) sent
to the 1, 2, or 1/2 buses, and the sound played by the TRI-
TON STUDIO from its keyboard or from MIDI input etc. and
sent to the INDIVIDUAL 1, 2, or 1/2 buses, will be sampled.
Trigger [Sampling START SW, Note On, Threshold]
Specifies how sampling will be initiated.
Sampling START SW: Pressing the SAMPLING [REC] key
will cause the TRITON STUDIO to enter sampling-standby
mode, and sampling will begin when you press the SAM-
PLING [START/STOP] key.
1 Press the SAMPLING [REC] key to enter sampling-
standby mode.
2 Use the “Recording Level [dB]” slider to adjust the sam-
pling level.
3 Sampling will begin when you press the SAMPLING
[START/STOP] key. (If you are using the “Metronome
Precount” function, pressing the SAMPLING [START/
STOP] key will cause sampling to begin after the metro-
nome sounds a count-down. If Metronome Setup “BUS
(Output) Select” (0–3c) is set to L/R, the metronome will
stop sounding at the moment that sampling begins.
4 To stop sampling, press the [START/STOP] key once
again. Sampling will also stop automatically if it contin-
ues to the specified “Sample Time” (0–1c).
If you want to apply an effect etc. to an existing sample and
automatically create a new sample (Resampling), set “Trig-
ger” to Sampling START SW, and set “Resample” (0–2b) to
Auto. (☞“Resample” Auto)
Note On: Sampling will begin when you play the keyboard
after having pressing the SAMPLING [REC] key and then
the SAMPLING [START/STOP] key.
Sampling will also begin if a MIDI note-on is received
(instead of playing the keyboard).
1 Perform steps 1 and 2, above.
2 Press the SAMPLING [START/STOP] key.
3 When you play the keyboard or when a MIDI note-on is
received, sampling will start automatically.
4 To stop sampling, perform step 4, above.
Threshold: Sampling will begin automatically when the
input level exceeds the specified “Level.”
1 Press the SAMPLING [REC] key to enter sampling-
standby mode.
2 Use the “Recording Level [dB]” slider to adjust the sam-
pling level.
Be careful of the change in the monitoring volume.
(“Recording Level [dB]” 0–1d)
3 Adjust the “Level” setting. The black triangles at both
sides of the “Recording Level [dB]” level bar display will
indicate the “Level” value. Normally you will set this to a
low a level as possible without allowing sampling to be
triggered by noise.
4 Press the SAMPLING [START/STOP] key. When the
input level exceeds the “Level” you specified, sampling
will begin automatically.
5 To stop sampling, press the [START/STOP] key once
again. Alternatively, sampling will end automatically if it
continues to the time specified for “Sample Time” (0–1c).