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Appendices
• In Combination and Sequencer modes, transmission/
reception of these messages can be turned on/off
independently for each timbre/track (☞“Enable SW1,”
“Enable “SW2” Combination P3: 3–4a, Sequencer P3: 3–
7a/8a)
Foot switch (CC#82) [Bn, 52, vv]
If the above CC# is assigned as the function of the ASSIGN-
ABLE SWITCH, operating the switch will transmit this mes-
sage with vv=127 [7F] for ON, and vv=00 [00] for OFF. (This
can also be set as a B-mode function of the REALTIME
CONTROL knobs [1]–[4].)
• In Combination and Sequencer modes, transmission/
reception of this message can be turned on/off
independently for each timbre/track (☞“Enable Foot
Pedal/Switch” Combination P3: 3–4a, Sequencer P3: 3–
7a/8a).
When “Foot controller (CC#04)”–“Foot switch (CC#82)” are
operated on the TRITON STUDIO, the specified alternate
modulation or dynamic modulation etc. will be controlled.
When these messages are received, the result will be the
same as if the controller had been operated. For “SW1 mod-
ulation (CC#80)”–“Foot switch (CC#82),” vv of 63 [3F] or
less will be OFF, and 64 [3F] or greater will be ON.
Damper pedal (CC#64) [Bn, 40, vv]
This message is transmitted when you operate a damper
pedal (Korg DS-1H etc.) connected to the DAMPER jack,
and the damper effect will be turned on/off. If the DS-1H is
used, a half-damper effect can be applied.
• In Combination and Sequencer modes, transmission/
reception of this message can be turned on/off
independently for each timbre/track (☞“Enable
Damper” Combination P3: 3–1a, Sequencer P3: 3–7a/8a).
Sostenuto (CC#66) [Bn, 42, vv]
If the above CC# is assigned as the function of the ASSIGN-
ABLE SWITCH, operating the switch will transmit this mes-
sage with vv=127 [7F] for ON, and vv=00 [00] for OFF, and
the sostenuto effect will be turned on/off. When this mes-
sage is received, the result will be the same as when the con-
troller is operated (OFF for vv=63 [3F] or below, and ON for
vv=64 [40] or above).
Soft pedal (CC#67) [Bn, 43, vv]
If the above CC# is assigned as the function of the ASSIGN-
ABLE SWITCH, operating the switch will transmit, and the
soft pedal effect will be turned on. When this message is
received, the result will be the same as when the controller is
operated.
Controlling the tone/envelope of a program
CC#70-78 control specific parameters of a program. For
details on the program parameters that correspond to each
control change, and how the TRITON STUDIO will respond
in each mode when these are received, refer to “TRITON
STUDIO operations when control changes are transmitted/
received” (☞p.255).
Low pass filter cutoff (CC#74) [Bn, 4A, vv]
Resonance level/High pass filter cutoff (CC#71) [Bn, 47, vv]
Filter EG intensity (CC#79) [Bn, 4F, vv]
Release time (CC#72) [Bn, 48, vv]
These messages are transmitted when you operate the TRI-
TON STUDIO’s REALTIME CONTROLS [1]–[4] knobs in A-
mode. (They can also be set as B-mode functions.)
Sustain level (CC#70) [Bn, 46, vv]
Attack time (CC#73) [Bn, 49, vv]
Decay time (CC#75) [Bn, 4B, vv]
LFO 1 speed (CC#76) [Bn, 4C, vv]
LFO 1 depth (pitch) (CC#77) [Bn, 4D, vv]
LFO 1 delay (CC#78) [Bn, 4E, vv]
These messages are transmitted when assign the above CC#
to the REALTIME CONTROLS [1]–[4] knobs and operate
them.
When you operate these, the corresponding program
parameters will be controlled, and the sound and envelope
will change. When these messages are received, the result
will be the same as when the controller is operated. (When
the message has a value vv=64 [40], the setting will have the
value that was set by the program parameter.)
• In Combination and Sequencer modes, transmission/
reception can be turned on/off independently for each
timbre/track (☞“Enable Realtime Controls Knob 1, 2, 3,
4” Combination P3: 3–4a, Sequencer P3: 3–5a/6a).
In Program mode, the corresponding program parame-
ters will be temporarily edited by these messages. You
can Write the program to save the modified state
(except for certain parameters). The Write operation can
also be performed by a MIDI exclusive Program Write
Request message, in addition to the usual method of
using the TRITON STUDIO’s switches. When you write
the data, the values of the corresponding program
parameters will be rewritten.
The results of receiving these messages will depend on
the instrument. The operation may be different when a
device other than the TRITON STUDIO is connected.
Silencing all notes on a specific channel
All note off (CC#123) [Bn, 7B, 00] (value 00)
When this is received, all currently-sounding notes on that
channel will be turned off (as though the keys had been
released). However, the release portion of the notes will
remain.
All sound off (CC#120) [Bn, 78, 00] (value 00)
When this is received, all currently-sounding notes on that
channel will be silenced. While the All Note Off message
allows the release portion of the notes to remain, the All
Sound Off message will silence the notes immediately.
However, these messages are provided for emergency use,
and are not something that you will use while performing.
Resetting all controllers on a specific channel
Reset all controllers (CC#121) [Bn, 79, 00] (value 00)
When this is received, the value of all controllers on that
channel will be reset.
Using RPN to edit
RPN (Registered Parameter Number) is a type of message
that allows settings to be made in a way that is common
between instrument manufacturers. (NRPN (Non-registered
Parameter Numbers) and exclusive messages can be freely
used in non-compatible ways by different manufacturers
and models of instrument.)
RPN messages can be used for editing with the following
procedure.
1 Use RPN MSB (CC#101) [Bn, 65, mm] and RPN LSB
(CC#100) [Bn, 64, rr] (n: channel, mm, rr: upper and
lower bytes of the parameter number) messages to select
the parameter.